And those are just the ones
that I didn’t have room for in the bottom 10.
Bottom 10
10. The Gallows (Travis Cluff & Chris Lofing)
I have sometimes defended found footage horror
movies – there is no reason why they cannot work, and work well, as M. Night
Shymalan’s The Visit proved this year. But its films like The Gallows that give
the genre such a bad name. This film, about four high schoolers in the school
theatre after hours, which may or may not be haunted by the ghost of the
student who died 20 years in a freak accident doing the same play these
students are about to put on is quite simply stupid. It’s not scary, it’s not
original, it’s not clever – it does nothing new with the genre, but simply
recycles what has worked for other movies before with terrible results. As a
horror fan, I often go a little easier on the genre than most – I liked to be
scared, and like to see new ways that can be accomplished. The Gallows is a
prime example of why many people think the genre sucks. In this case, they’re
right.
9. Jupiter Ascending (The Wachowskis)
I really want to like the Wachowskis – they are
among the only filmmakers who take huge risks on a large scale, and sometimes
they result is amazing. And sometimes, the result is Jupiter Ascending – a
rather silly space opera, full of overacting, average special effects, silly
characters and a rather dull story. The Wachowskis built this world from the
ground up – you have to hand that to them at the very least – but there really
isn’t anything in this world that is worth watching. Recent Oscar winner Eddie
Redmayne is probably the worst in the cast – but when the films turns charming
actors like Channing Tatum and Mila Kunis into complete zombies in terms of
performance, it’s hard to blame them. After this and Cloud Atlas – a movie I
loved – it’s hard to imagine The Wachowskis getting much in the way of money
again anytime soon – and that’s a shame because we need people like them taking
risks with blockbusters – the alternative is too dreary to contemplate.
8. Aloha (Cameron Crowe)
Cameron Crowe used to be one of the best
writer/directors in Hollywood – with films like Say Anything, Jerry Maguire,
Almost Famous and the unfairly maligned Vanilla Sky on his resume. But
somewhere along the way, he seems to have forgotten how to make the romantic
comedies he was so good at. Or perhaps it’s something similar – which is that
his view of people seems to be stuck somewhere in the teenage years, which is
why his two best films are about teenagers – and when he writes similar
characters as adults, they seem like idiots. Still, there is no excuse for
writing and directing a romantic comedy with Bradley Cooper and Emma Stone as
your leads, and giving them nothing to do, and saps all the charm from them. He
wastes a talented supporting cast – and a beautiful setting in Hawaii as well.
The film just seems confused and jumbled – as if he didn’t even really think
through the screenplay at any point, and just decided to start shooting figure
out what he had later. He had nothing. Let’s hope this is the nadir of Crowe’s
career – it would be hard for it to get much worse. 
7. Insurgent (Robert Schwentke)
The Divergent books were bad – the movies are
perhaps even worse. What makes little sense on the pages of the books, makes
even less in the movie – when so much exposition is cut out from it. Shailene
Woodley is a fine actress – but she cannot make Tris anything close to
resembling a human being – and she’s probably the best one in the cast, aside
from a slumming Kate Winslet. The movie has been given a high gloss sheen,
typical of YA dystopian crap that they churn out nowadays. Worse of all, the
film is boring – you cannot laugh at it properly, because it puts you to sleep.
I may have been hard on the final installment of Hunger Games – but if
anything, crap like this makes me appreciate what they mainly pulled off in
that series – and how hard that must have been. 
6. Terminator Genisys (Alan Taylor)
It should not be possible to screw up a Terminator
movie this badly. Even if the plot of the movie is horrible – which it is in
this case – the idea of robots fighting robots, and Arnold in his signature
role, should at least make for an entertaining – if stupid – night at the
movies. But in this case it doesn’t. Terminator Genisys falls in the same trap
that many reboots and long past sequels do – which is to pay too much respect
to the past, and not enough on just making a good damn movie. This movie would
be meaningless to people who do not know this series – not confusing, which
would at least be understandable – absolutely meaningless, because the movie
aims for unearned moments based on what happened before. It doesn’t work.
