RBG **** / *****
Directed by: Julie Cohen and Betsy
West.
Considering
how important the Supreme Court is to America, it is somewhat curious that very
few of its members really enter into the wider culture as individual people the
way politicians do. Partly, that’s because the Supreme Court is still rather
dull – it’s all legalese, where we find out what decisions they passed down –
and their importance – and less about the people who do it. The one exception
in recent years is Ruth Bader Ginsburg, but even with her she was on the court
for years before she broke through as a genuine pop culture phenom. It took
until she was more and more consistently in the minority, and more and more
issuing dissenting opinions, before her footprint on the larger culture grew to
what it is now – where she has a regular impersonator on SNL (Kate Mackinnon)
and is all sorts of merchandise, and the subject of countless memes online.
Julie Cohen and Betsy West’s RBG then is a welcome documentary, as it gives you
a small glimpse behind the curtain, to see exactly who this person is, by examining
her career.
The
film briefly goes over Ginsburg’s childhood – but is more interested in both
her marriage, and her law career. She went into law school at a time when very
few women did – and although she graduated near the top of her class, law firms
didn’t want to hire her. She went the Academic route instead – teaching at law
school, and eventually taking on one case after another of gender
discrimination – arguing frequently in front of the Court she would one day sit
on. She was brilliant and methodical – and more often than not, she won.
Appointed to the Federal Court by Jimmy Carter – in an effort to make the
federal judiciary more diverse, she didn’t have a chance to make the leap to
the Supreme Court under Regan or Bush Sr. – and Bill Clinton didn’t really consider
her either. She was, by then, in her early 60s – and though to be too old. Her
husband lobbied hard, she got an interview with him, and won him over. And
slowly, but surely, her reputation kept on growing.
The
problem that any documentary like this is going to have is that to cover so
much information, over such a long period of time, you are going to have to
skim the surface – it doesn’t really work any other way. I will say that while
this documentary undeniably does that, it does it in such an entertaining and
informative way, it’s not that big an issue. It’s also valuable in the case of
someone like Ginsburg – who is a figure who we most associate with her current
self – the defiant, 80-something year old soft spoken fire-brand of a Supreme
Court justice, to let us in on what got her there in the first place. And while
you can quibble with the fact that the documentary basically sticks to the
public record – not so much the person behind it, watching the film, I got the
impression that they were one in the same. Ginsburg has been a workaholic her
whole life – dedicated to the law, working until all hours of the night on her
career. Her kids and grandkids, who are interviewed here, clearly love and
admire her – but there is more personal fondness towards her late husband, who
was outgoing and gregarious in a way she never could be. This may very well be
one of those cases where the public image, and the person herself, actually
match up.
One
could argue that the film is one-sided – that the filmmakers clearly love
Ginsburg, and assume that anyone watching the documentary does as well. This
isn’t wholly inaccurate either – but I don’t think the film really lionizes her
either. It sticks close to the record, so if you think it’s one-sided, you’d be
hard pressed to see what in the film should be changed, or pick on something it
gets wrong. If you disagree with her, fine, but the film is telling you why so
many love her – why in these trying times, many look to her with hope.
It
was a coincidence that I watched RBG in the same week that Brett Kavanagh faced
his vote to replace Justice Kennedy on the Supreme Court. I watched it just a
few days after I watched Kavanagh’s partisan performance in front of the
Judiciary Committee. It’s true that all judges are, in some way, political
animals – but I cannot recall another one so nakedly so than Kavanagh. Watching
RBG, there are a few moments with Utah Senator Orrin Hatch, who clearly
disagrees with Ginsburg, but also clearly admires her. I do not think that in 25-30
years, we’ll see a documentary about Kavanagh with a Democratic Senator saying
the same things about him. The Supreme Court has fallen from its idealistic
perch – and perhaps that’s why so many love Ginsburg. She is aspiratory figure
– and deservingly so.
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