Directed by: Megan Griffiths.
Written by: Huck Botko & Emily Wachtel and Caroline Sherman.
Starring: Toni Collette (Ellie Klug), Thomas Haden Church (Charlie), Ryan Eggold (Lucas Stone), Oliver Platt (Giles), Nina Arianda (Dana), Lynn Shelton (Lisa), Ahna O'Reilly (Charlotte), Amy Seimetz (Sara).
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The
plot about the missing rock star gives the movies its plot and structure, but
the film isn’t really all that interested in the search. It is more interested
in the two characters at the films center – two characters that they need a
reason to spend time together, so they put them on the road, in a giant
motorhome, and have them travel around the Pacific Northwest together looking
for the rock star. The film wouldn’t work as well as it does had the two
characters not been so interesting – and if the two performances weren’t so
engaging.
This
is one of Toni Collette’s better performances. Her Ellie is a smart woman – but
one who is continually making the same mistakes. As the movie begins she is
seen leaving yet another younger man’s bed – one who complains that he’s tired
of just having sex with her after gigs. Soon, she meets Lucas (Ryan Eggold) a
talented singer-songwriter who wants to be famous, who pursues her relentlessly
– so even though she knows it’s probably another mistake, she willingly makes
it anyway. All of herself destructive behavior has roots in her relationship
with Matthew – who she met when they were both teenagers, and who she has built
up in her mind as the love of her life. But as the movie progresses, and
Charlie keeps interviewing her, she starts to have a more clear eyed view of what
her relationship was really like.
For
his part, this is also a fine performance by Church – who has an effortless
charm and humor (which hasn’t been used enough in the years since his comeback
vehicle, Sideways). But like Ellie, he is also making the same mistakes again
and again – and once again, he’s in the process of making it again, dating a
much younger woman who says idiotic things like “we’re in a Golden age of
materialism”. But still, he keeps looking for love.
To
be honest, Lucky Them is a rather obvious movie – it doesn’t do anything all
that new or different. The film gives us an ending to the mystery, which is
surprisingly poignant and touching, given how little is actually said at the
time. We’ve seen movies like this before – and probably done better. Yet
however minor the pleasures of Lucky Them are – they are still pleasurable. I
enjoyed spending time with Ellie and Charlie – and the supporting characters in
the film. The film too often doesn’t give them much of interest to do – but for
the most part, they’re interesting enough by themselves.
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