1BR *** ½ / *****
Directed by: David Marmor.
Written by: David Marmor.
Starring: Naomi
Grossman (Sarah), Giles Matthey (Brian), Andrea Gabriel (Cristina), Nicole
Brydon Bloom (Sarah), Alan Blumenfeld (Gus), Taylor Nichols (Jerry), Celeste
Sully (Lisa), Hailey Giles (Diane), Susan Davis (Miss Stanhope), Clayton Hoff (Lester),
Jerry Ying (Officer Cho), Curtis Webster (Charles D. Ellerby), Earnestine
Phillips (Ester).
Sarah really should be able to see something was
wrong from the start. Afterall, she was able to find an apartment, in Los
Angeles, that she could afford to rent without roommates, even though her only
revenue is apparently a low-level job. Even if you take out the overly cheerful
man who interviews her about the apartment, who asks strange questions like
whether she has family in the area, or the strange guy with one eye who is
always lurking, and wants you to read this book he has, or the love interest
who is a little too perfect, a little too friendly, Sarah should have run far
away from this apartment building.
It takes the first act of indie horror movie 1BR to
really reveal what is going on here, but you know from the start something is
wrong. And if you don’t think something is going to happen to Sarah’s cat –
which she isn’t supposed to have in the apartment, then I don’t know what to do
for you. It is to the films credit that despite us being ahead of the movie at
first, that is able to twist and contort itself into something different –
something we don’t quite see coming – even if the end of the movie calls to
mind another recent indie horror film (I won’t reveal which one, since that may
constitute a spoiler, but both movies end with the reveal of multiple lights of
the same color).
Yet, 1BR is still an effective, creepy film that builds
tension through the first act, ratchets it up in the second, and then gives you
some cathartic, bloody relief in act three. Through it all, it’s anchored by a
fine performance by Naomi Grossman, as Sarah. She is an every-millennial at the
start of the movie, trying to make her way in the world, trying to get away
from her family, start a job, find love, etc. And then as the mysteries of the
film reveal itself – and the cult emerges – her performance becomes engagingly
ambiguous. Does she become brainwashed? Is it an act? Is it a little of both?
No comments:
Post a Comment