Godzilla: King of the Monsters *** / *****
Directed by: Michael
Dougherty.
Written by: Michael Dougherty
& Zach Shields and Max Borenstein.
Starring: Millie Bobby Brown (Madison
Russell), Vera Farmiga (Dr. Emma Russell), Charles Dance (Joan Alan), Bradley Whitford (Dr. Stanton), Sally
Hawkins (Dr. Vivienne Graham), Kyle Chandler (Mark Russell), Ziyi Zhang (Dr.
Chen), David Strathairn (Admiral William Stenz), O'Shea Jackson Jr. (Chief
Warrant Officer Barnes), Thomas Middleditch (Sam Coleman), Ken Watanabe (Dr.
Ishiro Serizawa), Aisha Hinds (Elizabeth Ludlow), Anthony Ramos (Cpl. Martinez),
CCH Pounder (Senator), Elizabeth Ludlow (Griffin), Jonathan Howard (Asher)..
I am one
of those people who loved Gareth Evans’ 2014 Godzilla – and think it’s one of
the best blockbusters in recent years. The human characters in that film are
useless – they keep coming up with plan after plan after plan, and all of them
are pointless. You cannot fight against the unstoppable force of Godzilla, and
the “mutos” he was fighting. They represented an existential threat to
humanity, and we’re screwed, unless they decide we are not. But, clearly, I was
in the minority on that one – as that film didn’t make as much money as they
wanted, so when they made a follow – Kong: Skull Island (in the same shared
universe), they went for more big monster action, and less existential drama.
Now comes a more direct sequel to the 2014 film – Godzilla: King of the
Monsters, and it seems to try and split the difference. There is more monster
action in this film – bringing in not only Godzilla but Mothra, Rodan and
Ghidorah, and lets them fight. But it is maintains the same spirit of the 2014
film – in that the human characters here are pretty useless. They make plans,
but the truth is, if the monster wants to kill us, they will kill us. I wish we
didn’t spend nearly as much time on the human characters as we do – and their
petty personal dramas and squabbles, because in short, they aren’t worth it.
The all-star (or at least all-recognizable cast) are dull and boring, and all
the interpersonal conflicts are useless. I admire its ultimate willingness to
admit that we are powerless in the face of this existential threat, that of
course, is entirely our fault.
It’s
pretty much a new cast from the 2014 film – and this time, most of the “drama” involves
one family. When Godzilla fought the mutos in San Francisco back in 2014, Emma
and Mark (Vera Farmiga and Kyle Chandler) had a son killed. She became obsessed
with finding a solution, he became a drunk, before piecing his life back
together. Their daughter, Madison (Mille Bobby Brown) now lives with her mom,
who is working with the so-called Titans – and Mark is off on his own. She has
invented a machine that communicates with the monsters – and can maybe control
them – it can certainly awaken them. Which, of course, will fall into the wrong
hands – resulting in the Titans waking up – and forcing Godzilla to re-emerge,
etc.
If you’re
one of those people who thought the 2014 film didn’t have enough Godzilla
fights than a) you’re and idiot, but b) this movie doesn’t have the same issue.
The film has a lot of kaiju fights, and for the most part, they are well
handled. Yes, sometimes things get too dark, too shaky handheld camera like,
but mostly, they are exciting fights – and will scratch that itch. The film is
clearly made by and for people who loved to watch the old Godzilla movies –
bringing back all of Godzilla’s old foes so they can rumble. And it works
remarkably well.
Now, if
only the humans were the least bit of interest here, you may have something.
The film spends are too much time with them, and far too much time on their
personal lives, for them to be this dull. You kind of get that Mark and Emma
would be so obsessed with Madison and her well-being – but almost everyone in
the film is likewise obsessed, even though what they are trying to do is save
humanity from extinction – they are trying to save billions of Madisons, but
they are all obsessed with this one. I do like the fact that the movie takes
its time to lay out differing viewpoints – including that of the bad guys, who
make at least a certain degree of sense – in a Thanos type way. I also like the
way that faced with this sort of threat, who far back humanity seems to regress
when presented with this sort of threat.
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