Sunday, May 24, 2020

Ranking the Office Seasons

Now that I've ranked all 188 episodes, now it's time to rank Seasons. For the record, I think the ones ranked one to three are interchangeable - all great, number four is locked in place, five and six are back to interchangeable, seven through nine are locked into place.


9. Season #8 – Season 8 is widely, and rightly, regarded as the weakest season of The Office, and I’m not going to try and argue against that. I will say that I somewhat admire the writers attempt here – we aren’t likely to see another sitcom go through what The Office did in Season 8 – because first it would need to be a huge critical and commercial hit for 7 years, although one with its prime clearly behind it, who loses their star and most popular character, and decides to soldier on anyway. Still, The Office, could have simply become a nostalgia show – trading off the audiences affection for the characters, but with Robert California, and to a lesser extent Nellie Bertram, I think they really tried to do just that – but to add a different kind of tension to the office. Had it worked, perhaps Season 8 would have been the start of a longer, second chapter of the show. But they didn’t really work. The show got sillier, and those two just never really fit. Still, it is a decent season of a network sitcom – fun and funny, and easy to watch. But it is not The Office at its prime to be sure.
 
8. Season # 9 – If Season 8 was the writers try to see if they could make a post Michael-Office work, then Season 9 was embracing the show for what it was, and embracing the endgame for all the characters. I do believe that they stick the landing amazingly well – the finale is legitimately great, and the two episodes leading up to it are fine as well. There is a lot to celebrate about the show this season – although it is also clearly more uneven than The Office was in its prime, and it still misses Michael who elevated the entire show. Still, name a live-action network sitcom in 2020 that had as good as season as The Office did in Season 9? It would be a very short list.
 
7. Season #1 – In my memory, Season 1 was always awkward and not that good – as it struggled to find its voice, and repeated too many gags from the British version. I was surprised then when I went back and re-watched it and found that that basically describes just the Pilot episode – which is one of the worst in the series’ run. After that though, the remaining five episodes are quite strong. True, they didn’t quite figure out the larger ensemble cast yet – that would come in Season 2 – but as a six-episode initial run, it really is quite solid other than episode 1.
 
6. Season #6 – In my memory, The Office was in its prime from seasons 2-6 – but watching it again now, it kind of becomes clear that that really only applies to first half of season 6. The classic episodes are in the first half – the greatness of the two-part Niagara wedding episode, the most cringeworthy episode ever – in Scott’s Tots – and everything with Dunder Mifflin maybe going under is handled perfectly. But once Sabre takes over in the second half, the unevenness really sets in – with the writers just not quite sure where to go next. It kind of feels like season 1 all over again – expect now it’s not a new show figuring out what it wants to be, but now a great show figuring out how to stay great. Overall, is season 6 still better than just about any live action sitcom on network TV in 2020? Yes. But it’s also clearly a notch below the previous four seasons.
 
5. Season #7 – It may seem odd to have season 7 over season 6 – especially since I consider the first half of season 6 to still be vintage The Office – something that only a few episode in season 7 could claim. But oddly, Season 7 is the one Michael Scott season of the show that I think is better than the sum of its parts. The whole season is basically a farewell to Michael – even before you realize it is, because through the season you start to see real growth for Michael – he starts to see the way he reads too much into things, he starts to see Ryan and Todd Packer for who they really are, and is able to really share his life with someone like Holly. The individual episodes weren’t always among the very best in the shows history – but the ones that were, were great, and overall the show was more consistent than season 6, which had that uneven backend. Plus when it was finally time to say Goodbye Michael, they did it perfectly. Perhaps this season isn’t “vintage” The Office like Season 2 through the first half of Season 6 – but it’s just as essential.
 
