Showing posts with label Ari Sandel. Show all posts
Showing posts with label Ari Sandel. Show all posts

Tuesday, October 30, 2018

Movie Review: Goosebumps 2: Haunted Halloween

Goosebumps 2: Haunted Halloween ** / *****
Directed by: Ari Sandel.
Written by: Rob Lieber and Darren Lemke based on the books by R.L. Stine.
Starring: Wendi McLendon-Covey (Kathy), Madison Iseman (Sarah), Jeremy Ray Taylor (Sonny), Caleel Harris (Sam), Ken Jeong (Mr. Chu), Chris Parnell (Walter), Bryce Cass (Tyler), Peyton Wich (Tommy Madigan), Shari Headley (Mrs. Carter), Christian Finlayson (Cooper), Matthew J. Vasquez (Derek), Sydney Bullock (Vanessa), Deja Dee (Mrs. Hoover), Hallie Jackson (Nana), Mick Wingert (Slappy).
 
It’s never a good sign when almost no one involved in the original film shows up for the sequel – but in the case of Goosebumps 2: Haunted Halloween, it’s probably a blessing in disguise, because the major thrust of the plot is pretty much exactly the same. In the surprisingly fun 2015 original, an unwitting teenager accidentally unleashes all the monsters that were in the R.L. Stine Goosebumps books, and then teams up with the author himself (Jack Black) and his daughter to get them all back safely stowed in the books. In the sequel, instead of unleashing monsters from all the books, an unwitting teenager accidentally releases the monsters from just one Goosebumps books – it just so happens that the book in question contained all the same monsters. We’re in a new town, which means new teenagers – and although Jack Black does show up in the film, it’s really far into the third act when he shows up, and basically amounts to a cameo appearance. He does inject some life into the proceedings though – and made me laugh out loud at his comment when he saw a red balloon floating by a sewer.
 
Until then, though, Goosebumps 2: Haunted Halloween pretty much functions on autopilot. This time, it’s nerdy Sonny (Jeremy Ray Taylor) and his friend Sam (Caleel Harris), who find an old manuscript for Goosebumps in a dilapidated house, and unwitting release Slappy – the maniac puppet who was the most popular character in the first film (in a show of just how little time Jack Black had for this movie, he didn’t even do the voice of Slappy this time, which he did last time). Once the pair realizes that Slappy isn’t just a fun toy – or a way to get things done quicker – they have to loop in Sonny’s older sister, Sarah (Madison Iseman) to help contain Slappy – who only wants a family, especially a mother, and is willing to unleash all the monsters to get it. Their mother is played by the delightful Wendi McLendon-Covey from The Goldbergs, although neither she nor Chris Parnell nor Ken Jeong – who show up in small roles – can really inject much life into things.
 
Goosebumps 2: Haunted Halloween is the very definition of a sequel that was only made because the first one made money. There is not more story here – which is why it’s pretty much a repeat of the first film, nor do the filmmakers really find much of a reason for the film to exist. I will say that as introductory horror movie for kids, the Goosebumps films both work quite well – I watched the original with my seven-year-old a few weeks ago, and she quite liked it, so we ventured to the theater to see this one. It scared her, but not terrified her – and there were no nightmares. Along with The House with a Clock in Its Walls, this fall season has given two decent enough movies to scare children, without scarring them. And for that, I guess, Goosebumps 2L Haunted Halloween works.
 
But for the rest of you? The ones who don’t have kids, there really isn’t a reason to see this film – and little more to see the original Goosebumps if I’m being honest. I have limited nostalgia for the series – I remember reading the books in the years before I worked up the nerve to start reading Stephen King (the fictional R.L. Stine’s arch nemesis), but I barely remember anything beyond the covers. The first film was an entertaining time waster – the second film more of the same, with diminished results. The third film, which they setup in the final moments here, will be completely unnecessary, if and when it’s made – but at least seems to be something a touch different. We can hope anyway.

Wednesday, June 10, 2015

Movie Review: The DUFF

The DUFF
Directed by: Ari Sandel .
Written by: Josh A. Cagan based on the novel by Kody Keplinger.
Starring: Mae Whitman (Bianca Piper), Robbie Amell (Wesley 'Wes' Rush), Bella Thorne (Madison Morgan), Bianca A. Santos (Casey Cordero), Skyler Samuels  (Jessica 'Jess' Harris), Romany Malco (Principal Buchanan), Nick Eversman (Toby Tucker), Chris Wylde (Mr. Filmore), Ken Jeong (Mr. Arthur), Allison Janney (Dottie).

If there’s any justice in the world, than Mae Whitman will become a movie star. All throughout The DUFF, she is lovable, funny, adorable, smart and engaging – which is a real accomplishment considering the film itself is yet another slightly warmed over teen movie that never even attempts to be the least bit original. The film is forgettable – Whitman is not.

In the film Whitman stars as Bianca, a high school senior who is slightly quirky – which to a movie like this, means she likes horror movies, and dresses in flannel. Her two best friends are gorgeous and popular, and Bianca isn’t either, although everyone seems to like her. Her next door neighbor Wes (Robbie Amell) – who is the captain of the football team, and her former childhood best friend, informs her that she is their DUFF – Designed Ugly Fat Friend – the approachable one in the group that guys feel comfortable around, and use to get to know her hotter friends. She had no idea that is how people see her – and she’s pissed – even though Wes explains that it’s just an expression – you don’t actually need to be fat or ugly to be a DUFF – which is good, since Whitman should be no one’s idea of ugly or fat. She is determined to become popular – she has a crush on another boy – and strikes a deal with Wes – she’ll help him pass science, and keep his football scholarship – and he’ll help her become more than a DUFF.

The movie reminded me of She’s All That – that forgettable ‘90s teen comedy in which Freddie Prinze Jr. turns the utterly gorgeous Rachel Leigh Cook into a prom queen – and realizes, well after everyone in the audience does – that he’s really in love with her. The same thing happens in The DUFF – Bianca and Wes clearly belong together – especially when compared to his bitch of a girlfriend (Bella Thorn) and the lunkhead Bianca likes, but of course, the pair of them do not realize it until the final scenes – at a dance, naturally.

Whitman is really the only reason to see The DUFF. She carries the entire movie, and keeps it from becoming a painful experience. But even Whitman isn’t good enough to save the movie, which hits every note you expect from the outset, and does so in the least interesting way possible. True, the film isn’t as bad as most teen comedies, but it wasn’t long into the movie before all hope of the film becoming the next Mean Girls was fruitless. The film is content to be as bland and inoffensive as possible. It proves Whitman should be a star – which makes it worthwhile – although next time, I hope she gets a movie that is up to her level.