Directed by: Nicole Holofcener.
Written by: Nicole Holofcener.
Starring: Julia Louis-Dreyfus (Eva), James Gandolfini (Albert), Catherine Keener (Marianne), Toni Collette (Sarah), Tracey Fairaway (Ellen), Ben Falcone (Will), Tavi Gevinson (Chloe), Amy Landecker (Debbie), Anjelah Johnson-Reyes (Cathy), Eve Hewson (Tess), Toby Huss (Peter), Kathleen Rose Perkins (Fran).
To
a certain extent, I understand why some have dismissed Enough Said as a “big
screen sitcom”. The movie does, after all, star two people best known for TV
and not film, has a central premise that could easily be used on any number of
bad sitcoms, and has the kind of large ensemble cast that can provide subplots
to the main action, like we often see in sitcoms. And yet, there is no network
sitcom on TV now – and hasn’t been in a long time – that is this funny,
sensitively written, directed and acted, or this relatable and human as Enough
Said. You can say the film is basically a sitcom if you want to – but if it
really was a sitcom, it would be one of the best on TV.
The
movie stars Julia Louis-Dreyfuss as Eva – a middle aged massage therapist, divorced
for a decade, and dealing with the impending departure of her only daughter to
University across the country. One night, she accompanies her bickering friends
(Toni Collette and Ben Falcone) to a party – and meets two people. The first is
Marianne (Catherine Keener) a successful poet (and if you don’t believe such a
thing exists, neither does Eva) – who likes Eva, and could use a massage
therapist. She then meets Albert (James Gandolfini), a big bear of a man, but a
nice one – gentle, kind and funny. Later, he’ll call her up for a date – and
she accepts – and Marianne hires her as her massage therapist, and because she
doesn’t have many friends, also adopts Eva for some girl talk. Eva eventually
discovers that Albert and Marianne used to be married – the harpy Albert
complains about is her new friend, and the pig Marianne complains about is the
man Eva has unexpectedly fallen for. Rather than come clean, she decides to
keep the façade going for a while – as a way to find out what may be wrong with
Albert. Of course, at some point, everyone (even Eva) knows it will blow up in
her face.
That
does, admittedly, sound like a sitcom. And yet, Enough Said is so well written
and acted, that I didn’t mind it at all. Louis-Dreyfuss and Gandolfini have a
wonderful, unexpected chemistry together right from the outset. Louis-Dreyfuss
may be playing a character not a million miles away from some of her TV work –
and yet she makes Eva a character all her own – a likable smart, funny woman,
who nevertheless does some things we (and she) knows that she shouldn’t. The
bigger revelation is the late Gandolfini. Because of his physical appearance,
his pre-Sopranos career basically consisted of him playing the heavy in movie
after movie. The Sopranos showed he made more range – but as complex as Tony
Soprano was, he was also scary and physically imposing. The same cannot be said
about his work in Enough Said. He’s as big as ever (bigger probably), but there
is nothing scary about Albert – he is funny, kind, thoughtful and sensitive.
Yes, he’s a big man, but he never uses his size to intimidate – he almost uses
it as protection. I knew Gandolfini was a great actor – and he had been getting
great reviews for his role here – but even with that knowledge, his performance
here still surprised me with just how wonderful he is. The first date the two
go on is the best scene in the movie – and one of the best of its kind in
recent memory. When eventually Eva’s secret comes out – as it must – the movie
doesn’t have the expected fireworks – the yelling and screaming we often see in
movies like this. Just a quiet, heartbreaking moment from Gandolfini.
The
rest of the movie works fine as well – although Holofcener does try to add
perhaps one or two too many subplots into the film. They work fine, but they
distract from what makes the movie so special – which is the relationship
between Eva and Albert. Holofcener has long been one of the best indie
writer-directors working – in films like Lovely and Amazing, Friends with Money
and Please Give, she tells the kind of stories, about the kind of women that
all too infrequently appear in movies of any kind. Enough Said is another
winner from Holofcener – a romantic comedy for grown-ups.
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