Directed by: Larry Charles.
Written by: Sacha Baron Cohen & Alec Berg & David Mandel & Jeff Schaffer.
Starring: Sacha Baron Cohen (Aladeen / Efawadh), Anna Faris (Zoey), Ben Kingsley (Tamir), Jason Mantzoukas (Nadal), Megan Fox (Herself), Chris Parnell (News Anchor), Jessica St. Clair (Denise), Bobby Lee (Mr. Lao), Fred Armisen (Waiter / Minister).
Sacha Baron Cohen is a
master at smart-stupid comedy. His comedies always center around an obnoxious
central character who says unbelievably offensive things that you find yourself
laughing at in spite of yourself, sometimes simply because you cannot believe
that he would actually say what he does. His last two films – Borat and Bruno –
had Baron Cohen in character interacting with unsuspecting people, making them,
and the audience, confront their own prejudices, and seeing how far he can push
them before they snap. Because Baron Cohen has become famous, he really cannot
do that anymore, so his latest is more of a traditional, scripted movie, with a
plot and supporting characters – played by actual actors. The result is still
one of the funniest movies you will see this year – and continues to show Baron
Cohen’s brilliance as a comedic performer – but doesn’t quite have the same
verve and audacity of his previous two films.
In The Dictator, Baron
Cohen plays General Aladeen, supreme leader of the fictional, North African nation
of Wadiya. He is rich beyond all measure, because of the all the oil reserves
his country has, and yet he is angering the UN by not letting weapons
inspectors in – with good reason, since he is trying to develop nuclear
weapons. They tell him unless he addresses the UN General Assembly in New York,
they will impose sanctions on his nation. So he heads off to New York with his
trusty aid Tamir (Ben Kingsley) – who of course, isn’t so trusty after all, and
is planning to get rid of Aladeen, replace him with his idiot double Efawadh
(Baron Cohen again, hilarious again) and turn Wadiya into a democracy – so he
can sell the oil rights and make billions. The assassination plan goes awry,
and Aladeen finds himself, beardless, in New York City trying to regain power –
and having to hang out with an enlightened, feminist, organic grocer Zoey (Anna
Faris).
Aladeen is not a million
miles away from Baron Cohen`s breakthrough role of Borat. Both are gleefully
ignorant, misogynistic, anti-Semitic and racist. And yet, there is an
undeniable sweetness and innocence beneath all the bluster. His characters are
cluelessly offensive, not understanding why what they do seems so outrageous to
others. The pleasure of Borat, and Bruno for that matter, was rubbing the
people he talks to – and the audiences – own prejudices in their faces. In The
Dictator, Baron Cohen has to script these reactions, and the result, while not
as good, is still hilarious at times. It helps that many of Aladeen`s most
offensive statements are made to Zoey`s Anna Faris. Faris is the best ditz in
the business right now – with those wide eyes, and a face that is so open, yet
so clueless, Faris is a talented comic actor on Baron Cohen`s level, and plays
off him brilliantly (too bad she so rarely gets material that measure up to her
talent).
Many critics have, rightly,
pointed out that The Dictator is inspired by two comedic masterpieces – The
Marx Brothers gleefully zany Duck Soup (1933), with Groucho as the leader of
the country of Freedonia, and Charlie Chaplin`s The Great Dictator (1940), Chaplin`s
shot across the bow at Hitler. What The Dictator has in common with these films
is the same goofy spirit – a willingness to go completely over the top – and
yet have a serious point beneath it all. The best moment in the movie is when
Aladeen finally gives his speech to the UN, exposing the benefits of a
dictatorship to Americans, which essentially ends up mocking the entire
American political system. Yes, Baron Cohen is a goofball, and a comedic
genius, who isn’t afraid of gross out humor but his films have a point beneath
them.
While The Dictator is the
funniest movie I have seen in months, it just can`t come close to the genius of
Borat, or even Bruno. I would suggest that while Baron Cohen`s movies pretty
much have to more conventional than those two films (because he will find it
hard to find people who don’t know who he is anymore), that perhaps he needs to
team with a better director next time. Larry Charles was a good choice for the
anarchy of the first two films, but Baron Cohen needs someone with a little
more focus and vision going forward. The Dictator is still a great comedy – but
it could have been even better.
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