Escape Room *** ½ / *****
Directed by: Adam
Robitel.
Written by: Bragi F.
Schut and Maria Melnik.
Starring: Taylor Russell (Zoey),
Logan Miller (Ben), Deborah Ann Woll (Amanda), Tyler Labine (Mike), Nik Dodani
(Danny), Jay Ellis (Jason).
Two
horror series I had a tough time quitting no matter how silly they got were the
Saw and Final Destination franchises. Both started off being, admittedly,
ridiculous and then with each passing installment had to up the ante more and
more and more until it was impossible to take any of it at all seriously –
which of course was part of the fun about both franchises. The new film, Escape
Room – the first wide release movie of 2018 – seems to want to step in and fill
the void left by those two franchises, and does so in a surprisingly fun first
installment of what could easily become a new guilty favorite horror franchise.
Well, horror-lite franchise, as the movie really isn’t all that scary, nor is
it trying to be. It wants to be tense and entertaining and fun, and knows you
cannot take it seriously, and doesn’t take itself seriously either. In short,
it’s a fun way to spend a January night at the movies.
The film
is about a group of six strangers – all of whom receive puzzle boxes, that they
have to solve, and when they do they unlock an invitation to attend an
“immersive escape room” – that if they can solve, they’ll win $10,000. So they
arrive at the time and place they are told to, are herded into a room – and
without realizing it, the game starts. Like the escape room that have become a
fad in real life (I’ve done a few with my wife – good times, mostly) – you have
to solve a series of puzzles, which will unlock the door, and let you out. In
this case, it just lets you into another escape room – and more puzzles. At
some point, they begin to suspect that they aren’t really playing a game at all
– but they’re in it for real, and if they cannot make it out, the consequences
will also be real.
To say
more about the plot would be unfair, since the movie is pretty much all plot,
and depends on the twists and turns – and surprises in the rooms themselves for
its effectiveness. The characters are all one note – the actors are playing
types more than real characters, and only three of six of them are given scenes
before they get to escape room to define them (all of their backstories will
eventually come out, of course, because they were selected for a reason). The
lead is Zoey (Taylor Russell – quite good), a quiet, nerdy genius at her
university who keeps to herself while everyone else parties. There’s also Wall
Street bro Jason (Jay Ellis), and stoner Ben (Logan Miller), nice guy trucker
Mike (Tyler Labine), Iraq war vet Amanda (Deborah Ann Woll) and gamer geek
Danny (Nik Dodani) as well – an expert on escape rooms, so he can explain the
rules to the rest of them, who apparently showed up to an escape room not
knowing what they were. With those few sentences, the characters are now as
well defined for you as they are at the end of the movie.
No one is
going to mistake a film like Escape Room for high art, and even great genre
filmmaking. It’s ambitions are low, as are the payoffs. But the payoffs are
still very real – and rewarding in their own way. The thing that the Saw and
Final Destination franchises knew was that it was fun for the audience to try
and piece together precisely what was going to happen before the characters
did, and they got killed off in creative ways. Escape Room knows this as well –
and if the deaths in Escape Room are a little tame this time around, I imagine
the ante will be upped in further sequels – which of course are setup at the
end of this film.
January
releases are supposed to be bad. Most moviegoers are still either catching up
with the Christmas Oscar releases, or blockbusters, throughout January, so it’s
a dumping ground for studios to offload their mistakes and hopefully make a
couple of bucks. Escape Room is better than the typical January release. It’s
fun and silly and dumb in all the right way for a film like this.
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