Directed by: David Dobkin.
Written by: Nick Schenk and Bill Dubuque & David Dobkin.
Starring: Robert Downey Jr. (Hank Palmer), Robert Duvall (Joseph Palmer), Vera Farmiga (Samantha Powell), Billy Bob Thornton (Dwight Dickham), Vincent D'Onofrio (Glen Palmer), Jeremy Strong (Dale Palmer), Dax Shepard (C.P. Kennedy), Leighton Meester (Carla Powell), Ken Howard (Judge Warren), Emma Tremblay (Lauren Palmer), Balthazar Getty (Deputy Hanson), David Krumholtz (Mike Kattan), Grace Zabriskie (Mrs. Blackwell), Denis O'Hare (Doc Morris), Sarah Lancaster (Lisa Palmer), Lonnie Farmer (Gus the Baliff), Matt Riedy (Sheriff White), Mark Kiely (Mark Blackwell).
The
Judge is clearly a passion project for producer-star Robert Downey Jr. and
director David Dobkin. Downey Jr. is one of the most talented actors of his
generation, but he has basically been making one blockbuster after another for
the last few years – if he`s not playing Iron Man, he`s playing Sherlock Holmes
– with not a whole lot else in between. He wanted to do something a little bit
more realistic, more grounded. For Dobkin, he's best known for comedies like
Wedding Crashers, Fred Claus, The Change-Up, and wanted to do something more
serious for a change. Passion projects can sometimes turn out great – and
sometimes horrible. But often, they turn out somewhere in between like The
Judge – which is a film that tries to cram just about everything into a two-and-a-half
hour movie, which would have been better had it tried to do less. This is a
courtroom drama, a coming home drama, a father and son drama, and a few other
things as well. There are two or three more subplots than any one movie could
possibly do justice to. Yet, despite everything wrong with The Judge – I have
to admit I did quite enjoy the film – mainly because of the acting. The film
has one of the best ensemble casts of the year, and all of them manage to do
something interesting with their characters, even if it doesn’t seem to be
there in the screenplay.
Downey
stars as Hank Palmer, a hotshot Chicago lawyer who is very successful as a
criminal defense attorney, who brags that he doesn’t care that he only
represents guilty people – because innocent people cannot afford him. His wife
has asked for a divorce, and while Hank loves his young daughter Lauren, he
doesn’t have enough time for her. Then he gets a phone call – his mother, at
home in Indiana has died. He hasn’t been home in 20 years – mainly because he
hates his father, Joseph (Robert Duvall) – the local judge, who was hard on him
as a teenager. But he loved his mom – so he heads home for the funeral. Just as
he is about to leave – to go back to his real life in Chicago – his father is arrested
on a hit-and-run charge – and the police want to charge him with murder. The
victim and the judge have a past – and they do not believe this is an accident.
There
are lots of characters other than these two in The Judge – Hank`s two brothers,
Glenn (Vincent D'Onofrio) who works in a tire store, and Dale (Jeremy Strong)
is more than a little slow. Samantha Powell (Vera Farmiga) – Hanks old
girlfriend, who still quite likes him – and her hot young daughter (Leighton
Meester) – and no, I don’t think it’s sexist to refer to her as merely a hot
young woman, since that’s all the movie does with her. Then there is Billy Bob
Thornton as the hotshot Prosecutor, wanting to stick it the Judge – and Hank.
Dax Shepard as the inexperienced lawyer the Judge wanted to hire, before he
eventually agrees to hire Hank. And on, and on and on. Many of these characters
are involved in at least one or two different subplots other than the main ones
in the film – that of the trial, and the father-son healing between Downey and
Duvall.
When
the movie focuses on Downey and Duvall – their relationship, and the trial, it
is at its best. This may not be much of a departure for Downey – he’s playing a
charming, fast talking rogue, but there is more humanity in his character than
there has been in one of his roles in quite some time – and reminds us of how
good he can be when he’s not Iron Man. Duvall may be playing a version of one
of his most famous roles – in The Great Santini – but he plays it extremely
well. The two work extremely well together and their scenes are the best in the
movie – in large part due to the fact that they remain the only well-defined
characters in the movie.
This
isn’t to say the rest of the cast is weak – they aren’t. Thornton has great fun
playing the prosecutor – who makes a great foil for Downey, but one he gives
more humanity than what seems to have been written. Farmiga is incapable of
playing a false note – and that’s an accomplishment given what little the movie
gives her to do. D'Onofrio as well does far more with the role than he should
have been able to – and makes me wish more directors would use him in quality
roles.
The
film is, of course, over plotted and overlong. It is far from a great film. In
many ways, it almost plays like a very special, long episode of The Practice.
But I liked The Practice when it was on and sometimes clichés are clichés
because they work. They mainly work in The Judge – an imperfect film, but one
that entertained, and moved me.
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