Directed by: Gabriela Cowperthwaite
Written by: Gabriela Cowperthwaite & Eli B. Despres.
I am hardly an animal rights
hardliner (I’m not going to stop eating meat any time too soon), but I am
really starting to be convinced that perhaps it’s not the best idea to cage
wild animals solely for the purpose of human amusement. The Oscar winning documentary
The Cove (2009) was about dolphins, and how tortured they are in captivity and
how callously they are killed. Now comes Blackfish, which wants to, and
succeeds, in doing the same thing for Orcas. It focuses on one Orca in
particular – Tilikum – who is now responsible for the death of three people –
two trainers and an idiot who snuck into SeaWorld and thought it would be fun
to swim with an Orca. Watching the film, it is impossible to feel anything but
sympathy for Tilikum – who has had such a hard life that goes against his own
animal instincts that you cannot really blame him for what he does. That
doesn’t mean I don’t feel sympathy for the people who died because of Tilikum –
I do, even if I just called that one guy an idiot (and I’ll stand by that). But
when you take an animal out of his natural habitat, lock him in a small pool
with other whales who don’t like him, force him to perform on a daily basis for
years on end, it’s no wonder that he snapped.
Blackfish essentially tells
Tilikum’s story through the perspective of the people who trained him, and
whales like him, in parks such as SeaWorld. It starts with a harrowing
recollection of how these whale were initially captured – a story that brings
one of the fishermen to tears when he recalls just how cruel it turned out to
be. Now, most animals at places like SeaWorld are now one that are born and
bred in captivity – but Tilikum was not. He was ripped away from his family and
friends – and if you think that’s no big deal, just wait until you hear the
Orca experts describe just how emotionally evolved Orcas are, and how
interconnected their family units are.
Tilikum is captured, and sent
to a low rent amusement park in Victoria B.C. – where he is mistreated by a
trainer using “negative” reinforcement, and locked away each night in a small
tank with two female whales, who don’t like him very much, and constantly
“rake” him – essentially running their teeth along his body, leaving wounds and
permanent scars. In the wild, Tilikum could get away, but in captivity, he is
trapped, and has no choice but to suffer the abuse. One day, a trainer slips,
and their foot falls into the water – and Tilikum drags her under, and kills
her. Although reports vary as to which of the three whales actually killed the trainer
– eyewitnesses say it was Tilikum – and they could tell because he is the one
with the floppy dorsal fin. After that, the park closes down and Tilikum is
sold to SeaWorld – who keeps right on training him and making him perform every
day. And while SeaWorld is undeniably better than the low-rent park that had
him Tilikum the first time, it’s also hard to deny that “better” in this
context is a relative term.
Blackfish, like The Cove, does
not really try to be a fair and balanced documentary. It requested on multiple
occasions, according to the documentary, to get someone from SeaWorld to speak
to them on camera – and of course they refused. For the most part than
Blackfish is certainly an advocacy documentary – one that argues that confining
Orcas in captivity is devastating to them, and makes them act out in ways they
normally do not do. After all, there has never been a fatal Orca attack on a
human recorded in the wild, but Tilikum now has three fatalities on his record
himself. I would have liked to have seen the “other side” of the issue as it
were – but judging from the various statements from SeaWorld in response to the
documentary – which are mainly corporate speak, and “refutes” points that the
documentary doesn’t even make at times – I doubt they would have shed too much
light on the subject. After all, SeaWorld is a multi-million dollar
corporation, with many theme parks across America. They have a vested financial
interest in keeping Orcas in captivity – and keeping them working with trainers.
It makes for a better show.
As it stands, the movie is
mainly made up of former SeaWorld trainers – all but one of whom has had a
change of heart over the years. They question the training (or lack thereof)
that they received before getting into the water with the whales, and the ones
who worked directly with Tilikum say they were never given his complete
history. The lone trainer who doesn’t seem to agree that Orcas should not be
held in captivity argues that Tilikum is an isolated case – and should be
treated as such – rather than a condemnation on the entire industry. Yet the
movie does document other – fatal and non-fatal – incidents involving Orcas.
While it is true (apparently) that there an Orca has never attacked and killed
a human in their natural habitat – just in captivity – Orcas kill just about
everything else. They kill other whales, sharks, dolphins, fish and as shown in
some home footage in the documentary, sea lions. Orcas are predators – and when
held in captivity with none of their usual prey to eat, doesn’t it make sense
that once in a while, they are going to attack humans? You cannot blame an
animal for being an animal.
I feel nothing but sympathy for
the people whose death Tilikum caused – especially Dawn Brancheau, because of
the three victims, it is her the movie focuses on, and her story is told by
people who knew her. She was known as one of SeaWorld’s best and most
responsible trainers. Like the other trainers in the movie, she got involved
because she loved animals – they all care deeply for the Orcas that they worked
with. Hers, and the other two deaths, are tragedies. But they are a tragedy
that could have been avoided – and I don’t think we can realistically say that
Tilikum is responsible for them – he’s just as much of a victim as they are.
That was the overwhelming feeling I got from watching Blackfish – that Tilikum
deserved a better life than the one he has had.
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