Creep
2 *** ½ / *****
Directed
by: Patrick
Brice.
Written
by: Patrick
Brice & Mark Duplass.
Starring:
Mark
Duplass (Aaron), Desiree Akhavan (Sara), Karan Soni (Dave).
The original Creep – which played
the festival circuit in 2014, and had a modest release in 2015 – was an
effective, mirco-budgeted found footage horror comedy, in which Mark Duplass
effective skewered his own image as the nice hipster, by essentially playing
that character again, but this time, using it to mask the fact that he’s a
serial killer. That film found Duplass’ Josef placing an ad in Craigslist
looking for a videographer to come to his secluded house in the woods, and
shoot footage of him for one day, at the rate of $1,000. The videographer gets
there, and is creeped out by Josef – but then again, Josef tells him he’s dying
of cancer, and he wants to make this video for his unborn child, so he goes
along with what is asked of him. Besides, it just seems like Josef is just a
weird hipster – nothing all that dangerous. Of course, that’s not all Josef is.
In many ways, Creep 2 follows the
same basic premise of the original – and yet is smart enough to know that even
if his ruse would work on another videographer, it wouldn’t work so well on the
audience. So after a bloody opening scene – a kind of mini version of Creep
played out in 7 minutes – when Josef, who now calls himself Aaron (which was
the name of the victim in the original Creep) places the same ad for a
videographer, and gets another response, he has a different game in mind this
time. The videographer who replies is Sara (Desiree Akhavan) – a frustrated
filmmaker, whose web series “Encounters” has gone nowhere – and when she shows
up, Aaron lays the cards out on the table for her. He is a serial killer, he’s
just turned 40, and he’s losing his love for his “vocation”. He wants Sara to
film him for 24 hours, again for $1,000, and he promises he won’t kill her in
that 24 hour period. She may actually get a good episode of Encounters out of
it.
Creep 2 is very aware of what the
original film did, and instead of repeating itself, works hard not to – it actually
calls attention to the kind of jump scares and Boo moments that freaked Aaron
out so much in the original film, and shows that Sara is hardly impressed. She’s
a tougher nut to crack than the last guy – and she doesn’t really believe that
this Aaron is a serial killer – just an aging, creepy hipster, with a bad
ponytail, who decides to get naked pretty much right after meeting her – a way
to “clear the sexual tension” that will always “exist between a man and a woman”.
Sara doesn’t want to be intimidated, and responses in kind.
All this is an effective way to
make a horror sequel – acknowledge what worked about the last film, but then
try to push beyond that into something else. While it’s only been a few years,
what works best here maybe the fact that Duplass’ character is aging – and he
realizes it. At what point does an aging hipster – who makes complicated
smoothies, and listens to unknown jam bands from the 1990s – who do with “one
guitar solo what no poet in history has been able to do” start to go from just
weird, to out and out creepy and pathetic.
The ending of the film is
effective in its own way – there is a kind of shaky cam horror movie in the
woods climax that borrows too heavily from the Blair Witch Project, but hey, it’s
still effective. But it’s really the last shot in the movie that is a quiet
stunner – and makes me excited about the already announced Creep 3.
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