4. Season #5 – There is absolutely no doubt that by season 5, The Office was running like a well-oiled machine. The film was dominated two storylines – Michael and Holly’s short-lived relationship in Scranton, until she is transferred back to Nashua, begins the season and Michael’s heartbreak over it continued all season, and Michael quitting Dunder Mifflin, going out on his own (with Pam and Ryan) to protest his new boss (Idris Elba). The rest of the season also just works as standalones, with one funny episode after another. I’m not sure the heights are quite as high as other seasons – but it’s tough to find too many sour notes here either.
 
3. Season #3 – This season is not quite, but is nearly as good as Season 2. For Jim and Pam, it basically flips the script – with her pining for him, and him with someone else. I will say, I was sadder for Pam in this season than I ever was for Jim – and Jim did act like a jerk towards her on more than one occasion – but it all leads up to the best, most purely joyful moment in the shows history. As for the rest, everyone is still firing on top notch – Steve Carrell deepens Michael this season, and we get to see how Michael can both be good at his job, and how he looks to other people who just joined the office. The show also handled the addition of new characters with ease. In short, even if it’s not quite as good as Season 2 in total, most sitcoms will never have a season this good.
 
2. Season #4 – This season had two things working against it – the writers’ strike which shut down production about halfway through, and NBC wanting the show to have quite a few hour long episodes – where they have to pull off the trick of the episodes working as those hour longs, but can also be split in two for syndication purposes. So it’s quite remarkable really that the quality of Season 4 didn’t flag at all from where it was the previous two seasons. The highlights – like The Deposition and Dinner Party are as good as anything the show has ever done, and I liked the trick the show pulled in the Season Finale, pulling back on a big Jim and Pam reveal, like they had the last two years. Another vintage season.
 
1.Season #2 – This isn’t just the Season where The Office truly figured out what it was – it perfected it pretty much right away. Seriously, you don’t go too long at any point in this season without hitting a classic episode – and it had some amazing runs as well (Christmas Party, Booze Cruise and The Injury are back-to-back-to-back, perhaps the greatest three episode run the series ever had). There really isn’t a weak link this season – no, The Fight isn’t my favorite, but it’s still far from a bad episode). This is the season that really deepened the emotions between Jim and Pam – and left us heartbroken – that perfected the balance between Michael being an asshole or clueless-but-well-meaning (and ever inspires genuine sympathy a few times when it gives us glimpses into his childhood). In short, it is as close to a perfect season of a network sitcom you are ever like to see – there is a reason this was the season it won the Best Comedy Emmy.

Saturday, May 23, 2020

Ranking The Office Episodes: 50-1

50. Employee Transfer (Season 5, Episode 5) – Michael takes a personal day to drive Holly back to Connecticut when David Wallace transfers her back to her old branch when he discovers they are dating - alongside Darryl, in the truck, who has to awkwardly sit there as they break up. This is one of those episodes you want to look away from, but cannot – and it’s one of the episodes you feel very bad for Michael. They mainly keep the rest of the episode light – Dwight trying to piss off Andy by applying for Cornell, Pam and Jim’s brothers trying to prank Jim, and get it mostly right.
 
49. Women’s Appreciation (Season 3, Episode 21) – Phyllis gets flashed in the parking lot, and after initially thinking it was funny, Michael decides to overcompensate – by showing the women in the office how much he appreciates them by taking them to the mall. It’s a good way to get Michael to interact with just the female employees – especially when he pours his heart out about Jan, and gets conflicting advice from Karen and Pam. It is also one of the funniest Angela episodes – when she tells you where she gets her clothes. The B-plot of Dwight searching for the flasher is just really funny.
 
48. Sexual Harassment (Season 2, Episode 2) – The episode basically introduces us to Michael’s nemesis, Toby in HR, the one employee in the office he cannot control because he’s technically corporate. The whole episode is similar to Season 1’s Diversify Day – with Michael causing a problem, and making everyone take a course on something that he thinks he knows everything about. Just a really solid, hilarious episode – a way to get back into the office after episode 1 of the season mainly took place at Chili’s.
 
