The
Death and Life of Marsha P. Johnson *** ½ / *****
Directed
by: David
France.
Written
by: David
France & Mark Blane.
The Death and Life of Marsha P.
Johnson is most effective when it looks at the larger picture, and a little
more suspect when it tries to zoom in on the details. The film uses its title
figure – the famous drag queen Marsha P. Johnson, a figure in the Stonewall
riots, and a gay activist her entire life, until her mysterious death in 1992,
to tell the complicated history of transgender people in the gay rights
movement. While today, the LBGTQ community is overall very supportive of trans
rights, that wasn’t always the case – and director David France has the footage
to prove it, as a large rally for gay rights in the 1970s features trans
activist Sylvia Rivera giving a speech, where she is essentially booed and
shouted down. She left the movement after that – and had a complex relationship
with the movement for decades after – going through her own struggles, before
dying in 2002 herself. When the film looks back at the movement in those
earlier days, or focuses on the current situation – which is better, but far
from good – the movie follows a murder trial where a man admits to beating to
death a Trans woman, but says he did so out of “panic” when he discovered she
was trans – it is excellent. When it focuses on the personal story of Victoria
Cruz – a trans woman herself, from the same generation of Marsha and Sylvia –
it is also quite good – giving a more personal side to the movement. But it’s
on shaky ground when it examines Marsha’s death itself – coming up with very little
other than shaky conspiracy theories.
Marsha’s death is undeniably
strange – she was found in the water off the Christopher street pier in 1992 –
and the cause of her death was drowning. There doesn’t appear to be any trauma
on her body – she wasn’t beaten, stabbed, shot, etc. – and the police
essentially rule it a suicide, and move on. But was it? It also could have been
an accident. It also, of course, could have been murder. Cruz is convinced that
it was murder, and does everything she can to try and prove that. She goes to
Marsha’s surviving siblings to get them to give her permission to get the
autopsy report from the medical examiner, she reaches out to the original
investigating officers, with little success, and she digs through the records
of the organization in which she works – the Anti-Violence Project. She reaches
out to those who knew Marsha – her roommates, her friends, etc. What she
discovers in this investigation is, honestly, not that much. The original
officer won’t talk to her – but a cold case detective eventually does, saying
he looked into the case a couple years ago, and couldn’t find any evidence that
she was murdered. Part of the autopsy record is missing – but it is 25 years
old, so that’s not that unusual (on the phone, Victoria asks the woman in
charge of the records “So you’re saying that out of all of your records from
1992, this is the only one missing” and the reply “No, I’m not saying that”).
There is a witness that says she saw Marsha at 4 am the day before her body was
discovered – and she was being followed by two men and looked scared. There is
also an anonymous phone call, warning Marsha’s roommate away from his then
current mission of trying to wrestle the local gay pride festival away from the
Mob – but that’s about it. By the end of the documentary, the feeling I got
about Marsha’s death is that I still don’t know what happened – with murder,
suicide and accident all still being possible. The biggest problem may well be
that the police didn’t do more of an investigation back in 1992 – but
unfortunately, we cannot go back in time and do that now.
Everything around this
investigation into what happened to Marsha in regards to her death was so
fascinating however, that I didn’t much care that the crime aspect just went in
circles. The film was directed by David France – whose debut film, How to
Survive a Plague, was an even more impressive doc – about ACT UP in the 1980s,
and their struggle to get people to take the AIDS epidemic seriously. This film
is another important one, looking back at the history of the gay rights
movement, and documenting how contentious it once was. For someone like Marsha,
there was no hiding she was – and being a “drag queen” at that time was a day
in, day out form of activism. The trans community were outliers then, and they
remain the most picked upon, abused and mocked members of the LGBTQ community
to day. This documentary acts as a reminder of how far we have come as a
society in these matters – and how much farther we have to go.
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