The Equalizer 2 *** / *****
Directed by: Antoine Fuqua.
Written by: Richard Wenk based on
characters created by Richard Lindheim and Michael Sloan.
Starring: Denzel Washington (Robert
McCall), Pedro Pascal (Dave York), Bill
Pullman (Brian Plummer), Melissa Leo (Susan Plummer), Jonathan Scarfe (Resnick),
Orson Bean (Sam Rubinstein),
Sakina
Jaffrey (Fatima), Caroline Day (Amy), Ashton Sanders (Miles), Abigail Marlowe (Jana Calbert), Rhys
Olivia Cote (Anna).
It
probably should be possible that Denzel Washington has been a movie star since
the 1980s, and yet had never made a sequel until The Equalizer 2. There is certainly
enough generic action movies on his resume that you think at some point,
someone would have dangled enough money in front of him to get him to come
back. Sadly, there were two talked about sequels that never happened, that I
would have loved to see – a follow-up to Carl Franklin’s Devil in a Blue Dress
(there is certainly more than enough Walter Mosley novels about Easy Rawlins to
choose from) and a sequel to Spike Lee’s Inside Man – with Lee returning to
direct – that also didn’t happen for some reason. So instead, the first sequel
of Denzel’s career is a follow-up to the largely forgettable 2014 film The
Equalizer. I was lukewarm on the first film when I saw it back in 2014, and was
lukewarm on it again when I revisited it last week leading up to the release of
the sequel. And to be honest, I’m lukewarm on the sequel as well – which never
rises past of the level of entertaining time waster. Its biggest asset is
Washington himself – who the more I think about it, the more I may well argue
is the best actor in the world right now. Sure, not every film is a monster
performance like Daniel Day-Lewis – but Day-Lewis works once every five years,
and only for great directors. Washington can take practically any movie and
make it something watchable and entertaining. You may well forget much of The
Equalizer 2 by the time you reach your car, but while it plays, it works – and Washington
is either incapable of phoning in a performance, or at least able to disguise
it when he does.
If
you forgot the first film, it starred Washington as Robert McCall, an ex-CIA
operative with a special set of skills, hiding in plain sight working at Home
Depot. When he decides to break his promise to his late wife – and use his
skills again – it’s for a good cause – rescuing a young, Russian prostitute
(Chloe Grace Mortez) from the violent thugs who smuggled her into the country,
and are now pimping her out. When he takes down a room for Russian mobsters
though – he ends up in bigger trouble, as more come out of the woodwork,
accompanied by corrupt cops. McCall, of course, must kill them all.
In
the new film, he’s got a new apartment and a new job – as a Lyft driver – but he’s
more than willing to use his special set of skills to help people who need it –
like a little girl kidnapped by her abusive father, or a young woman who fell
victim to some Wall Street bro types. It actually takes a surprising amount of
time for the actual main plot of The Equalizer 2 to kick in – as Robert’s only
friend, Susan (Melissa Leo), another CIA operative, is sent to Belgium to
investigate an apparent bloody murder/suicide of a CIA asset – and winds up
dead herself. You don’t kill Robert McCall’s friends – as those responsible
soon find out.
The
film was directed by Antoine Fuqua, who has directed Washington several times
now – most memorably in Training Day (2001), which won Washington his second Oscar.
Most of their collaborations are more like this though – Fuqua directed the
first film as well – B-action movies, the best of which is probably the very
entertaining remake of The Magnificent Seven from a couple of years ago. Fuqua
knows how to direct action, and he does it very well in this film – in particular,
the climax set in a deserted small town, during a torrential downpour, which
has some elements of an old school Western showdown anyway.
Washington
knows what’s expected of him as well – and he does it. Whether he’s lecturing a
young black kid from his neighborhood – trying to get to concentrate on his
art, and not dealing drugs, or his very specific way of dealing with people who
don’t know what they’re getting when they try and attack him, this isn’t a role
that’s going to really tax Washington’s considerable abilities – but he’s still
going to give it his all anyway.
So
no, The Equalizer and now The Equalizer 2 are not going to be the films
Washington is remembered for – they’re not pushing the likes of Malcolm X,
Training Day or Fences off the mantel of the best Denzel performances ever. But
there’s something to be said for an actor who take a mean, nasty little movie
like The Equalizer and its sequel and make it work as well as it does.
Washington is way better in this film than he needs to be – and that’s what’s
makes the film worth seeing.
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