Directed by: Eliza Hittman.
Written by: Eliza Hittman.
Starring: Gina Piersanti (Lila), Giovanna Salimeni (Chiara), Ronen Rubinstein (Sammy), Jesse Cordasco (Patrick), Nick Rosen (Devon), Richie Folio (Justin), Case Prime (Nate), Kevin Anthony Ryan (Lila's Father).
It
Felt Like Love is a movie that made me cringe – and I mean that as a
compliment. It is a film about a teenage girl who wants to be as sexually
experience as her best friend, even though she doesn’t seem to realize that all
that experience hasn’t made her friend all that happy. She sets her sights on
an older boy and wants to have sex with him. He seems like trouble immediately
to the audience, but to her, the desire is too strong to ignore. Nothing that happens
next is quite what we expect.
Writer-director
Eliza Hittman’s movie strives for realism – and mainly achieves it. This is not
a movie where the teenagers are whip smart, and make a lot of quips and jokes.
Instead, they are insecure, damaged and speak pretty much like real teenagers
do. The film is shot in a documentary style – the framing is always slightly
off center, but often quite beautiful. The film never gives the main character a
speech where she explains everything. Rather it sits back and observes her, as
her feelings gradually come clear.
Played
by Gina Piersanti, Lila is an insecure girl of around 15. Her mother has
recently died, and her father isn’t handling it well. Over the course of a
summer, she hangs out with her best friend Chiara (Giovanna Salimeni) – who will
turn 16 this summer – and her new boyfriend. They are having sex already, and
Chiara tells Lila all about it – and Lila plays along as if she’s more
experienced than she really is. Chiara’s boyfriend is an insecure teenage boy –
upset that she has more experience than she is – which is something that may derail
their relationship. Lila doesn’t seem to get this – she just wants some
experience herself. She meets Sammy (Ronen Rubinstein) – he’s older, in college
and works at a convenience store. She starts hanging around, and he does
nothing to stop her. He knows she is interested, but mainly puts her off.
However, when he is around his asshole friends, he can be an asshole as well.
Lila puts herself in increasingly awkward, and dangerous situations, to get
what she wants – although she isn’t quite sure what that is.
The
film stays on Lila throughout the entire film, and gradually reveals her world –
both internal and external. What`s fascinating about the movie is that it could
probably be about Chiara or Sammy, and being wholly different, yet equally good
movies. All of these young people are dealing with difficult things in their
lives – and they handle them in a way that makes sense for teenagers. They
screw up, but they keep going.
The film uses limited dialogue to tell its story. To
some, I know, it will seem like not much happens in the movie. It uses body
language more than spoken language – and often the way things are said is much
more important than what is said. It is a film that requires to audience to pay
attention to get to the buried emotions at the core of its story.
The film is a remarkably assured feature debut for
Eliza Hittman as writer and director – who has a real eye for her neo-realist
style, and an ear for realistic dialogue. It is not an easy film, and perhaps
lets Lila off the hook a little too easily in the end, but it announces Hittman
as a filmmaker to watch.
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