Headshot *** / *****
Directed by: Kimo Stamboel & Timo
Tjahjanto.
Written by: Timo Tjahjanto.
Starring: Iko Uwais (Ishmael), Chelsea
Islan (Ailin), Sunny Pang (Lee), Very Tri Yulisman (Besi), Julie Estelle (Rika),
Yayu A.W. Unru (Romli).
Iko
Uwais is a truly talented motion picture martial artist. No, he isn’t in the
Bruce Lee-Jackie Chan-Jet Li territory yet, but one day, he may get there. I
even admire how he’s been fairly selective in his choices up until now –
Headshot is only his sixth film since his debut in 2009. He is still best known
for the two Raid films (2011 and 2014) – even if he did have a brief appearance
in Star Wars: The Force Awakens. Uwais is pretty much the only reason to see
Headshot, and overlong, bloody martial arts movies in which he plays a man with
amnesia, who has to save the beautiful doctor who nursed him back to health and
take down a criminal enterprise, mostly through the art of kicking people. He
is excellent at that art, and when Headshot is just about Uwais fighting, it is
excellent. Unfortunately, there is a whole lot more time than necessary when
Uwais isn’t kicking things, and that drags the movie down.
The
movie opens with a great extended sequence inside a prison – where a cop comes
in to mock a prisoner named Lee (Sunny Pang) – who is being kept under extreme
security, apparently facing a death sentence. Of course, Lee will find a way to
get out of that prison cell in an action sequence that sets the stage for what
they will all look like for the rest of the film – it is long, brutal and
bloody, and doesn’t skimp on the body count. By the end of the first 10 minutes
of Headshot, dozens of people are dead on the floor – and we’re just getting
started.
You
don’t really need to know the plot of Headshot to enjoy it. Basically, Lee is a
bad guy, Ishmael (Uwais) is a man who wakes up om a beach with amnesia, who
eventually figures out what his connection with Lee is, and has to fight
through his henchmen to get to him – especially after kidnaps Ailin (Chelsea
Islan) – the beautiful doctor who helped Ishmael, and a small, innocent girl –
from a bus, after machine gunning everyone else on that bus down. Ishmael may
not remember who he is at first, but there doesn’t seem to be any problem with
him remembering how to kick people.
In
many ways, you could say that Headshot resembles a video game – as Ismael has
to fight his way past one henchman after another, in different colorful
locales, and each a little more difficult than the last before getting to Lee.
As a fighter, Uwais is generous – in that while he is always going to win, he
lets whoever his sparring partner is get in more than a few good licks. The
action sequences in the movie are visceral and exciting – and show more skill
than American action directors, who rely on rapid fire editing to falsely
create that kind of tension. Here, there are extended, long takes of fighting,
and it is exciting.
The
rest of the movie is, to put it kindly, not all that good. The story is lame
and I hated the fact that the brought in a child just to put her in peril. But
the reason to watch the film is to watch the action – and on that level, and
only that level, Headshot delivers.
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