47. Back from Vacation (Season 3, Episode 11) – Michael returns from Sandals for the Christmas break with beads in his hair (that is lowkey hilarious) – and it quickly becomes clear that he went with Jan – and then the whole office, and the whole company, knows because Michael cannot help by trying to brag to his old friend Todd Packer – making Michael go crazy trying to contain a story that is already out. The b-plot has cracks forming between Jim and Karen – with Pam caught in between. A good way to return to the series after Benihana.
 
46. The Surplus (Season 5, Episode 9) – Oscar informs Michael that the office has a surplus of $4,800 – and they’ll have to spend it on something, today, or it goes back to corporate. Oscar wants a new copier – Pam wants everyone to get new chairs, and the office is divided. It becomes more divided when Michael finds out that if he just doesn’t spend it, he’ll get a bonus – which he can spend at Burlington Coat Factory. Dwight goes to extreme lengths with Angela, as they plan her and Andy’s wedding at the beat farm. It is a classic ensemble episode at the office about the debate, and Michael wanting to be popular, but also wanting to be selfish. More stand-alone than much of Season 5 – but a great one.
 
45. Business Ethics (Season 5, Episode 2) – As the branch’s new HR person, it’s up to Holly to give them all corporate’s ethics seminar in light of Ryan’s downfall. Michael grants immunity – leading to Meredith’s confession of serious ethical lapses, even if they benefit the company. So now Michael and Holly – who have been best friends until now – are placed in conflict. The episode is hilarious – Michael’s pettiness in trying to mess with Holly is great, and the episode really does bring out the best in Carrel and Amy Ryan, and Kate Flannery. It also has probably the most realistic resolution to this you can imagine.
 
44. Baby Shower (Season 5, Episode 3) – One of the last great awkward Jan episodes – as she shows up at the office for a baby shower, not having told Michael that she has already given birth to little Astrid (not Astird) – which devastates him, as he has begun to think of himself as the father. As always, Melora Hardin nails it as Jan – and you start to see how she is pulling herself together after the breakup with Michael – and you also see the growing bond between Michael and Holly. The seeds are also being planted for Pam’s end as a student in New York.
 
43. Fun Run (Season 4, Episode 1) – The show returned with us all wondering what happened with Jim and Pam – and took its time to show us, but I think we’re all satisfied with it. Then there is Michael hitting Meredith with his car, and eventually setting up a charity fun run for rabies. So much of this episode works wonderfully well – it is funny and well made, we see what we need with Jim and Pam, and Michael and Jan. But it’s also one of the episodes hour long episodes – and it really does kind of feel like two episodes pushed together more than the best hour-long office episodes.
 
42. Safety Training (Season 3, Episode 19) – Both the office and the warehouse have to go through safety training, and the warehouse staff mocks the office people for caring about things like season depression and eye strain, instead of more serious things – leading Michael to decide to show just how serious depression can be. The episode walks the line – there are many hilarious moments (the watermelon is the most laugh out loud one) – but it does actually deal with depression, with Michael’s symbolic gesture uncovering real issues.
 
41. The Convention (Season 3, Episode 2) – The Convention is one of those helpful reminders that The Office gives once in a while that Michael is actually pretty good at his job when he wants to be – this time, heading to a paper convention, where Jan gets mad at him for goofing off – but, of course, it ends up being Michael who closes the biggest deal. This doesn’t make Michael happy though – his party is a bust, and spends much of the time hurt by Jim, also at the convention, because he left – before it’s heartwarming ending. It’s also the start of the tables between Jim and Pam turning.
 
40. Gay Witch Hunt (Season 3, Episode 1) – Every season premiere has to re-establish the show, and in this case establish a new normal – with Jim having moved to the Stamford branch, and introducing some new characters there, and Pam revealing she called off her wedding to Roy, etc. The show smartly addresses both of these quickly, but also moves to be a standard office episode – this time with Oscar revealing he is gay, and the fallout from Michael that follows – who bends over backwards to prove he isn’t homophobic, but doing so in the absolutely worst way. A great way to start the season – one that pushes the boundary of how clueless Michael be to just about its breaking point, but not quite getting there.
 
