Directed by: Sang-soo Hong.
Written by: Sang-soo Hong.
Starring: Isabelle Huppert (Anne), Yoo Jun-sang (Lifeguard), Kwon Hae-hyo (Jong-soo), Moon So-ri (Geum-hee), Moon Sung-keun (Moon-soo), Jung Yoo-mi (Won-ju), Yoon Yeo-jeong (Park Sook).
Sang-soo Hong is one of those
filmmakers whose films pretty much only play at film festivals in North
America. Eventually, his films achieve a cursory theatrical release over here –
but if often takes time. In 2012, his 2010 film Oki’s Movie, his 2011 film The
Day He Arrives and his 2012 film In Another Country all got released. They get
praised in all those film magazines I read – like Film Comment – but until In
Another Country, I had only seen one of his films (The Day He Arrives) – and
quite liked it, so I was looking forward to seeing more of Sang-soo Hong’s work.
I enjoyed In Another Country, but still it felt somewhat lacking. Is this what
all the fuss was about?
In Another Country is really
three films set in a small Korean town, all written by a young female screenwriter,
and contains similar character in each, in similar situations. Isabelle Huppert
stars in all three as a French woman on vacation – either a filmmaker scouting
a location, a woman looking for a quiet place to resume her latest affair with
a Korean man, or as a woman looking to get away from her latest divorce. In all
three she meets a famous Korean director – and in a few, his wife – as well as
a lifeguard. While the director seems to be a better match for her – both in
terms of age and education level, she keeps coming back to the lifeguard.
The film is amusing while it is
playing – not least because it reminds us that Huppert, who usually plays
darker characters in heavy movies, can be a gifted comic actress in the right
role. Here, playing a trio of neurotic characters, she is sweet and charming,
even while she is making mistakes, which is often. She is the heart of the
movie, and she carries it effortlessly.
The film itself seems to be
built on miscommunication. Huppert doesn’t speak Korean, and the locals speak
broken English at best, so she is never quite sure is happening, as the
character speak around her, but very rarely directly to her. The one exception
is the Yoo Jun-sang’s lifeguard character, He is much younger, but is seemingly
the only character who takes her seriously – and is genuinely interested in
her. The two could not be more mismatched, and that is almost their charm
together. They are not unlike the couple at the heart of Lost in Translation,
with the genders reversed. They may never quite fall in love, or even into bed,
but they share a deeper connection.
I was amused by In Another
Country. It reminded me of Woody Allen – especially something like Melinda and
Melinda, where Allen experimented with telling the same story as both a comedy
and a tragedy. Hong’s screenplay is simple, but funny, and the characters are
well drawn. His direction needlessly calls attention to itself at times –
strange zooms are prevalent throughout. But I certainly did enjoy the film. I’ve
been reading about Hong for years now, and The Day He Arrives seemed to
confirm, for me, his talent. In Another Country is a mildly amusing and
diverting comedy – but perhaps I should still see some of his earlier films.
Something tells me if he garnered all that praise, they had to be much better
than this film.
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