Directed by: Vincente Minnelli.
Written by: Charles Schnee based on the novel by Irwin Shaw.
Starring: Kirk Douglas (Jack Andrus), Edward G. Robinson (Maurice Kruger), Cyd Charisse (Carlotta), George Hamilton (Davie Drew), Daliah Lavi (Veronica), Claire Trevor (Clara Kruger), James Gregory (Brad Byrd), Rosanna Schiaffino (Barzelli), Joanna Roos (Janet Bark), George Macready (Lew Jordan), Mino Doro (Tucino), Stefan Schnabel (Zeno), Vito Scotti (Assistant Director).
In
1952, Vincente Minnelli and Kirk Douglas teamed up to make The Bad and the
Beautiful, about a movie producer on the skids, who in a series of flashbacks,
we see precisely why he alienated everyone around him – but in the end, gets
them back. 10 years later, the two reteamed for the lesser known Two Weeks in
Another Town – also about Hollywood. This isn’t a sequel to The Bad and the
Beautiful – although the two films are connected – in the universe of this
movie, Jack Andrus, the character Douglas plays, played the lead role in The
Bad and the Beautiful, and Maurice Kruger (Edward G. Robinson) directed it. The
two have had a falling out, and Andrus has had a mental breakdown. He’s in one
of those fancy “resorts” for famous people who’ve had breakdowns, when he gets
a telegram from Kruger. He’s in Rome shooting his latest movie – and wants
Andrus to come and work for two weeks. Andrus, who hasn’t worked in years, and
is essentially a laughingstock now, gets on a plane.
Douglas
is great in the movie. The film is essentially a portrait of his madness – the
jealously and rage his ex-wife Carlotta (Cyd Charrise) was able to inspire in
him – and is still able to. She’s in Rome too, and wants to see him – not to
make up for anything, but simply so she can see if she can break him again.
Kruger, it seems, is also somewhat toying with Andrus – he has no part for
Andrus in his movie, but does need his help. Every movie made in Italy is
dubbed – and if Kruger goes over schedule, the sleazy producer will take the
movie away from him and finish it on the cheap. Kruger, who knows Andrus knows
his work better than anyone, thinks that Andrus can help him out – do the
dubbing himself and give the movie the “real Kruger sound”. Andrus, rather
reluctantly, agrees.
Two
Weeks in Another Town is a rather cynical movie about Hollywood – about how the
system chews people up and spits them out. Not just Andrus, who is simply
trying to hold onto his sanity, but also Kruger, once a famed director, now
making crap, and even Davie Drew (George Hamilton), the young star of the movie
– only there because he has already burned his bridges in Hollywood. The people
who were once on top, always want to stay there – and will do anything to do
so. Kruger is interested in staying on top because of his ego – and because
being a director gives him access to an endless supply of pretty, young
actresses who will do anything to be in the “pictures” – much to the chagrin of
his harpy wife Clara (Claire Trevor) – who spends most of the movie screaming
at him – until, of course, he needs her, and then she’s his greatest ally. If
she’s married to Kruger, she is someone – if not, then she’s nobody.
Two
Weeks in Another Town is an excellent portrait of the insular world of a movie
set. True, much of the action happens when they are not making a movie – but
basically, what the movie is about is how much people sacrifice to make a
movie. Andrus risks his mental stability, Kruger risks his life, and others
risk other things as well – to them “the picture” is more important than
anything else.
Personally,
I would have preferred a dark ending to the movie. The film seems to be heading
there, after Andrus looks like he’s gone completely off the deep end – once
again because of Carlotta – and then, all of a sudden, nothing. And then they
tack on a happy ending. It doesn’t fit with the cynicism that has run through
the rest of the movie.
But
overall, Two Weeks in Another Town is an excellent portrait of Hollywood. It
isn’t quite the film that The Bad and the Beautiful is – that film was more
romantic about movies to be sure, but also more satisfying. But Two Weeks in
Another Town has been pretty much forgotten – and that should change.
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