The
Fate of the Furious *** / *****
Directed
by: F.
Gary Gray.
Written
by: Chris
Morgan based on characters created by Gary Scott Thompson.
Starring:
Vin
Diesel (Dom), Jason Statham (Deckard), Dwayne Johnson (Hobbs), Michelle
Rodriguez (Letty), Tyrese Gibson (Roman), Ludacris (Tej Parker), Charlize
Theron (Cipher), Kurt Russell (Mr. Nobody), Nathalie Emmanuel (Ramsey), Luke
Evans (Owen), Elsa Pataky (Elena), Kristofer Hivju (Rhodes), Scott Eastwood (Little
Nobody)..
A few years ago, some critic on
Twitter (I’ve long forgotten which) asked to summarize the Fast and Furious
movies with one word. A lot (most) said the word “Family”, which if you were
going to run an algorithm through the films to find which word is spoken the
most, then Family just may come in first. The first word that came to my mind
though was VROOOOOMMMMMMM! It admittedly took me a while to start liking these
movies – I didn’t even see the first or third installments in theaters (both
made during a time when me not seeing a wide release was much more rare then me
seeing one), and kind of rolled my eyes through at least the first four. But
somewhere along the way, the series wore me done – I think it was just the
realization that every time they set out to make a new one of these, they
decide to try and top themselves with how much ridiculous crap they can throw
at the screen in terms of action sequences – the sillier they get, the more fun
they are. I also did appreciate however how seriously the films took their
chronology – and even when they doubled backed three films later to change what
happened, they had a very good explanation as to why that happened. Sooner or
later however, there is only so many times the series can double back on
itself, and change our perspective on characters before it gets too silly, too
far out – and The Fate of the Furious may just do that. It’s still goofy fun,
but it’s not quite up to the height of the past three installments.
The bare bones plot of the movie
has to do with Dom (Vin Diesel), living the high life in Cuba, until Cipher
(Charlize Theron) comes calling. She has a job for him, he’s not interested –
but then she shows him something on her cell phone, and he no longer feels he
has a choice. He cannot even bring his team into whatever this job is – not
only that, but he has to betray them. He does, and goes to work for Cipher,
while the mysterious Mr. Nobody (Kurt Russell) brings the rest of the team
together to try and stop them. The word family is used A LOT – even by Fast and
Furious standards.
This is the first installment of
the series directed by F. Gary Gray – taking over for James Wan, who made one
film, who took over from Justin Lin, who made four. Gray is a veteran director,
coming off his biggest hit to date – Straight Outta Compton – which wasn’t an
action movie, although his resume includes films like Set It Off, The
Negotiator and perhaps most relevant to this series, The Italian Job. He’s more
of a journeyman craftsman than anything else – and I don’t think he necessarily
brings anything new to the table. Yet, he is good at pulling off what the
series is famous for – large scale, ridiculous action sequences, particularly
car chases. There is a great one in New York, and the climax, on the ice in Russia,
that also involves a submarine, is so ridiculous stupid, that you cannot help
but smile through it.
The movie does, I think, try too
hard to bring back Jason Statham’s Deckard – and change the way we see him –
which doesn’t really work, since there really is no way around the fact that he
cold bloodedly murder Han – in one of the previous double backs the series had
to bring Han back, after he died in Tokyo Drift.
The biggest disappoint in the
cast has to be Charlize Theron’s Cipher though. Coming off of Mad Max: Fury
Road, you would think that they would give her an action sequence –
particularly a driving sequence – for her to shine. They don’t do that though,
instead giving her reams of exposition dialogue to deliver, and not much else. Theron
is a terrific actress, but I’m not sure she’s particularly good at slumming it
in a film like this – compare her to the famous actress who plays Deckard’s
mother in a few scenes, and you see the difference between a terrific actress,
who knows she’s in trash and is having a blast doing it, and a terrific
actress, who doesn’t quite know what to do with trash.
The Fate of the Furious is fine,
I guess. It isn’t in the league of the last few movies in this series in terms
of being a guilty pleasure – and, obviously, it doesn’t have the emotional
impact that Paul Walker’s final appearance in the last film does. Still, this
franchise doesn’t seem to be slowing down anytime soon. If this really does
become the new James Bond – a franchise that stretches on for 30 films – you’re
going to have a few Moonraker’s along the way (and this, at least, is better
than Moonraker).
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