We the Animals *** ½ / *****
Directed by: Jeremiah
Zagar
Written by: Jeremiah
Zagar and Daniel Kitrosser based on the novel by Justin Torres.
Starring: Sheila Vand (Ma), Raúl
Castillo (Paps), Evan Rosado (Jonah), Josiah Gabriel (Joel), Isaiah Kristian (Manny).
We the
Animals is a film from the point-of-view of a 10-year boy, watching his parents’
volatile relationship play out in front of him. The 10-year-old is Jonah (Eva
Rosado), and he is the youngest of three boys – who almost look like three
different versions of the same kid a few years apart in age than brothers. They
have the same haircut – shaved, not quite bald – are often walking around
shirtless. Their father (Raul Castillo) is Puerto Rican, their mother (Sheila
Vand) is Italian – the met when they both lived in Brooklyn, although now they
live in Upstate New York. Over the course of a few months, these three boys –
but especially Jonah – will go through some changes, some confusing times –
some related to their parents, some more interior.
At first,
things seem nice in the family. Paps can be fun and charming – he spends times
with his kids, cooking breakfast, teaching them salsa dancing, etc. His
relationship with Ma is still passionate to say the least – when things are
good, they are all over each other. It comes then as a little bit of a shock
when Paps lashing out violently at Ma – leaving her battered and bruised. He
goes away for a while, but is then back – and all is forgiven. Only gradually
do we realize that this is part of a long standing pattern – one we’ll see play
out time and again throughout the course of the movie.
The two
older boys never really developed in any meaningful way – except that Jonah
views them as normal, and he isn’t. He is starting to have sexual feelings –
but doesn’t really understand them. He pours those – and every other confused
feeling he has – into his pencil crayon sketches, that occasionally the movie
will bring to life in animated sequences. Jonah is likely gay – he certainly
obsesses over an older boy with long blonde hair enough – but it’s never really
clear if he really knows what that means.
The film
was directed by Jeremiah Zager, making his feature debut after years of working
in documentary films, as both a director and editor. His style here though brings
to mind early David Gordon Green – think George Washington – and maybe even
Terrence Malick. He certainly uses voiceover like Malick does, but not always
in the best ways. The film is usually at its best the quieter that it is – when
its observing these brothers, especially Jonah, and observing how they observe
their parents. The movie, which was shot on film, is beautiful to look at and
its best creates a dreamlike atmosphere. In many ways, this is a standard look
back at childhood – it was based on Justin Torres’ semi-autobiographical novel
– but it’s not one heavily tinted with nostalgia. The camera sees the abuse
going on, even if Jonah has trouble articulating what he sees.
Which is
one reason why the two performances by Castillo and Vand are so key to the
movie working. They have a real chemistry together. Castillo understands how a
guy like Paps operates – someone who can be a decent loving guy much of the
time, but just has that angry, violent temper that makes him snap repeatedly.
He’s a mean, scary guy – but his family cannot help but love him. Vand is
quieter, but equally good, as Ma. She has shown up in several movies – movies
that I’ve liked her in, like the lead in The Girl Walks Home Alone at Night for
instance – and yet I didn’t realize it was her until the film ended. On one
hand, she is very sympathetic of course – but she is far from a perfect parent
either.
We the
Animals is a film that shows that Zagar’s future should be in films like this –
which is better than the documentary work of his I have seen. He has an eye for
this type of filmmaking, and the film is sensitive, well-made and well-acted.
Some things are laid on too thick – the score for instance – but for the most
part, We the Animals is a very good, small movie.
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