Dawson
City: Frozen Time *** 1/2 / *****
Directed
by: Bill
Morrison.
Written
by: Bill
Morrison.
Dawson City: Frozen Time is one
of the most fascinating documentaries of the year – a film that tells several
interlocking stories, all in and around, and related to Dawson City – once the
capital of the Yukon, which briefly flourished as a Gold Rush town, and then,
quickly, saw itself fall from relevance for decades. The documentary tells the
story of Dawson City as a Gold Rush town in the waning days of the 19th
Century, how big Dawson City got, and quickly it fell away. It also tells the
story of the treasure trove of silent films discovered in Dawson City in the
1970s – and how they were restored and preserved. Then, it tells the story of
those films itself. It is a fascinating combination of history and cinematic
lore – all told through images, and intertitles – no narration – and is a must
for film buffs.
The story of Dawson City as a mining
town is fascinating in its own right. It happened the way all gold rushes
happened – one lucky guy found gold there, set-up his claim, and when word got
out, thousands flocked to the city. The film contains some footage of that time
– movie cameras were just starting to be used, and also uses a lot of still
photos from the era at the same time to tell how this small city blew up overnight.
Of course, most people who arrived had no hope of finding gold – they couldn’t even
setup their own claims, since they were all gone. But as the city itself grew,
more and more business sprouted up to “mine the miners” as the documentary
explains – and Dawson City becomes an unlikely major city in the Canadian
North. Of course, once the Gold Rush is over, almost all of the 40,000 who
flocked there leave, and the the decades since have been a much sadder story,
as Dawson City has mainly lost its relevance.
One of the businesses that did
get built was, of course, movie theaters. Dawson City was the last stop on the distribution
chain – where films would open in major cities, and then the prints would
slowly circulate the country going to smaller and smaller cities – eventually ending
in Dawson City. The studios didn’t want the films back, and Dawson City didn’t much
know what to do with them – the prints themselves were dangerous, since they
contains nitrate and were extremely flammable. Most of the prints got destroyed
– but in the 1970s, they find a lot of prints, buried in the underground, in a
filled in swimming pool. Because of the cold, and other factors, the prints
were largely intact – they were all water damaged, but still playable.
Eventually, they would be restored.
All of this is lovingly assembled
by filmmaker Bill Morrison, who uses much of the movies found in that swimming
pool as the spine of his film. The film traces the evolution of both Dawson City,
and of cinema itself – both becoming more advanced as the 20th
Century progresses,
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