Official Secrets ** ½ /
*****
Directed by: Gavin
Hood.
Written by: Gregory
Bernstein and Sara Bernstein and Gavin Hood based on the book by Marcia
Mitchell and Thomas Mitchell.
Starring: Keira Knightley (Katharine
Gun), Matt Smith (Martin Bright), Matthew Goode (Peter Beaumont), Rhys Ifans (Ed
Vulliamy), Adam Bakri (Yasar Gun), Indira Varma (Shami Chakrabarti), Ralph
Fiennes (Ben Emmerson), Conleth Hill (Roger Alton), Tamsin Greig (Elizabeth
Wilmshurst), Hattie Morahan (Yvonne Ridley), Ray Panthaki (Kamal Ahmed), Angus
Wright (Mark Ellison), Chris Larkin (Nigel Jones), Jeremy Northam (Ken MacDonald).
Official
Secrets is the story of Katherine Gun, who in the lead up to the Iraq war,
worked for British intelligence as a translator. She knew that the intelligence
didn’t really support the war, and that both the American and Iraqi governments
were lying about it – and eventually her conscience gets the best of her – and
she leaks an internal memo from the Americans, to the British, requesting
information on members of the UN Security council, that could be used to
essentially blackmail them to voting for the war. She didn’t do this for
personal gain – in fact, it was a tremendous personal risk to her, as she could
be fired and charged, and her Muslim refugee husband could end up being
deported. It is a great story – and not one all that well-known outside of
England. And yet, the movie that tells the story is more than a little dull –
and never quite hits the way it should.
I think
the reason the film doesn’t really work is because co-writer/director Gavin
Hood never really settles on the story he wants to tell. He has essentially
made three movies here – and none of them work as well as they should. One of
the movies is about Gun herself – played in a fine performance by Keira
Knightley, as a woman who gets increasingly exasperated with what she knows are
lies, leading her country to war, and eventually breaks and leaks the document
– and then has second thoughts. When the leak is discovered, and she is
discovered the leaker, the pressure mounts on her – and her husband.
The
second movie is about the reporters who eventually get the memo. They work for
a paper that is pro-war – but cannot resist a good story. They have trouble
verifying the story – and they have to go to print still not 100% sure that
they are correct – even though they have vetted it as much as they can. This
part is probably the weakest – because it’s the most well-known and clichéd
part – and as talented as some of the actors (Rhys Ifans, Matthew Goode, Matt
Smith) are, they cannot quite breathe life into it.
The third
movie starts late – and centers of a lawyer played by Ralph Fiennes, who
decides to take on the case for Katherine, when the government seems to be
coming for her guns blazing. His challenge is to mount a defense for a woman
who has confessed her crime, and is charged under a law that pretty much says
the government can do whatever they want. His only defense is that the war was
illegal – so therefore, what Katherine did to try and stop it wasn’t.
I will
say that the movie builds to a satisfying courtroom climax – the rare courtroom
climax that literally did surprise me, and would be the type of thing you
wouldn’t believe unless it were true. It hits just the right notes in that
climax.
But the
rest of the movie feels a little too bland, a little too predictable, a little
too stolid and solid, without really digging very deep. It’s all very British
in a reserved way – but without the subtlety that can sometimes come along with
it. The film holds your interest, without ever being very involving. It’s just
kind of there.
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