38/39. Lecture Circuit (Season 5, Episodes 14& 15) – Michael hits the road – with his driver, Pam, - to all the other branches in the area (other than Holly’s) – because Scranton is the only branch who has increased sales in tough times. It does become clear though that Michael has no real idea why – or what to do. The highlight of the first episode is wrapping up Karen’s story, in a way that makes you feel good. This inspires Michael actually going to Holly’s branch in the second episode, to try and get similar closure that Pam got – and completely melting down. For me, it’s impossible to separate these two episodes, both complement each other perfect, both are very funny, and yet end with some heartwarming moments.
 
37. Weight Loss (Season 5, Episode 1) – The season five premiere takes place over the entire summer – during an 8-week weight loss challenge from corporate HR, which has the entire staff gather on the warehouse scale once a week to see how much they lost – all except Pam, who is leaving for New York for art school. One of the better standalone hour longs, as we really see the chemistry between Michael and Holly, the continued relationship between Dwight and Angela, and Jim and Pam finally get engaged. The episode even gives some great stand out moments to the ensemble – particularly Stanley and his personal triumphs, and Kelly, who goes to extremes. A great way to start season 5 – doing a lot of heavy lifting in terms of setup, but also just being a great, hilarious episode.
 
36. Local Ad - (Season 4, Episode 5) – Ryan and corporate has bought some local ad time – and wants to run an ad for Dunder Mifflin, with just a little input from the Scranton branch. Michael decides that he should make his own ad instead. It’s amusing throughout – with the whole office coming together to work towards a common goal – and when you see the final ad, it’s one of those periodic reminders the show gives you that Michael can be quite competent when he wants to be. The end is legitimately heartwarming.
 
35. Conflict Resolution (Season 2, Episode 21) – Michael finds out that everyone comes to HR, aka Toby, with all of their complaints about other employees, and decides to resolve everyone’s conflicts himself – reading them out loud in front of the whole office, and basically making everyone hate each other. The film has some out and out hilarious moments – Pam saying she doesn’t want anyone at her wedding who called her a hussy, Michael’s win-win-win solution to the Oscar/Angela poster conflict – and listing all of Jim’s pranks on Dwight in a row, that is hilarious, until it isn’t – and is really what makes Jim reconsider his life. And it sets up the classic season finale in a great way. I do always love it when the whole ensemble gets involved – and this is a perfect example of that.
 
34. Business School (Season 3, Episode 16) – Ryan invites Michael to speak to his business school class – but doesn’t tell him that he has insulted both him and Dunder Mifflin during his time there. Michael, of course, delivers exactly the kind of speech you would expect him too – until he is confronted with the facts, and it all goes off the rails. It is a classic Michael episode (it is, technically the episode that Michael was nominated for an Emmy for season 3 for) – and the B-plot, about a bat in the office, is just plain funny.
 
33. The Return (Season 3, Episode 13) – Dwight is working at Staples after the events of Travelling Salesman – and Andy has filled his void, driving everyone, even Michael, completely nuts (one of the great lines of the series is here – with Michael wondering aloud how anyone can have so little self-awareness). The reunification between Michael and Dwight in Staples is perfect. In a busy episode, it’s also when Oscar returns after Gay Witch Hunt, to a party that “celebrates” his Mexican roots – and Jim and Pam decide to prank Andy – leading to results that are at least a little bit scary. You worry that the episode is doing too much – but it all works well together.
 
32. Travelling Salesman (Season 3, Episode 12) – Dwight does a favor for Angela, which Andy will use to plant doubt in Michael’s minds when all the salesmen team up with each other for sales calls. It’s fun to see these pairs head out together – Jim and Dwight working well together, Stanley completely embarrassing Ryan – and finding it hilarious – Phyllis showing off some unexpected game with Karen – and Andy messing up the call with Michael. This is a companion piece to The Coup – one of the highlights from Season 3.
 
