Blood Father
Directed by: Jean-François Richet.
Written by: Peter Craig and Andrea
Berloff based on the novel by Peter Craig.
Starring: Mel Gibson (Link), Erin
Moriarty (Lydia), Diego Luna (Jonah), Michael Parks (Preacher), William H. Macy
(Kirby), Miguel Sandoval (Arturo Rios), Dale Dickey (Cherise), Richard Cabral (Joker),
Daniel Moncada (Choop), Ryan Dorsey (Shamrock), Raoul Max Trujillo (The
Cleaner).
No
matter what else you can say about Mel Gibson – and lord knows, you can say a
lot – the man was once one of the biggest movie stars in the world for a
reason. He has that movie star ability that allows him to coast through movies
on the basis of his charm alone, if he wants to, and while his range may never
have been great – that’s true of many movies stars – they are not character
actors after all. Had Gibson’s personal demons not become very public, than he
likely would still be churning out action movies like Tom Cruie is able to do-
and they’d still likely be very entertaining. Gibson’s career as a movie star
is over though – so we’re likely left with starring roles like the one in Blood
Father – a smaller action movie, that smartly builds Gibson’s demons into his
character from the start, and then allows that character to get a measure of
redemption by the end.
When
we first see Gibson on Blood Father, he’s is heavily bearded, and tired looking
– speaking at an AA meeting, where he basically confesses that is alcoholism
and rage issues have left him a bitter, lonely man who has ostracized everyone
who has ever loved him, and now he’s just trying to make it through day-to-day.
He also mentions his missing daughter, Lydia (Erin Moriarty), who we’ve already
met – when she buys a lot of ammo from Wal-Mart (and asks for cigarettes as
well, but they won’t sell those to her without ID, because America). Her drug dealer
boyfriend, Jonah (Diego Luna) and company then use those bullets when they
storm a residential home looking for money and drugs the family inside have
apparently stolen. Lydia ends up getting away from those drug dealers – but
they’re after her, and with no one else to turn to, she reaches out to her dad
– who rides to the rescue.
Blood
Father is not a great movie – and it’s probably not one you want to think
through very much, or else it may come across as kind of offensive (let’s just
say that the depiction of all the Latino characters in the movie would
basically get Donald Trump’s seal of approval). Yet, the reason to see the
movie is Gibson himself – who throughout the course of Blood Father reminds you
precisely why he was a movie star in the first place, and who works hard to try
and put his sins in the past. Not only does the film have Gibson’s link admit
to his alcoholism and rage issues – it also has him confront his one-time crime
collegues – who happen to be a White Supremist group (although they are never
identified as such, there’s more than enough evidence – including Nazi flags to
make it pretty clear). The film has some decent work by Michael Parks as the
leader of this hate group, and while I didn’t necessarily buy Moriary as a
character who was either addicted to drugs or in love with Luna’s Jonah, she is
a fine screen presence as well – and helps to give some of the closing scenes
an emotional pulse. It’s also a relief that Moriaty isn’t playing the doe-eyed
innocent that Maggie Grace was stuck playing for three fricking Taken movies –
she’s tougher than she looks.
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