Happy
Death Day *** / *****
Directed
by: Christopher
Landon.
Written
by: Scott
Lobdell.
Starring:
Jessica
Rothe (Tree Gelbman), Israel Broussard (Carter Davis), Ruby Modine (Lori), Rachel
Matthews (Danielle), Charles Aitken (Gregory), Jason Bayle (David), Phi Vu (Ryan
Phan), Donna Duplantier (Nurse Deena), Rob Mello (Joseph Tombs), Cariella Smith
(Becky).
Happy Death Day is a goofy horror
movie riff on Groundhog Day – and the best thing about the movie is that it
knows how goofy it is. This isn’t really a scary movie – there are a couple of
moments that may make the uninitiated jump, but for the most part, you likely
won’t be too scared by the movie. Instead, the movie just want to have a little
fun with the genre, and for the most part succeeds. I wish the movie had pushed
itself a little harder – a better ending could have upped this film from fun,
forgettable time waster into something more than that – but its ambitions are
not that high.
The film opens with university
student Tree (Jessica Rothe), waking up in a strange dorm room, hungover, and
not quite sure how she got there. The dorm room belongs to Carter (Israel
Broussard) – and he isn’t the creep we first assume him to be (it’s a little
sad how low we set the bar for not creep like behavior for men on university
campuses, but apparently just not sleeping with a girl who is almost
unconscious from drinking too much is where we’re at). She quickly gets her
stuff together, and does the “walk of shame” back to her sorority, and then
goes through the rest of the day – her birthday – dodging calls from her dad,
and apparently interacting with every person she knows on campus. That night,
on her way to a party – she is attacked and murdered by some knife wielding
psycho wearing a baby mask – but just as she dies, she wakes up in Carter’s
room, and does the whole thing over again. And again. And again. And again. No
matter what she does, it always ends the same – with the knife wielding psycho
in the baby mask killing her. She figures if she can figure out who the killer
is, than she can stop them – but that is more complicated than it sounds.
Like Tree, you’ll spend most of
the film trying to piece together who the killer is – although a montage part
way through takes a lot of suspects out of the running too early for my tastes.
The last act of the movie is more than a little bit of a mess – and goes on a
lengthy misdirection that was raised so many questions in my head that it
obviously had to be a misdirection, and so it’s more than a little farfetched
than Tree – who had lived through the day dozens of times by now – would ever
believe it.
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