Creepy
Directed
by: Kiyoshi
Kurosawa.
Written
by: Chihiro
Ikeda & Kiyoshi Kurosawa based on the novel by Yutaka Maekawa.
Starring:
Hidetoshi
Nishijima (Takakura), Yûko Takeuchi (Yasuko), Teruyuki Kagawa (Nishino), Haruna
Kawaguchi (Saki), Masahiro Higashide (Nogami), Ryôko Fujino (Mio), Takashi
Sasano (Tanimoto), Masahiro Toda (Okawa).
Kiyoshi Kurosawa’s Creepy is a
film that returns the Japanese director to his J-Horror roots – particularly
his 1997 serial killer drama Cure – which was his breakthrough film. Kurosawa
would make a few more J-horror films (notably Pulse in 2001) – before starting
to make more traditional dramas – but with Creepy, he returns – however briefly
– to the genre that launched his career. Like Cure, Creepy is a masterclass is
film style – a slow burn of a film that goes from police procedural in the
first half to something much darker in the second. Also like Cure, the film is
marred by some sloppy storytelling and some huge leaps in logic the film
requires the audience to make. If you can accept those however, than Creepy
really does deliver.
The film is about Takakura
(Hidetoshi Nishijima) – a criminal profiler, who starts the movie as a
talented, but arrogant, man who doesn’t see the danger lurking directly in
front of him – and that leads to tragic consequences. As a result, he leaves
his job, and moves to the suburbs, taking a job teaching criminology at a
university, as he tries to repair his marriage to Yasuko (Yuko Takeuchi). His
is slowly drawn back into police work –through a cold case in which an entire
family – save for one teenage daughter (now an adult) went missing. That
daughter claims she doesn’t remember anything, but Takakura isn’t sure he
believes her – and starts pushing her, more and more, to remember – and bits
and pieces do eventually start coming. There is also the issue of their new
neighbor, Nishino (Teruyuki Kagawa) who is, well, creepy. But perhaps she’s
just socially awkward and weird – nothing criminal about that – although the
fact that his wife remains little seen is strange, and his relationship with
his daughter is also weird – but not in a way that you can really put your
finger on. Yasuko is more creeped out by him that Takakura – who, once again,
may not see what’s lurking under his nose.
Kurosawa’s strength in these
thrillers has always been in his ability to create mood and atmosphere – and
not so much in his narrative abilities. That’s true in Creepy as well – which
is a masterfully made film in many respects, slowly ratcheting up the tension
for more than an hour, before twisting itself into something much more horrific
(the fact that it’s so normal, makes it more horrific still). Kurosawa, unlike
other directors of J horror, never overdoes the blood and gore in his films –
he knows, ultimately, he doesn’t need to. He is also capable of getting
wonderful performances from his cast – here in particular Nishijima is
excellent as the expert profiler, who becomes so obsessed with one case, he cannot
see what’s right in front of him, and especially Kagawa as Nishino, who goes
from weird to creepy to something else gradually, but wonderfully.
What doesn’t work as well is some
of the plotting. While the film is masterfully directed, I do think it takes
too long to get where it’s going – it has a tendency to repeat itself. It’s
also a plot that relies so heavily on coincidence that even a generous audience
member is going to question just how much it leans on it – and just how great
of leap of logic the film requires. As well, Yasuko, the protagonists wife, is
not as developed as she needs to be to make a late film twist work - seriously
the film, which runs over two hours, could have easily found time to make her
into more than the main characters wife, which is what was needed to make the
twists work.
Still, it’s nice to see Kurosawa
step back into the genre that made his career – and show off the old chops
again. I wish he’d do it more often, because he really is great at it. Maybe,
next time thought, he should get someone else to write the screenplay. Creepy
is a good movie that with a together screenplay, could have been a great one.
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