A Shaun the Sheep Movie:
Farmageddon **** / *****
Directed by: Will
Becher and Richard Phelan.
Written by: Jon
Brown and Mark Burton and Nick Park based on characters created by Park.
Starring: Justin
Fletcher (Shaun / Timmy), John Sparkes (The Farmer / Bitzer), Chris Morrell (Farmer
John), Andy Nyman (Nuts), David Holt (Muggins), Kate Harbour (Agent Red /
Timmy's Mum), Amalia Vitale (Lu-La), Joe Sugg (Pizza Delivery Boy).
Sometimes,
it feels as if the universe is laughing at you, doesn’t it? A week after I saw
the horribly cynical Sonic the Hedgehog – a crass commercial enterprise in
brand extension disguised as children’s entertainment, I saw the utterly
delightful A Shaun the Sheep Movie: Farmageddon. The plot of the two movies is
virtually identical – an alien creature has to go on the run with an earthling,
on the run from a government agent who wants to capture the alien – but other
than that, the two films couldn’t be more different. Whereas Sonic the Hedgehog
has nothing on its mind other than empty nostalgia, Farmageddon is a delightful
film with influences from the entire history of animation and silent film comedians
like Tati, Keaton, Lloyd and Chaplin (including a direct reference to Chaplin’s
Modern Times). It is children’s entertainment done right – sweet, without being
saccharine, funny without being cynical or depending on pop culture references.
While Sonic is making a ton of money at the box office however, Farmageddon has
been quietly dumped to Netflix. There is no justice in the world.
Shaun
the Sheep is, of course, the franchise from Aardman – that wonderful British
animation studio best known for Wallace and Gromit. Shaun the Sheep is a long
running TV franchise – easily translatable around the world, because basically
there’s no dialogue at all – the animals sound like animals, if they make any
noises at all (which they don’t often do) and the humans speak in gibberish –
as if it’s what those animals are hearing. The first Shaun the Sheep movie came
out in 2015 – and was even better than this, a pure delight for children. It
didn’t make any money in North America – because we’re idiots – which explains
why this film, which played in theatres everywhere else late last year – was
dumped to Netflix here, where its audience will not find it.
This
time, our hero sheep has to team up with Lu-La, an alien child, who
accidentally crash landed on earth, who wants nothing more than to get back to
their mom and dad. To do this, Lu-La and Shaun go on the run to try and recover
their spaceship – and have all kinds of hilarious adventures – a stop at a
grocery store, where Lu-La discovers candy and soda is a particular delight.
The Farmer, Shaun’s oblivious owner, decides he wants to capitalize on the
alien craze by building a theme park. And a government agent is chasing down
Lu-La, to try and prove her lifelong obsession with aliens isn’t fruitless.
The
film is a sweet delight from beginning to end. Aardman knows precisely what
they are doing, precisely how to reach children – probably smaller children,
for whom a lot of “funny” dialogue is meaningless. The ambitions here are not
great – just making very funny, sweet children’s entertainment – that is also
incredibly smart for the adults in the crowd. It’s a mixture that sounds easy
but is very hard – but something Aardman does better than just about anyone.
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