Directed by: Wes Ball.
Written by: Noah Oppenheim and Grant Pierce Myers and T.S. Nowlin based on the novel by James Dashner.
Starring: Dylan O'Brien (Thomas), Aml Ameen (Alby), Ki Hong Lee (Minho), Blake Cooper (Chuck), Thomas Brodie-Sangster (Newt), Will Poulter (Gally), Dexter Darden (Frypan), Kaya Scodelario (Teresa), Chris Sheffield (Ben), Joe Adler (Zart), Alexander Flores (Winston), Jacob Latimore (Jeff), Randall D. Cunningham (Clint), Patricia Clarkson (Ava Paige).
The success of the
Twilight, Hunger Games and Divergent movies have ensured that for the next few
years anyway, we will see a steady stream of young adult novels make their way
to the bigscreen – preferably ones about dystopian societies in which the evil
adults try to tell the teenagers what to do, and the heroic teenagers fight
back. Its not hard to see why teenagers respond to these novels – and the
movies based on them – because they pretty much feel that adults are out to run
their lives anyway, and do not understand whats its like for them. Some of
these movies – like The Hunger Games – have actually been quite good, but
others – like Divergent – have been pretty much horrible. The latest, The Maze
Runner, falls somewhere in between. Like the books its based on – and I’ve only
read the first installment – it is somewhat frustrating as that even at the end
of the first book (and this movie) the audience still doesn’t really know what the
hell is going on. As such, the movie almost plays like a pilot episode of a TV
series, that sets up a bunch of mysteries that will presumably be resolved at
some later date. TV shows can do that – with movies, it feels like kind of a
ripoff.
The movie opens with our
hero, Thomas (Dylan O’Brien) inside an elevator of some sort, moving upwards. He
has no idea where he is, why he’s there, or even what his name is. When he
arrives at his destination – he’s surrounded by a bunch of boys around his same
age (presumably, teenagers, even though most of them look to be in their
mid-20s). The groups leader – Alby (Aml Ameen) gives him the lay of the land.
They’re in the “Glade” – and they have no idea why, or who put them there. Once
a month, the elevator arrives with a new boy and supplies. Everyone in the
Glade has a job – they have no room for freeloaders – they are expected to do
what they’re told. They have so far found no way out – although everyday they
do send “runners” into the large, stone maze at the edge of the Glade, which
they assume will be their only way out. Inside that maze are creatures known as
“Grievers” – who will kill you if they get the chance. Only runners are allowed
inside the maze – and no one can survive inside the maze overnight – at sundown
the maze’s doors close, and reopen the next day at sunrise.
Thomas eventually
remembers his name – but he also has a few bits and pieces of his memory before
his time in the Glade – which no one else seems to have. He is convinced that
he needs to go into the Maze – and if he does, he’s convinced he’ll be able to
figure out how to get himself, and everyone else, out. He makes some friends –
including Chuck (Blake Cooper), the youngest Glader, who worships Thomas, and
Newt (Thomas Brodie-Sangster) whose main role in the movie is to explain
everything to Thomas – and by extension the audience. He also runs afoul of
Gally (Will Poulter) – who just wants everything to stay the same – and sees
Thomas as a threat to that – something that for Gally is confirmed when the
elevator arrives again – much earlier than anticipated – with no supplies, but
for the first time ever a girl (Kaya Scodelario), who says Thomas’ name before
dropping into a coma, and has a note saying “She’s the last one EVER!”. To
Thomas, this means he has to work harder than ever to get them out – to Gally, it
means he has to do whatever it takes to keep the rest of the boys in the Glade.
As a movie, The Maze Runner
is somewhat frustrating. It spends so much time setting up the Glade, the
rules, the various boys and everything else, that the film barely has time to
tell a story. The characters are defined in the broadest strokes possible –
with everyone seemingly given one character trait, and that’s about it.
I will say that as
frustrating of a movie as it as storytelling, the movie generally looks very
good. Director Wes Ball, making his debut, has a background in special effects –
and yet he doesn’t overdo the CGI. The Glade itself is all practical – an actual
set, which is becoming an increasing rarity in movies of this size. The special
effects – most notably the Grievers themselves – are well done – even if, for
the millionth time, they seem to be another movie monster based on the iconic
aliens in Alien and its sequels.
Perhaps The Maze Runner series will get better as it moves along – after a decent opening weekend, they’ve already announced the sequel will come next year. As a movie unto itself, The Maze Runner doesn’t really work – it’s all setup and little payoff. But it does have an interesting hook – so while I cannot say I really liked this movie, I’ll most likely be back for the sequel.
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