Neither does the action sequences, the performances or anything else about the
movie. Hopefully, this movie will kill the franchise.
5. The Gunman (Pierre Morel)
Sean Penn clearly hoped that The Gunman would kick
off a run of Liam Neesom-like, late career action movies. He hired the director
of Taken after all, and the film really does feel like a clone of that movie.
Yet, despite a cast that is far more gifted that it needs to be, the film just
never finds its footing. Part of the problem is that Penn – who also co-wrote
the movie – also wanted to delivered a message along with the action – so the
whole endeavor is preachy and dull. More surprisingly, director Morel – who can
usually be counted on for decent action – drops the ball here, meaning that
even when the audience isn’t receiving a lecture, they’re bored. The film
tanked – so hopefully Penn will get back to doing what he does best, and leave
this kind of cheesy action to Neesom (even though he did even worse this year).
4. 50 Shades of Grey (Sam Taylor-Wood)
I feel bad for Dakota Johnson, who I must say is
actually quite good in 50 Shades of Grey – as an innocent, virgin drawn into a
world of sex and bondage by the billionaire who becomes obsessed with her. Yet,
the film cannot overcome its roots – a kinky, creepy Twilight fan fiction, and
a lifeless Jamie Dornan in the male lead pretty much kills the movie. Worse,
the film doesn’t even operate as a guilty, sexy pleasure – the sex is banal and
boring, and not the least bit erotic. At least Gaspar Noe’s Love – not a
particularly good movie – was able to get that part right. Johnson is great
here – everything else is pretty much horrible.
3. Knock Knock (Eli Roth)
I don’t know why I keep watching the film of Eli
Roth – I haven’t liked any of them, and worse yet they are frustrating beyond
belief, because there is always a kernel of a good idea to them – a way that
you could see just how good they could be, if Roth had the desire (or perhaps talent)
to follow through. This film stars Keanu Reeves as a good guy husband and
father, alone for the weekend when two sexy young women arrive, soaking wet, on
his doorstep – and practically force him to have a threesome with them – and
then refuse to leave, and essentially torture him for a couple of days. This
could work – there are hints of Michael Haneke in the premise, and the concept
of guilt, but Roth doesn’t have Haneke’s skill or discipline – and basically
ends up repeating the same scene over and over again, offering no real insight
into any of the characters. At least Reeves is having fun – and him yelling
about free pizza is a highlight – but once again Roth has delivered a film that
isn’t just bad – but offensive. 
2. Get Hard (Etan Cohen)
Don’t ask me how two actors
as funny as Kevin Hart and Will Ferrell collaborated to make such a laugh free
film as Get Hard. It shouldn’t be possible, as both actors will do just about
anything for a laugh – so normally, they’ll at least elicit a chuckle or two
even in dreck. Not so in Get Hard – which is a film based on stereotypes, that
seems to think its subverting them, without actually do any of the hard work of
actually doing so. The film is lazy on every level – and actually quite
offensive when you think about it for a second or two (which hopefully, you
didn’t). I have no doubt they will be funny in something again at some point –
but it certainly wasn’t in Get Hard.
1. Taken 3 (Olivier Megaton)
I didn’t really like the
original Taken very much – but it was an earnest attempt at an action movie,
and had some moments that have become iconic. I liked Taken 2 even less – but
the film at least acknowledge, and embraced the silliness of its premise,
through coherence out the window, and just tried to be fun and ridiculous in
equal measure. It didn’t work, but they tried. That’s why I hated Taken 3 most
out of the series – it isn’t just that the film is a cynical attempt to cash in
on fans of the series. EVERY series does that eventually. It’s that everyone involved
seems to have completely stopped caring. Everyone is on autopilot, just out to
cash a cheque, and no one seems to give a shit. That level of cynicism drives
me nuts. Say what you want about the other films on this list – for the most
part, I actually do believe that people were trying to make a good movie,
trying to satisfy an audience – they may have failed, but dammit, I appreciate
the effort (even from Eli Roth). NO ONE involved in Taken 3 seems to really
care, seems to take what they are doing seriously. So the movie becomes a
complete a total bummer to sit through – I didn’t have a more miserable movie
watching experience this year. 
