Showing posts with label Byron Haskin. Show all posts
Showing posts with label Byron Haskin. Show all posts

Friday, August 2, 2013

The Best Films I Have Never Seen Before: Robinson Crusoe on Mars (1964)

Robinson Crusoe on Mars (1964)
Directed by: Byron Haskin.
Written by: John C. Higgins & Ib Melchior based on the novel by Daniel Defoe.
Starring: Paul Mantee (Cmdr. Christopher 'Kit' Draper), Victor Lundin (Friday), Adam West (Col. Dan McReady), The Wooley Monkey (Mona).

Robinson Crusoe on Mars is about as cheesy as you expect a movie with that title to be. It’s also a hell of a lot of fun, and at times genuinely moving. The film was directed by Byron Haskin, who directed on the great 1950s sci-fi films, The War of Worlds, and before that had been an F/X guru in the 1940s, and before that, had worked as a cinematographer stretching back to the silent era. The visual look of Robinson Crusoe on Mars, shot in California’s Death Valley, is eerie. Using the clear blue sky as a natural blue screen, Haskin makes Mars’ sky red and foreboding. Strangely, Daniel Defoe’s classic tale of a man trapped alone of the desert island makes an easy transition to Mars. This may not be a great film, but it’s an interesting one.

The film opens with Kit Draper (Paul Mantee) and his partner Dan McReady (Adam West), alongside their trusty monkey Mona, circling Mars in the hope of gathering information about it. But something goes wrong, and then have to eject in their pods while they let the ship orbit. Their plan is to rejoin their ship when they are out of danger. But they have to take separate ones down, and while Kit makes it, his crashes, so it won’t be of use later. McReady isn’t even that lucky. So Kit has to spend his time on Mars alone, with no one but Mona to keep him company. At first, he thinks his death is inevitable – it’s only a matter of time before he runs out of air, water and food. But eventually, he’ll figure out how to get what he needs to survive on Mars. Companionship is what he really needs though, and Mona simply isn’t enough. He starts to go a little mad – but is essentially rescued when he meets Friday (Victor Lundin), essentially a slave on Mars used for mining. His odd appearance, making him look like an Egyptian in the time of the Pharaohs, is off-putting at first, but Lundin wins you over. We never see the actual Martians who have enslaved them – just their ships, which look almost exactly like the ones in War of the Worlds, but move with a herky jerky motion that is distracting, but memorable. They can track Friday through the bracelets they have forced him to wear. But Kit is determined to not let them catch his new friend – and the three of them (including Mona, of course), try to outrun them.

I admit, when the movie started, I thought I was in trouble. The opening scenes, on the ship, are not very good – marred by the ham-fisted acting by West in particular. West redeems himself later, when he appears as a creepy apparition to Kit, but those first scenes were not good. Once we get to Mars however, the movie picks up. Mantee was a fairly young, inexperienced actor when he made this film, but he does a great job, with a difficult role. As we have seen time and again, it’s hard for an actor when he’s the only one on screen for an extended period of time – they have no one to act off of. Though Mona the Monkey is clearly a talented monkey actor, she isn’t much help. And just when things start to become a little dull, Friday comes in, and saves the final act.

The film isn’t great – it won’t live in my memory like The War of the Worlds does. But it is well made, visually appealing from start to finish, with many creative special effects and carried by Mantee’s performance. You most likely already know if you want to see a movie called Robinson Crusoe on Mars. If you do, you won’t be disappointed.

Friday, December 16, 2011

The Best Films I Have Never Seen Before: War of the Worlds (1953)

The War of the Worlds (1953) ****
Directed by: Byron Haskin.
Written by: Barré Lyndon based on the novel by H.G. Wells.
Starring: Gene Barry (Dr. Clayton Forrester), Ann Robinson (Sylvia Van Buren), Les Tremayne (Maj. Gen. Mann), Robert Cornthwaite (Dr. Pryor), Sandro Giglio (Dr. Bilderbeck), Lewis Martin (Pastor Dr. Matthew Collins), Houseley Stevenson Jr. (Gen. Mann's aide), Paul Frees (Second Radio Reporter / Opening Announcer), William Phipps (Wash Perry), Vernon Rich (Col. Ralph Heffner), Henry Brandon (Cop at Crash Site), Jack Kruschen (Salvatore), Cedric Hardwicke (Commentary).

The original The War of the Worlds from 1953 holds up remarkably well almost 60 years later. Yes, special effects have come a long way in that time – and are capable of doing things that were inconceivable in 1953 – but even the effects in this movie retain their creepiness and ability to scare. Modern audiences may find some of the movie cheesy, but if they give it a chance to work its magic on them, then they will find a truly wonderful sci-fi film.

The movie transplants the original H.G. Wells story from Victorian England, to 1950s America. It all starts with what looks like a meteor landing in a field outside of Los Angeles. The army is called out, and they also bring leading scientists, including Dr. Clayton Forrester (Gene Barry). Forrester is immediately struck by how little damage this supposed meteor has done. Something is not quite right here. He meets the beautiful Sylvia (Ann Robinson), who uncle is the local Pastor, and the two of them immediately bond. But then more and more of these “meteors” start landing across the country – and the world. And soon, they start moving. Once they do move, they lose contact with that area.

I enjoy 1950s science fiction movies, even the ones that can be a little cheesy. What surprised me about The War of the Worlds is how little cheese there is in the film. True, the character of Sylvia is hopelessly dated to the 1950s (she has an advanced degree in science, but spends the whole movie making tea and eggs for all the men), but other than that, the film holds up amazing well. There are several truly scary sequences – especially the long, slow moments as the Martians unscrew their exit hatch that becomes almost unbearably suspenseful. The scenes where the Martians make their ways across the landscape, laying waste to everything in their sight, are also wonderful.

Alien invasion movies have become common place in movies. I don’t even think you could say that The War of the Worlds was the first but it certainly did set the standard. Every alien invasion movie, from Invasion of the Body Snatcher to Independence Day to Spielberg’s War of the Worlds remake (which I know I am in the minority in thinking is actually a pretty great film, except for the terrible ending), has to be compared to this one. It establishes the clichés that every other film will play with in their own ways.

It must be said however, that the film doesn’t quite have the same impact it once did. Yes, it had groundbreaking special effects for its time. And yes, you can hardly call the movie clichéd since it establishes the clichés, not just mindlessly regurgitating them. For these reasons, The War of the Worlds will forever be placed, and rightfully so, right near the top of any list of the greatest alien invasion movies of all time. The only problem is, that once you see what this movie inspired – in dozens of other movies – it simply cannot have quite the same impact it once did. This is a wonderful movie – a must for sci-fi fans – and whatever faults we see in it now, really aren’t the film’s fault.