Directed By: Pen-ek Ratanaruang.
Written By: Pen-ek Ratanaruang
Starring: Wanida Termthanaporn (May), Jayanama Nopachai (Nop), Porntip Papanai (Nymph), Chamanun Wanwinwatsara (Korn).
Nymph opens
with one of the most mesmerizing shots in recent memory. We are in the forest,
and the camera moves around effortlessly, mounted on a crane, for more than 10
minutes, as we get the lay of the land, and see a woman being attacked out
there. The shot itself is a mini masterpiece akin to the opening shot of Orson
Welles’ Touch of Evil, and makes you believe that what is to follow will be
equally mesmerizing. Unfortunately, it isn’t.
Nymph is
certainly an interesting, different movie. It is like nothing I have ever seen
before, yet in this case there is probably a reason why I haven’t. It is
basically about a bored married couple who travel out to the forest to try and
save their marriage. May (Wanida Termthanaporn) is having an affair with her
boss, and is overly dependant on modern technology. Her husband Nop (Jayanama
Nopachai) is a photographer who is increasingly drawn to the nature all around
them. Then Nop disappears, and May is left alone. She goes home after a few
days of fruitless searching, but cannot move on with her life. She realizes now
that it could be too late that it is Nop she wants, not her boss. But by this
time, Nop has left her for a tree. He’s not really missing, he’s just decided
to literally become one with nature.
It must be said
that Nymph is never less than beautifully well photographed, and perhaps had I
been in a different frame of mind, I could have gotten into this nearly
wordless, almost plotless movie, but it came at the very end of my Toronto Film
Festival experience, and I was simply out of patience with the movies’ leaden
pacing. Even the beautiful and talented Termthanaporn was not enough to keep me
involved in the movie, although she is quite good here.
I find I don’t
have much more to say about Nymph. At this point, I think I’ve done all I can
to describe the movie, and I think by now you probably know whether or not
Nymph is the type of movie you’ll enjoy seeing. For me, on the day I saw it
anyway, it certainly wasn’t. But I understand why some love it.
Note: Not, as mentioned in the review, I saw this film at TIFF - all the way in 2009 (and that is when I wrote this review). It's one of only a few movies I have seen at TIFF that never came out in anyway in North America after I saw them, which is post these reviews. However, oddly, I saw this film in the "New Releases" section of iTunes (Canada - I have no idea if it's there in America as well), so figured I would post my review, written all those years ago. Take it for what it's worth.
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