Frozen II *** ½ / *****
Directed by: Chris
Buck and Jennifer Lee.
Written by: Allison
Schroeder based on characters created by Jennifer Lee.
Starring: Kristen Bell (Anna), Idina
Menzel (Elsa), Josh Gad (Olaf), Jonathan Groff (Kristoff), Sterling K. Brown
(Lieutenant Matthias), Evan Rachel Wood (Iduna), Alfred Molina (King Agnarr), Martha
Plimpton (Yelana), Jason Ritter (Ryder), Rachel Matthews (Honeymaren), Jeremy
Sisto (King Runeard), Ciarin Hinds (Pabbie), Alan Tudyk (Guard/Northuldra
Leader/Arendellian Solider), Hadley Gannaway (Young Anna), Mattea Conforti
(Young Elsa).
Frozen
was the first film we ever took my oldest daughter – now 8 – to see in a movie
theater, and in the years since it has been in constant rotation in our house
for now both of our daughters. To be honest, although the film holds up to all
those repeat viewings, I have to say that I’ve always thought that it is
essentially a good film, elevated by amazing music. As a film, I don’t think it
comes close to Tangled or Moana in the recent Disney Princess offerings – but
that music goes a long, long way in making it more beloved among Disney fans –
including the two little ones in my house. The sequel then suffers a little bit
because once again, I think the film itself is just good – but this time, the
music doesn’t elevate it all that much. Even the big song this time Into the
Unknown – a fine song – doesn’t come close to Let It Go, and probably isn’t
even as memorable as Do You Want to Build a Snowman, or several other songs
from Frozen. The whole package is entertaining to be sure – the two little
girls I saw it with were more than satisfied – but I have my doubts that it
will be anywhere near as beloved as the original.
The plot
of Frozen II involves our five main characters – Queen Elsa, Princess Anna,
snowman Olaf, Anna’s boyfriend Kristoff and Kristoff’s reindeer Sven – heading
off into the Enchanted Woods – because Elsa can hear a voice from inside
calling them. There are secrets in these woods – secrets that date back to
their father’s childhood – and the woods have been engulfed with clouds for
decades now, no one going in, or coming out. So they head in – because Elsa
believes she must – and they have to discover those secrets, and set things
right.
As a
Disney animated film, Frozen works just fine – it follows the template you
expect it to, and doesn’t really play around with it at all. Yes, this is the
more modern Disney – which doesn’t necessarily believe in marrying off any
eligible Princess like they’re Tracy Letts in the Little Women preview – and in
particular Elsa has broken that mold wide open. It was clear that in the
original Frozen there was either some subtext about Elsa’s sexuality – or
elsewhere wishful thinking by people reading subtext that may have not been
there – but it kind of feels like Frozen II has embraced it one way or another,
and takes it farther – while still recognizing this is a movie for children of
course.
The rest
of the Disney template is there though intact – from Olaf as the lovable or
annoying comic relief depending on your take (mostly, I find him lovable), to
the cute animals – not just Sven, but they include a new adorable animal
character in this film, for no discernable purpose other than to sell plush
toys, but adorable they still are. You kind of have to admit at this point the
template works – and as you watch the film, you will likely have a good time as
long as you have patience for this.
And yet,
I have to say it’s only been a few days since seeing Frozen II, and already
most of the plot has faded from memory – and other than Into the Unknown, and
Kristoff’ hilarious 1980s cheesy ballad inspired Lost in the Woods, all the
songs have completely faded as well. That wasn’t the case with the original
film – which was one wonderful song after another. Whatever logical and plot
inconsistencies there may have been in the original film, there was always
another great song just around the corner to get you through it. Not so this
time – which is why while Frozen II is undeniably a fun Disney film – and will
satisfy the films target demographic of little girls, and satisfy Disney’s
chief economic concerns, by making a lot of money at the box office, and
extending the life of Frozen toys and merchandise – it isn’t going to become
the Disney classic the original already has become.
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