31. Goodbye Toby (Season 4, Episode 14) – Poor Toby, embarrassed over his actions in Night Out, has announced he is leaving – and moving to Costa Rica (which has mentioned a few times) – leading to Michael planning an epic party for his nemesis leaving. It also has Amy Ryan coming on board as Holly – who Michael is prepared to hate, and Dwight starts to prank, but of course, Michael falls for her. Jim spends the whole episode planning his proposal – only to be upstaged in a nice little twist. We also find out interesting news about Jan, and get news about Andy and Angela, and Angela and Dwight. This is such a plot heavy finale (is it trying to do too much, since the season got shortened because of the writer’s strike?) – and yet, it is absolutely hilarious – none more so than Holly thinking Kevin is, well, a little slow. If you have to do this much in a finale, you can only hope to carry it off this deftly.
 
30. Garage Sale (Season 7, Episode 18) – Everyone in The Office has gathered in the warehouse to sell their junk in a large garage sale. Michael is planning on proposing to Holly – but is surprised when she announces that she will be moving to Colorado to take care of her parents. This episode is doing a lot – all the stuff with Holly’s parents is heavy, the garage sale stuff is light and funny – particularly Jim seeing if he can get Dwight to want his magic legumes. The heart of it is the proposal itself – which Pam, Oscar and Ryan talk Michael through, as his first plan was a fire in the parking lot. It all leads up to a beautiful, and elaborate proposal, with Michael’s shocking announcement at the end. This was perfectly handled.
 
29. Broke (Season 5, Episode 23) – The Michael Scott Paper Company finds out that they are broke – and don’t have long to survive (apparently MBA Ryan used the wrong model, meaning they are grossly undercharging, which is, of course, they only reason they have clients). Still, they’ve stolen so many clients from Dunder Mifflin, that David and Charles agree the cheapest option will be to buy out the company. Again, an example of how good Michael can be – they worry he’s going to screw up the negotiations, but he actually plays it masterfully. It’s also probably my favorite Idris Elba episodes – as he starts to see Dwight for who he is, and continues to pick on Jim. One of the very best Season 5 episodes, leading to the resolution we know is coming, but is still great in getting there.
 
28. Phyllis’ Wedding (Season 3, Episode 15) – For some this ranking will be too high, for others too low. Whenever the most awkward Office episodes comes up, Phyllis’ wedding seems to get mentioned more often than anything other than Scott’s Tots and Dinner Party. And it’s easy to see why – it’s Michael at his most cringe-inducing, trying to make Phyllis’ wedding all about him – throwing a lowkey temper tantrum when her father stands up for his wheelchair to walk her down the aisle, instead of being pushed by Michael (him pulling that wheelchair down the aisle is painfully awkward) – and then doing everything possible to try and win back some glory in the day about him. It is all a high-wire act for Carrell and the show, and I think they pull it off wonderfully well – although I can also see why others would never want to watch it a second time.
 
27. The Negotiation (Season 3, Episode 18) – Roy attacks Jim, who is saved by Dwight. All of this leads Darryl to think, not incorrectly, that he deserves a raise – all of which exposes just how little Michael makes. This is one of those perfectly constructed Office episodes where both the A and B plots work wonderfully – Darryl needling Michael is wonderful, as is the trip to corporate with Toby, for the negotiation with Jan is brilliantly handled. Jim trying to find the best way to thank Dwight also works very well. It is also the episode that, I think, has Jim’s biggest asshole moment maybe of the entire series – in his response to Pam apologizing for Roy’s attack – and I don’t say that as a criticism of the show, but praise for its willingness to go there.
 
