Friday, October 25, 2019

The Films of Bong Joon-ho: Mother (2009)

Mother (2009) 
Directed by: Joon-ho Bong.
Written by: Joon-ho Bong and Eun-kyo Park & Joon-ho Bong.
Starring: Hye-ja Kim (Mother), Won Bin (Yoon Do-joon), Goo Jin (Jin-tae), Je-mun Yun (Je-moon), Mi-seon Jeon (Mi-sun), Sae-byeok Song (Sepaktakraw Detective), Woo-hee Chun (Mi-na), Gin-goo Kim (Ah-jeong's Grandma), Moo-yeong Yeo (Lawyer Kong Seok-ho), Hee-ra Mun (Moon Ah-jeong), Mi-do Lee (Hyung-teo), Young-ki Jung (Kkang-ma), Gyu-pil Go (Ddung-ddung), Hong-jib Kim (Jong-pal), Kyung-Sook Cho (Mi-na's Mama), Myung-shin Park (Chief), Tae-won Kim (Young Do-jun).
 
You think you know where Joon-ho Bong’s Mother is going – and you are almost certainly going to be wrong. After a few establishing scenes, where we get to know Do-joon (Won Bin) – a mental with some mental difficulties, and his devoted mother (Kim Hye-ja), who is never given a name other than Mother – we find out a murder has been committed. The murder is that of a teenage girl – whose head was bashed in, before she was put on display for the whole small town to see. There are a few clues that point to Do-joon, and the it doesn’t take the cops long to get a “confession” out of him for the murder – although it’s clear he doesn’t really understand what is going on, and he is thrown in jail awaiting trial. The cops are convinced they have the right man – or at least don’t care enough to look any harder, the high priced lawyer she has hired (and cannot afford) doesn’t much care, and no one else does either. Therefore, it’s up to mother to get to the bottom of the case – to prove her son’s innocence.
 
That probably sounds like a fairly typical setup for a thriller. And you could easily make a conventional thriller out of the material. Those opening scenes of the cops interrogating Do-joon will no doubt remind you of the early scenes in another Bong Joon-ho film – Memories of Murder – where it was clear the cops didn’t really care if they caught the right person, so long as they got someone to confess, so they could close the case and move on. And yet, like Memories of Murder, Mother doesn’t go where you expect it to go. It starts as a mystery, and deepens into a character study of Mother.
 
Kim Hye-ja gives a truly great performance in the lead role. When the film begins, you think she is the typical, overbearing, overprotective mother – and yet, with her you understand it more. Do-joon may be an adult, but he has the mental capacity of a child – and has fallen in with a bad crowd – notably Jin-tae (Goo Jin) a low level criminal and con artist, who uses Do-joon in his schemes. Of course she worries about it – look what happens when she isn’t there to protect him. But slowly, her character deepens – and her motivations for doing so much for Do-joon become more complicated. It isn’t just motherly love and devotion – it’s a deep sense of guilt and shame. Bong even reveals what in other films may have been a final scene twist at the half way point – and then allows the film to get darker from there. The darkness isn’t just about Mother – but about society in general – the cell phone of the victim becomes a key piece of evidence, that shows things we’d rather not think about. Jin Tae re-enters the picture, full of violence and rage. And Mother finds she can do a lot of things she didn’t think she could.
 
By the time we get to the end of the movie, everything has been turned on its head – and no matter what, nothing can be the same again. Both Mother and Do-joon know too much about each other, and have shown that dark side, to each other. And yet, of course, Mother is still there protecting Do-joon – even when he becomes somewhat cruel to her, rubbing her nose in what he no knows that she wishes he didn’t. But the love may no longer be there.
 
Mother is a complicated film. It looks and acts like a thriller – a procedural, in which an unlikely detective follows one clue after another, hoping to put them all into place. But ultimately, Bong isn’t as interested in that as he seems. The film has answers to all your questions – it resolves everything. It’s just that by the time it supplies them, you care about so much more than those simple answers. It’s what makes Mother so a powerful, complex film.

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