All About Nina *** ½ / *****
Directed by: Eva
Vives.
Written by: Eva
Vives.
Starring: Mary Elizabeth Winstead (Nina
Geld), Common (Rafe), Chace Crawford (Joe), Camryn Manheim (Debora), Jay Mohr (Mike),
Mindy Sterling (Amy), Angelique Cabral (Carrie), Clea DuVall (Paula), Kate del
Castillo (Lake), Beau Bridges (Larry Michaels).
I’m not
quite sure why it seems like Hollywood has never quite known what to do with
Mary Elizabeth Winstead. Almost every time I see her in a movie – or TV show –
she is fantastic, and yet it seems like we don’t see her enough – and when we
do see her, like in the brilliant, blistering performance she delivers in All
About Nina, no one seems to notice. So I guess you can add this to her
excellent work in Smashed or the third season of Fargo or 10 Cloverfield Lane –
as another excellent performance by one of Hollywood’s most talented, but underutilized
actresses.
Her
character in All About Nina is a mess – if the Amy Schumer movie hadn’t already
used the title Trainwreck, it would have been appropriate here – Schumer’s character
in that movie has it all together compared to Nina here. She is a New York
standup comic – who has an angry, aggressive persona on stage (one of the
things I don’t know is if we’re supposed to find her normal standup funny or
not – I didn’t really, although I think Winstead delivers the material
brilliantly). After years in New York, she decides to head to L.A. – she tells
herself it’s to audition for Comedy Prime (a SNL clone) – but it’s at least as
much to get away from Joe (Chace Crawford), the married cop who hits her that
she is currently fucking. To call him a boyfriend would be too generous – Nina says
she never has never had a boyfriend, and you believe her.
When she
gets to L.A., there is a little bit of culture shock. She moves in with what
could be a L.A. cliché – a Mexican American writer or New Age mumbo jumbo, who
talks about her “energy” and has healing parties in her backyard where people
are encouraged to feel their “truth”. Nina feels her truth onstage – but off
it, she has her guard constantly up. She has to fend off the advances of male
comics and, just men in general – she wants to be in control – which means a
lot of anonymous one night stands. When she is approached by Rafe (Common) in a
club, she doesn’t know what to do with him. He’s nice and kind, calm and confident.
When she tells him she isn’t going to fuck him, it doesn’t faze him – he asks
her out anyway. He just wants to take things one step at a time and see where
things go.
The plot
of All About Nina is, admittedly, riddled with clichés. In almost any movie
about a stand-up comedian, you know you’re going to get to a scene where the
main character flips out on stage – revealing the “truth” that they have hidden
the whole movie to the audience that shocked and silent. That happens here –
and the “truth” that Winstead reveals is fairly shocking (and, mostly, comes
out of left field). As brilliant as Winstead is in this sequence – and it is
her most show-offy moment, but still feels real, I almost wonder if it wasn’t needed
at all. I’m not sure we really need to assign a reason to Nina’s anger the way
the film seems to feel the need to.
I also
think that Common is another reason why the film works. While Winstead’s Nina
is all raw edges and emotions, Common is a calming force in the movie – and for
Nina. He’s a good guy – not a perfect one as the film makes clear, but a guy
who knows who he is, and is confident in that. It’s also refreshing to see
Common take on a role that does burden him with being some moral, upstanding
guy – like he seems to be most often. Here, he’s a nice guy.
The film
was the debut for writer/director Eva Vives, and it’s a fine debut for her.
Yes, it indulges in clichés, but she also gets such wonderful performances from
her actors, and taps into a kind of deep, dark pit of anger that so many women
feel right now. It’s not perfect – but it’s very good. And it should serve as a
reminder of how great Winstead can be.
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