Directed by: Shion Sono.
Written by: Shion Sono.
Starring: Jun Kunimura (Muto), Fumi Nikaidô (Mitsuko Muto), Shin'ichi Tsutsumi (Ikegami), Hiroki Hasegawa (Director Hirata), Gen Hoshino (Koji Hashimoto), Tomochika (Shizue), Itsuji Itao (Masuda), Hiroyuki Onoue (Detective Tanaka), Tak Sakaguchi (Sasaki), Tetsu Watanabe (Detective Kimura), Tasuku Nagaoka (Mitsuo Yoshimura).
There is a lot to like
about Shion Sonos Why Don’t You Play in Hell – even if the movie ends up
spending more than two hours to get basically nowhere. The over length of the
film is certainly felt in its first hour, where the film deliberately keeps its
two competing storylines – one involving an simmering gangland feud between two
rival yakuza clans, the other involving a group of would be filmmakers, who
have been trying for a decade to make a great film, and not coming close
(because, it must be said, they don’t really have a lot of talent). We can
sense that the two storylines are going to come together – there are actresses
in the yakuza plot, and violence in the moviemaking part, but Sono keeps them
apart for far too long. In the last 45 minutes, when the two finally merge, we
get a ridiculously fun finale. But the film takes too long to get there, and
even if the finale is fun, it really isn’t saying very much. It’s an
interesting film, to say the least – I just wish it was a little bit better.
The movie opens with a
toothpaste commercial, which has a jingle that becomes lodged into the heads of
most of the characters in the movie, and will likely stay there for you as
well. The performer is the young Mitsuko – the daughter of a Yakuza boss, Muto
(Jun Kunimura). A rival gang, led by Ikegami (Shin'ichi Tsutsumi), targets Muto
and his family for elimination – but the assassins he sends underestimate Muto's
wife, who brutally (too brutally in fact) slaughters
them all. Meanwhile a group of high school filmmakers, led by director Hirata,
and star Sasaki, who they dub the next Bruce Lee, who have dubbed themselves
the Fuck Bombers, want to create the greatest movie ever made. Most of the
action takes place 10 years after this – with Mitsuko (now played by Fumi
Nikaido) is about to star in a bigger movie, and perhaps become a star just as
her mother gets out of jail for that brutal attack on the assassins, and the
tensions between Muto and Ikegami are boiling over once again. Meanwhile The
Fuck Bombers still think they can make the best film ever made, even if Hirata
is more Ed Wood than Martin Scorsese. They come into contact with Mitsuko, who
introduces him into the world of her father – and he decides that he can make
the movie he has always wanted to by filming the upcoming gang war. He takes to
Muto about the best way for his men to fight for it to be more cinematic – and
then reaches out to Ikegami to do the same. The ensuing war, and its aftermath,
is far and away the best part of the movie.
The
problem with Why Don’t You Play in Hell is simply that it drags everything out
too long. You can feel Sono's love for this material – and that, like Hirata,
he is so in love with this material, he wants to accomplish it all in one film.
The film is at once a yakuza film, an over the top comedy, a tribute to
moviemaking, and a love letter to 35MM film, and a whole hell of a lot else.
The movie lacks any real focus. At its best, all that enthusiasm Sono feels for
the material comes through. At its worst, the film simply repeats itself over
and over again, and doesn’t end in a place that makes it all worthwhile. There
is a lot to like about Why Don’t You Play in Hell – but more to kind of shrug
your shoulders at, and then move on.
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