Strong
Island *** ½ / *****
Directed
by: Yance
Ford.
Documentaries made about a
family, by a member of that family, aren’t often a mixed blessing. On one hand,
you get access to material that no one else would ever have access to – and
your family may be more candid, less on guard, when you interview them than if it’s
someone they do not know as well – allowing greater insight. On the other, the
filmmaker may be too close to the material to see it clearly – and ends up
giving you a rather biased, or one side portrait. There is a little bit of both
of those things in Strong Island – a very good documentary that bills itself as
a true crime documentary – but is something more than that. Yance Ford has made
the film to investigate the killing of his brother way back in the early 1990s
– an unarmed, black man, who was shot and killed by a white 19 year old, who
then claimed self- defense – and was never even indicted. While the film pulls
back the veil on the type of story we still hear about all the time – it’s also
a powerful story about grief, identity and family.
(Note: To avoid confusion, Yance Ford is a transgender man –
although when the killing took place, he was a woman and identified as such.
Ford never addresses being transgender in the doc – he does say that they are
“queer” but that’s it. At the time the killing took place, he identified as a
woman and a lesbian. This was confusing to me, as a few of the reviews I looked
at referred to Ford as a “he” – and until I found out he was transgender, I was
confused).
The details of the case are
depressingly common. There was a traffic accident, and Ford’s brother William
agreed not to go to the police if the wronged party simply took his car to
their garage and fixed it themselves for free. The repairs took longer than
they were supposed to – and one night, William goes down to the garage with his
friends. Words are exchanged, and William is shot once, and dies right there.
To both William’s family – and his friend who was on the scene that night – it
appears like the cops and prosecutors always looked at the incident as
self-defense – and never wanted it to be anything other than that. William Ford
was just another dead, young black man. Throughout the film, Ford pieces
together the crime – although it’s not much deeper than that – and a portrait
of who William was leading up to his death, and the effect it had on William’s
family.
If there is a flaw in the film, I
think it’s that Ford withholds two rather critical pieces of information until
fairly late in the film – one that makes her brother look bad – a previous,
threatening incident at the garage, that although it never turned physically
violent, lends at least some credence to the story that someone might be scared
of him, and one that makes her brother look good – the courageous actions he
takes to stop a man who shot an
Assistant District Attorney at an ATM, and was trying to flee the scene.
The film works best as a portrait
of this family. After a short prologue of Ford on the phone with a former cop
who investigated the death, the film heads back to the family before the
killing – their lives growing up, their parents’ marriage and how they were
raised – the closeness of this family. From there, it becomes a portrait of
pain and grief – as the surviving family members feel ignored and pushed aside
by the police – as if their feelings never did matter. How does a family pick
up and pull themselves together after that? Can they?
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