Solo: A Star Wars Story ***
½ / *****
Directed by: Ron Howard.
Written by: Lawrence Kasdan and Jon Kasdan
based on characters created by George Lucas.
Starring: Alden Ehrenreich (Han Solo),
Woody Harrelson (Tobias Beckett), Emilia Clarke (Qi'Ra), Donald Glover (Lando
Calrissian), Thandie Newton (Val), Phoebe Waller-Bridge (L3-37), Joonas Suotamo
(Chewbacca), Paul Bettany (Dryden Vos), Jon Favreau (Rio Durant), Linda Hunt
(Lady Proxima).
When
Disney purchased Lucasfilms, and along with it Star Wars, and announced that we
would basically get a new Star Wars film every year, we knew eventually that
sooner or later, the idea of a new Star Wars film would be less special than it
once was. The Force Awakens was huge, The Last Jedi did very well, and even
Rogue One – the first spinoff or so called “Star Wars Story” was also a hit.
But even watching Rogue One – as good as it was (and it’s very good), I couldn’t
help but get the impression that Star Wars was now just another blockbuster
franchise. Like the Marvel films, some will be very good, some bad, many in
between – and the box office would also fluctuate depending on people’s
interest in the character – this is why Doctor Strange made $232 million, but
Black Panther is still going at plus $600. You cannot expect your audience to
feel the same excitement when you’re serving up a new one of these things every
year (or in this case, just six months after The Last Jedi) then when they had
to wait years in between installments.
Solo
is the weakest Star Wars films since they came back – and one of the weaker
ones altogether. In all honestly, it felt like just another fun but forgettable
summer blockbuster, with some great action scenes and enough good performances
and twists to keep you entertained for its entire runtime – but a year from
now, you’ll likely have forgotten most of the details. This isn’t really a
knock on the film – crafting a summer blockbuster this much fun isn’t an easy
thing to do, and director Ron Howard makes it look easy. The only way you’re
going to walk out of this film disappointed is if your expectations are too
high – or you’re allergic to fan service, because this film has that in spades
(which perhaps explains why they released it so close after The Last Jedi –
which had very little fan service, angering a lot of fans who act like giant
man babies when someone does something with the franchise they don’t like).
Solo
is the origin story for Han Solo, answering all the questions that most of us
never thought to ask. Where did the last name come from? How did he meet
Chewie? What happened at that card game when he won the Millennium Falcon from
Lando? What happened to turn him into the roguish lone wolf who only pretends
he doesn’t have a conscience that we all so loved in the original trilogy?
These questions didn’t need to be answered, but to be fair, neither did we
really need to know how the rebels stole the plans for the Death Star – and Rogue
One was still a very good film.
In
the role of Han Solo is Alden Ehrenreich, who has the most unenviable task of
any actor in this recent string on Star Wars movies – because he has to
recreate a role that was played to perfection by Harrison Ford. Not only that,
but Ehrenreich has to do more with the role than Ford did, because now he has
to be the center of the movie, and not just the scene stealing supporting character
– Han Solo here has to drive the action and the emotions of the story more than
Ford ever did. Luckily, Ehrenreich is a fine actor (don’t @ me, but he’s a
better actor than Ford – but Ford is a better movie star if that makes sense,
and it does). Ehrenreich, smartly, doesn’t try too hard to do a Harrison Ford
impression – he steals a facial expression once in a while, but mostly, he
knows he isn’t a young Harrison Ford, and doesn’t try to fool you into thinking
he is. Ehrenreich plays this role as well as it could be played – but everyone
else in the cast has an easier job, and as a result, a few of them steal quite
a few scenes.
The
biggest example of that is clearly Donald Glover, who is having a blast playing
Lando as pure arrogant swagger and charming sex appeal. The role doesn’t have
much depth, but it doesn’t need it. Glover is a joy to watch in this role in
every scene. If they actually do make a standalone Lando movie (and they should
– at least if they’re going to keep churning these things out), he may well
face the same challenges Ehrenreich does here – having to carry a movie (you
cannot steal a movie when you’re the main character) – but here, he’s great
fun. The biggest surprise is probably Phoebe Waller-Bridge as the voice of
droid L3-37 – a “woke” droid wanting to inspire revolution. Her role is small,
but comes just at the point in the film when the whole thing needs a kick – and
she does it wonderfully. Woody Harrelson is in fine form as Tobias Becket – the
crook who takes Han under his wing, but may never be fully trustworthy. Emilia
Clarke is fine as Han’s first love – who he reunites with, but doesn’t quite
understand how things have changed. Paul Bettany does what he can in a few
scenes as a one dimensional villain.
Overall,
Solo is a lot of fun. The stakes are lower in this Star Wars film than in any
other of the series – it’s basically a Star Wars heist film, in which Solo and
the team he falls in with have to steal a lot of fuel for reasons (seriously
dudes, way TOO MANY reasons – we really do not need as much conversation about
the fuel as this movie gives us). There is a terrific early action sequences
trying to rob a moving train, which is exciting and fun, and the climaxes (yes,
more than one) are well handled. This is why you hire someone like Ron Howard –
he isn’t the guy you hire to take risks that will pay off big. He isn’t going
to elevate material – but he can execute as well as anyone, and while we can
always wonder just what the film would have looked like had Christopher Miller
and Phil Lord had been given the chance to complete what they started, the end
result is still fun. At some point, they’re going to have to decide what
precisely they want to do with these films – if they’ll be content to just
produce fun content like this, or whether they want to take more chances like
The Last Jedi did. My hope is more of the latter – but if the stand alone films
are fun as Solo, it’s hard to complain – even if Solo doesn’t have the impact
of most Star Wars films – it’s still a good time at the movies.
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