Aquaman *** / *****
Directed by: James
Wan.
Written by: David
Leslie Johnson-McGoldrick and Will Beall and Geoff Johns and James Wan based on
a character created by Mort Weisinger and Paul Norris.
Starring: Jason Momoa (Arthur Curry
/ Aquaman), Amber Heard (Mera), Nicole Kidman (Queen Atlanna), Dolph Lundgren
(King Nereus), Patrick Wilson (Orm /
Ocean Master), Willem Dafoe (Nuidis Vulko), Randall Park (Dr. Stephen Shin), Temuera
Morrison (Thomas Curry), Yahya Abdul-Mateen II (David Kane / Black Manta), Michael
Beach (Jesse Kane).
It’s no
secret that DC has stumbled out of the gate in their attempt to build a huge
cinematic universe like Marvel has done. A big part of that is that they tried
to move so quickly – making the Justice League movie before any characters
other than Superman and Wonder Woman really had standalone movies. But a much
bigger part is that they have insisted on making the movies so dark and
serious. They looked at what Christopher Nolan did with the Dark Knight movies,
and took exactly the wrong lessons from him – feeling that they had to suck all
the humor (and color) out of the movies and make them “gritty”. The result has
been overstuffed films that are lacking in any real sense of wonder and joy.
Last year’s Wonder Woman acted as a corrective – and showed a way forward,
because the film takes itself seriously, it was also a hell of a lot of fun.
And now comes Aquaman, which is hardly a great film, but is certainly a lot
more fun than the other DC films (save for Wonder Woman) and thankfully doesn’t
try and give us a dark and gritty Aquaman. The film is still undeniably
bloated, and there is too much CGI in the film – it all starts to blend
together into some kind of visually incoherent soup at times – but it’s a lot
better of a film than it probably has any right to be.
We
already met Aquaman in last year’s Justice League (where, as played by Jason
Momoa, he was pretty much a one note bro-joke), so to go back now and get his
origin story is a little strange. Still, here it is – the son of the Queen of
Atlantis (Nicole Kidman) and a human lighthouse keeper (Temuera Morrison),
Arthur Curry grew up as a human, but received lessons from his Atlantian side,
after they dragged his mother away, never to be seen again. His younger, half-brother
Orm (Patrick Wilson) now wants to start a war the surface dwellers (to be fair,
we deserve it – we have polluted their water). So Mera (Amber Heard) reaches
out to Arthur to try and get to come back and take his rightful place on the
throne.
Of
course, it is a lot (and I mean A LOT) more complicated than that. This is a
film that runs nearly two and a half hours, and spends much of that time
explaining Atlantis politics – and the different undersea kingdoms that need to
be united, and complex rules of challenging for the throne, etc. It didn’t need
to be this complicated – and would have been a lot better had it not been so
complex, because in reality much of that exposition is full. It doesn’t help
that Patrick Wilson doesn’t leave much of an impression as Orm. Wilson is an
actor who excels when you need him to play bland characters – pretty boys
without a personality (Angels in America, Little Children) – but something like
a comic book villain just isn’t in his wheelhouse. The same could be said for
Amber Heard as Mera – whose motivations are never really clear, except that
she’s supposed to be the pretty one. Luckily though, Jason Momoa is actually a
delight as Aquaman. Yes, the role and the character are ridiculous – but Momoa
completely embraces its inherent goofiness, and makes the role his own. It’s a
reminder that you don’t always have to be the best actor to be right for the
part – and Momoa is undeniably right for the part.
The
biggest asset the film has though may just be James Wan as director. Wan has
proven himself to be one of the best directors of horror working today (The Conjuring,
Insidious, Saw) – and with a Fast & Furious movie under his belt, he added
blockbusters to his list as well. Here, he handles the massive amounts of CGI
about as good as can be expected. Occasionally, it doesn’t always work – but
for the most part, he does bring his own sensibility to the project. No, it’s
not the best work of his career – and I really wish he’d go back to making
horror films, which he does better than practically anyone around today – but
he brings a level of director personality to Aquaman that has been missing from
the DCU so far.
So no,
Aquaman isn’t a great movie – but it’s a step in the right direction for DC.
Yes, the film is still too long, too bloated, with too much CGI. But it’s also
fun and doesn’t take itself so seriously that it sucks the joy out of watching
it. For DC, that’s about as good as it gets.
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