I don’t
know enough about music or music criticism to speak directly to Saul Austerlitz’s
argument about that – although I admit I do find it a little odd that when I
read year end top 10 lists for music, they do seem to align closely to the best
sellers. As for Nashawaty’s review of Under the Skin, I think part of the
reaction can be chalked up to the fact that he didn’t really spend much time
reviewing the film itself – instead he digressed into talking about Johansson’s
career choice to do the film, and comparing it with other actors who have made “difficult”
films in the past – as if Johansson should spend all her time doing Marvel
movies (which, I increasingly love her in by the way). There have been other
negative reviews of Under the Skin – and there will be more (I loved the film
when I saw it at TIFF last year – but the public screening I attended had more
walkouts than any other TIFF movie I’ve been to – people thought they were
going to see a more typical sexy alien movie – perhaps along the line of Species).
It will be a divisive film. Part of the people shouting down the review were
doing it because Nashawaty didn’t love a film most critics did – part of it was
because of the substance of the review itself. And perhaps a small part of it
was anger at EW itself – for firing Owen Glieberman last week, and leaving
Nashawaty, a critic with far less experience and less well known in critics
circle, as the only one left over there. Not all of what Nashawaty faced was
fair – but some of it was.
In
terms of groupthink, it is a danger somewhat – not so much because critics
agree on certain movies, but the way they react to those who don’t. All movies
will have their detractors – they aren’t necessarily wrong if they fall outside
the majority opinion – we’ve all been there. Great movies can withstand that
criticism – I’ve often found that a negative review of a movie I loved has
helped me see what it is I loved about the movie more clearly than a review
that agrees with me. You shouldn’t be shouting down everyone who disagrees with
you, but rather engaging with their argument, even if you completely disagree
with it. But that’s the culture we have today – and it goes well beyond critics.
Go to the comments section of (almost) every movie site, and you’ll find a
bunch of people calling each other idiots for their opinions, rather than
engaging in serious debate. Basically, I don’t even bother to read most
comments sections anymore, because they are so full of hatred and vitriol – The
Dissolve’s thoughtful commenters being the exception that proves the rule. Tuesday, April 8, 2014
Criticwire Survey: Groupthink
Q: In his New York Times
Magazine rant against "the pernicious rise of poptimism," Saul
Austerlitz argued that the music-critical establishment engages in an
"increasingly shrill shouting match" when individual critics diverge
from the herd. His concern was echoed by Entertainment Weekly writer Anthony
Breznican, who accused critics of "cruelly ganging up" on his
colleague Chris Nashawaty over his review of "Under the Skin." Is
critical groupthink, especially as amplified by the echo chamber of social
media, a pressing concern, and if so, how can we mute its effects?
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