Mission: Impossible II (2000)
Directed by: John Woo.
Written by: Robert
Towne and Ronald D. Moore & Brannon Braga based on the series created by Bruce
Geller.
Starring: Tom Cruise (Ethan Hunt), Dougray
Scott (Sean Ambrose), Thandie Newton (Nyah Hall), Ving Rhames (Luther
Strickell), Richard Roxburgh (Hugh Stamp), John Polson (Billy Baird), Brendan
Gleeson (McCloy), Rade Serbedzija (Dr. Nekhorvich), William Mapother (Wallis), Dominic
Purcell (Ulrich), Mathew Wilkinson (Michael).
Even as
the reputation for the Mission Impossible films have taken an upswing in recent
years, the only film that really gets left behind is John Woo’s over-the-top,
operatic Mission Impossible II. In a way, it’s easy to see why. Even by the
standards of these movies, the plot is completely ridiculous and even silly.
The film overuses the whole masks devices to absurd degrees. The villain is
just plain boring. And Woo himself almost seems to be doing self-parody at
times in the film – as if he read a bunch of reviews that mention the doves in
his film, and decided to double down on them – even hinging on action sequence
on a reveal that is caused by the doves themselves. Yet, in spite of all of
this, I have a soft spot for this film. It isn’t great – it probably is the
weakest of the series – and yet it’s still very entertaining, full of insane
action sequence in which Woo tries to outdo himself. It’s also one of the only
times I can remember that Tom Cruise has real live chemistry with his onscreen
love interest in an action film – played by then newcomer Thandie Newton, who
is so great it’s a real shame they didn’t use her again in this series. In
retrospect, it was also the beginning of the end of John Woo as an Hollywood
filmmaker – he’d make just two films in Hollywood after this one – Windtalkers
and Paycheque – neither were very well received, and then returned to Hong
Kong, where he hasn’t made a lot – and has mainly tried to do different types
of films, up until this year’s Manhunt anyway. In short, Mission Impossible II
is completely and totally ridiculous – but knows this, and fully embraces the ridiculousness
at its core.
The plot
this time involves Cruise’s Ethan Hunt being called in from his vacation to
tackle another impossible mission. A Russian doctor invented both a horrible
disease and the cure for that disease (why, I never really did figure out) –
but as he was transporting it to America, he is double crossed by IMF Agent
Sean Ambrose (Dougray Scott), who had disguised himself as Hunt, in order to
steal the cure for the illness – as the first step in a very long, complicated
scheme to become a pharmaceutical billionaire. Hunt’s first step is to recruit
Ambrose’s ex-girlfriend Nyah Hall (Newton) – a master thief – to use as bait,
and then build the rest of his team to get the cure back from Ambrose, before
he can also get his hands on the illness, which would be catastrophic.
The
screenplay to the movie is by the great Robert Towne, and you have to kind of
assume it was a paycheque gig for the Chinatown master. His challenge was
amplified by the fact that Woo already had in mind the action sequences he
wanted to do, so Towne had to work a screenplay around those. In a way, the
film reminded me of the Hitchcock classic Notorious (1946) – where the hero
(Cary Grant) convinces the woman he supposedly loves (Ingrid Bergman) to get
back together with the Nazi criminal who loved her (Claude Rains) so that they
can get information about his network. Mission Impossible II doesn’t go as far
as Notorious did – which makes the hero into an asshole, and the Nazi into a
sympathetic character - but it shares some of the same elements.
One thing
that Mission Impossible II certainly did establish, which has become a
franchise mainstay, is the prospect of Tom Cruise doing insanely dangerous
stunts for our amusement. The biggest one is certainly the first one, where he
goes rock climbing without a rope – a sequence that admittedly has nothing to
do with anything else in the movie, except that it looked cool, and showed Tom
Cruise was willing to risk his life for us. The other action sequences in the
film seem to mainly be designed to be bigger than the ones in the previous
film. The standout sequence in DePalma’s original was the Langley sequence,
with Cruise dropping down from the ceiling on a rope to hack a computer. Woo
seemed to take that as a personal challenge, and designed a bigger sequence
that also required Cruise to drop down – but to do so in a much bigger way. The
sequence cannot touch the mastery of DePalma’s – which was more about suspense
than action – but it’s still spectacular in that John Woo kind of way. The film
also heavily uses guns this time around – which the previous film didn’t, but
is a hallmark of Woo’s, and while it cannot rival the best work in say
Hardboiled, it’s still significantly better than most people can do. Is it all
ridiculous? Of course, but in a way only John Woo can pull off.
What I
think makes Mission Impossible II more than just a series of crazy,
over-the-top action sequences really is Thandie Newton as Nyah Hall. From the
first time we see her – trying to rob a necklace from a billionaire – she is
captivating. That sequence also establishes her chemistry with Cruise as they
have to hide in a bathtub on top of each other – and then gives way to a lengthy
foreplay sequence as they chase each other in very expensive cars. In Cruise
action movies, there is almost always a love interest – but they are rarely
very interesting – take poor Emmanuelle Béart in the first Mission Impossible
film for example. Here, Newton more than holds her own, and actually becomes
the emotional centerpiece of the movie. To a certain extent, she is a damsel in
distress, but she is more than that – not a helpless victim, but an active
participant. It’s odd, because Woo isn’t really known for that in his films
(there’s more homoerotic subtext in his films, than heterosexual text, but it
works here – and helps the film a great deal.
I’m not
trying to say that Mission Impossible II is a misunderstand masterpiece. It
isn’t. But it’s a misunderstood fine action film from a master of the form, who
has been given a lot of money to do what he does on a large scale. Yes, it’s
still probably the least of the series – but it’s still a hell of a lot of
stupid fun.
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