Wild Wild Country **** /
*****
Directed by: Maclain Way & Chapman
Way.
The
recent glut of documentary series that span multiple episodes and many hours
telling a single story has mostly been a blessing – giving filmmakers a chance
to more fully explore complex subjects that a two or even three hour runtime couldn’t
adequately handle. At their best – like Ezra Edelman’s astounding O.J. Made in
America, the result can be a masterpiece – one of the best documentaries ever
made. There can be downsides of course (something like The Keepers doesn’t earn
its runtime), but for the most part, I am glad of this recent development. The
best new doc series in this vein has to be Maclain and Chapman Way’s Wild Wild
Country – which as the title implies really is a wild ride, telling the complex
and extremely entertaining story of what happened when an Indian Guru – known as
Bhagwan and his followers – known as the Rajneeshees – bought an expansive plot
of land in remote Oregon, and built a massive community there.
The
film has a traditional documentary feel – with a host of archival footage and
news reports from the time (the early to mid-1980s), and modern interviews with
many of the participants. From the Rajneeshees point of view, this new area was
paradise. It was a large, rocky plot of land that no one was using – they exerted
great effort and spent a lot of resources turning it in a community full of
homes, restaurants, a massive hall used for worship and everything else you
could imagine. The Bhagwan was extremely wealthy – he owned many Rolls Royce’s
for example. Most of the money likely came from his followers – mostly white
Americans or Europeans, some with a lot of money. They all came willingly, and
they all wore red. This was either a glorious new religious movement or a cult
depending on the way you looked at it.
Problems
arise though when the Rajneeshees start angering the locals in the nearest town
– Antelope, which doesn’t even have 100 people, and most of them are older,
retirees. They, and other, Oregonians, don’t like the way the Rajneeshees are
using the land – and want to force them out. The Rajneeshees respond by getting
involved in local politics. What follows is absolutely crazy – and will
eventually include mass poisoning, arson, assassination plots and massive
American government bureaucracy exerting its will on the Rajneeshees.
Throughout
it all, the Way brothers never really express their opinion on things – never really
lead the audience in what to think. Certainly, you can understand the
point-of-view of the Oregonians, who thought they were living in a small,
sleepy town – only to be invaded by a loud, red clad horde, who believed in
(and practiced) free love, and eventually essentially took over their town –
buying everything they could, including the local diner (who local recalls how
they went from frying bacon on the grill to bananas – and never went back). But
it’s hard to argue with the Rajneeshees either that a lot of it was motivated
by bigotry, and they were just trying to practice their religion – which they
have every right to do. The most fascinating character in the whole series is
undeniably Ma Anand Sheela, the Bhagwan’s personal secretary, who pretty much
ran the commune for years, as the Bhagwan remained silent. She reveled in all
the media attention she received – and she kept on receiving it because she
gave fiery, often profane interviews. She is a lot calmed in the modern
interviews with her now, but you still feel that same passion from her. She is
also the catalyst for much of what happens. One wonders what would have
happened without her – would the Rajneeshees been run out sooner, or would
eventually they have been allowed to go about their lives?
The
film runs in six parts, each lasting just over an hour – and it really does
earn that runtime (in fact, you could argue it could just a little bit longer –
it does feel like some of what happens is rushed). The Way brothers know what
they’re doing here – the pacing never flags, which is accomplishment when
dealing with some stuffy government bureaucrats explaining in detail what they
were doing, and each part ends with perhaps a little too explosive of a
cliffhanger to make sure you’ll keep watching – and it works (I may well have
watched all six in a row had I not started part one at 11pm one night). Most
retellings of this story, understandably, concentrate on some of the more
explosive details – the mass salmonella poisoning for example – but by taking
so much time, Wild Wild Country puts everything in context, and tells an wildly
entertaining, strange story – and really is one of the best docs you will see
this year.
