Directed by: Matt Bettinelli-Olpin & Tyler Gillett.
Written Lindsay Devlin.
Starring: Allison Miller (Samantha McCall), Zach Gilford (Zach McCall), Sam Anderson (Father Thomas), Roger Payano (Cab Driver), Vanessa Ray (Suzie), Bill Martin Williams (Ken), Geraldine Singer (Sally), Julia Denton (Natalie).
I
have seen three found footage horror films in the first six months of 2014.
First was Paranormal Activity: The Marked Ones, which really didn’t do very
much for me. The next was Afflicted, was while clichéd in the extreme, at least
made me want to see more for its pair of promising directors. Now there’s Devil’s
Due – a found footage Rosemary’s Baby, which falls somewhere in between. As
with most found footage movies, I couldn’t help but wonder why everything we
see was being filmed in the first place (at some point, you’d figure these
people would have better things to do than film everything they do) – and even
more mystifying, who the hell was editing the tape we are seeing together – as it
edits together video from different sources to tell a coherent narrative. But
who the hell is editing.
The
film was directed by Matt Bettinelli-Olpin & Tyler Gillett, two of four
directors who have worked in the past as “Radio Silence” (the other two have
different jobs on the movie) – most memorably in the original V/H/S – where they
directed the memorable final segment, about a group of young men who think they’re
going to a house party and get more than they bargained for. They certainly
know what they are doing in the genre, and find some inventive ways to tell
what is essentially a clichéd, unoriginal story. In it, Samantha (Allison
Miller) and Zach (Zach Gilford) get married, and go away on their honeymoon to some
tropical location. On their last night, they get into a taxi, whose driver says
he knows a fun place to go. They go, and do seem to be having fun, but then
something strange (and mainly unseen) happens on the video. Flash forward to
the next morning, and the pair is in their hotel and hung-over. It’s not long
after they get home that Samantha finds out that she is pregnant – which is
odd, because she never misses her pill. But they’re happy anyway. But, of
course, something is not right with this baby. And hey, maybe those strange
people who have moved into the “abandoned” house in the neighborhood may have
something to do with it.
Surprisingly,
the movie isn’t overly violent – and doesn’t really rely on gross out horror
scenes to terrify the audience. Instead, the directors take their time, and
slowly build the tension – slowly show that things aren’t quite right with
Samantha, and Zach’s very slow realization of this fact. The movie provides a
few too many red herrings on other possible causes – red herrings that don’t fool
the audience (the movie is, after all, called Devil’s Due, and opens with a
Bible quote about the antichrist).
The
movie works better than it really should. It kept me involved until the ending,
which is fairly well handled. The directors clearly have talent – talent they
already showed in V/H/S. They know how to make a found footage horror film. The
film doesn’t really hold up to any close scrutiny, and follows along on its
chosen path precisely how you would expect it to. Like the filmmakers of
Afflicted, I want to see what these directors do next. Talent is here. But the
story is tired, cliché ridden and drawn out even at only 89 minutes. The film
is much better than I thought it would be. But that doesn’t mean it’s very
good.
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