Directed by: Ramon Zürcher.
Written by: Ramon Zürcher.
Starring: Leon Alan Beiersdorf (Jonas), Matthias Dittmer (Vater), Lea Draeger (Frau auf Balkon), Monika Hetterle (Großmutter), Mia Kasalo (Clara), Gustav Körner (Nachbarsjunge), Armin Marewski (Schwager), Kathleen Morgeneyer (Hanna), Luk Pfaff (Simon), Jenny Schily (Mutter), Anjorka Strechel (Karin), Sabine Werner (Tante).
The Strange Little Cat
feels like the first work of a major director. By itself, it`s an interesting
little film – expertly crafted in a series of stationary shots, that observe
one long, hectic day in the life of a large German family. It doesn’t do anything
particularly profound – I`m not really sure it`s saying anything at all. But
it`s so well made, so well-acted – and at 72 minutes doesn’t overstay its
welcome – it feels like the type of film a director makes right before he makes
his first masterpiece. I don’t know if Ramon Zurcher will do that – but
considering that The Strange Little Cat was made as a student film, I think he
certainly has the potential to go on to do something great.
The title character is
an orange tabby cat, who isn’t really that strange. He walks around the
apartment of the German family looking
for food, toying with a moth, and basically acting exactly like a cat does. The
family itself seems normal – two college age kids are back for some sort of
holiday, their much younger sister is cute, but annoying. The mother is
stressed from preparing for a large family dinner later in the day. Grandma has
started to show signs of senility. An uncle and cousin are there to fix a
washing machine. The father kind of fades into the background, and is ignored.
Zurcher
has called the film a horror film without the horror – and that makes a certain
degree of sense. There is certainly an ominous feeling to the movie – the
mother in particular feels like she is holding back a level of hostility that
may boil over at some point. She`s passive aggressive with the rest of the
family – particularly her husband, who she basically ignores. The college kids
have their own problems that they never really verbalize. The younger daughter
observes it all – senses something is amiss.
But if
anything is going to boil over eventually, it doesn’t on this day. Zurcher
eschews any sort of typical plot or character development, and basically just
sits back and observes – bringing his characters close to conflict, but never
quite getting there. He favors long, unbroken, un-moving shots, which traps its
characters in the frame and doesn’t let them out. It is expertly crafted – with
the movement in the frame as well thought out as the camera placement.
The Strange Little Cat only runs 72 minutes, and even that may be a little long for a movie that has no plot to speak of. But it works in this case. It isn’t a great movie – but it`s a good one, and it’s one that shows promise for the director. I cannot wait to see what he does next.
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