Directed by: Elem Klimov.
Written by: Elem Klimov & Ales Adamovich based on stories by Ales Adamovich.
Starring: Aleksey Kravchenko (Florya Gaishun), Olga Mironova (Glasha), Liubomiras Lauciavicius (Kosach).
You
are not likely to find many bleaker films than Elem Klimov’s Come and See. Made
in Russia in 1985, the film looks at the atrocities committed on the Russian
people by the Nazis during WWII – all through the eyes of boy on the cusp of
being a teenager. He wants to run off and join the partisans fighting for his
country – but needs a gun before he can do so. So he digs around, finds some
dead bodies and a gun and then heads off to fight. His mother doesn’t want him
to – she says that by him abandoning them, he is essentially dooming his whole
family – including his twin sisters. He joins anyway. But on their first
mission he is left behind – and wandering out in the wilderness he meets a girl
only slightly older than he is. The two bond and horse around – and then head
back to his family farm to check on his family. She sees something he doesn’t –
and it’s just the first in a string of horrible images that the audience is
forced to endure in the movie. The climax will get even worse as the Germans
lock pretty much an entire town in a barn – and tell those without children
that they can come out. When children try to escape, they are caught and
literally thrown back inside. Eventually the Germans will set fire to the barn,
and Klimov watches for minutes on end as the horror plays out.
When
the movie starts out, Florya (Aleksey Kravchenko) is a wide-eyed, naïve
innocent. He seems younger than he is, and some have even suggested he is in
some way mentally handicapped, although I don’t think that’s the case. He has a
vision in his head of being a romantic fighter for his country – and it’s a
vision that seems to be shared by many of the older soldiers he takes his place
alongside. We don’t really see them do much fighting – but they certainly act
the part of brave fighters.
By
the end of the movie, Florya has aged visibly. In the closing scenes he can do
little but look on in stunned disbelief at the atrocities he sees. Some have
suggested that the young actor was hypnotized for these scenes to get the right
look of numb shock on his face. No matter how they got that look, it is one of
the most haunting faces I have ever seen in a movie.
The
film was made to commemorate the 40th Anniversary of Russia’s
glorious victory over the Germans – although apparently Klimov had tried for
years to get the screenplay approved by Russian authorities. There’s little
doubt why that took so long – there is nothing glorious about Come and See –
nothing to really get viewers into the patriotic fever that the authorities
would have wanted. Instead, this is a film about man’s inhumanity to man – and
the horrible cost of war. We learn at the end that what happened in this movie
happened in more than 600 Byelorussian villages during the war. It makes little
sense that a character like Florya would survive everything he sees – but it
was based on co-writer Ales Adamovich’s own experiences.
The
film has been compared to Steven Spielberg’s Schindler’s List – and the
comparison is apt, as both films don’t look away from the horrors of the war.
Spielberg’s film provides viewers with hope however – and a decent character in
Oskar Schindler who was able to save some Jews lives, even if he failed to save
more. Come and See offers no hope, no escape, no release. It is a powerful film
in every way imaginable – and an unforgettable one.
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