26. Michael’s Last Dundies (Season 7, Episode 20) – Michael’s departure is coming up, but not before he hosts one last Dundies. The opening of the episode is hilarious – Michael and DeAngelo going to everyone’s house at 6 am to give them their plaques as Dundie nominees, and getting a wide variety of reactions. From there, Michael tries to ensure that DeAngelo keeps this tradition going by training him to be a Dundie host. Carrel and Ferrell work much better here than they did in Training Day – but it’s also a great ensemble episode, giving everyone a chance to express their feelings towards Michael – including Dwight’s hurt. And then there is the Rent-inspired musical climax, which is one of the moments in The Office that always makes me cry. This was a perfect way to setup Michael’s final episode.
 
25. Branch Closing (Season 3, Episode 7) – Yes, we know that Scranton is not actually going to be closing – even though Jan tells Michael that is exactly what is going to happen at the beginning of this episode, but tells him not to tell everyone else – which is precisely what he does. It is a fascinating episode – it can be funny at times, but it also gives your insight into each of the office people, and what their future plans are going to be. And Jim, looking directly into the camera, and pretty much complimenting Michael after Josh’s betrayal, is also a great moment. It sets up what is coming next – bring Jim back to Scranton, and everything that follows. And Michael and Dwight waiting for David Wallace is funny by itself as well – especially when they find out they won, but don’t know how they pulled it off.
 
24. Diversity Day (Season 1, Episode 2) – The pilot may have been uneven, but they quickly found their footing with this brilliant, awkward, hilarious episode – with Larry Wilmore having to come in to give a diversity training session, and Michael trying to take it over – even if he’s the only one who really needs it. The episode pushes the limits of good taste, knows it, and stays just this side of the line with it. You probably wouldn’t get away with it today, but it’s great.
 
23. Company Picnic (Season 5, Episode 26) – The season finale keeps it short this year – a regular half hour – and it is jammed packed, and pretty much perfect. Michael and Holly reunite for a comedy routine at the company wide picnic – and end up revealing something that no one wanted revealed, but also prove the spark is still there. Pam proves to be great at volleyball – carrying the Scranton branch into the finals against corporate – where Charles shows just how petty he can be. All of this leads to the heartwarming climax. Throughout it all, there are many great moments – Dwight as the coach, the other Dwight in the company, Andy freaking out, etc. In Season 4, they would have made this an hour – and it would have been great – but there’s something about a jam packed half hour that makes this perhaps even better.
 
22. Money (Season 4, Episode 4) – The best of the four hour longs to begin Season 4, this one concentrates on Michael, who has never been good with money, and always had debts, realizing that with Jan he has gone so deep in debt he has had to take on a second job at night, telemarketing, and considering declaring bankruptcy with Oscar’s help. This actually builds to the perhaps the sweetest moment between Michael and Jan – the one where we don’t question their relationship, and Meloria Hardin plays it perfectly. I also cannot help but love the b plot from the first half of the episode – Jim and Pam spending the right at Dwight’s Beat Farm B&B. Overall, this is how you do an hourlong.
 
21. Office Olympics (Season 2, Episode 3) – As Michael and Dwight leave the office, so Michael can finalize his purchase of a condo, the rest of the office – led by Jim – compete is office games. Everything with Michael and Dwight – and the real estate agent, played by Carrel’s real-life wife Nancy (who will return a few times) – is awkward comedy gold, even if in these strained economic times, I didn’t want to hear a lot about mortgages. Everything back at the office is lighter and more fun – showing just how committed and fun Jim can be given the right circumstances – but also the varying degrees of commitment of the players. Just a perfect example of what this show, in its top form, could do – even if it’s not quite top level. 
 
20. A Benihana Christmas (Season 3, Episode 10) – The Office does Christmas episodes rights – and A Benihana Christmas is no exception. Michael pushes girlfriend Carol too far, and she breaks up with him, leading Andy to suggest Benihana for lunch – and Jim and Dwight are brought along. Meanwhile, Karen and Pam stage a coup on the party planning committee, planning a much more fun party than Angela will allow. This is one of the seasons hour-long (really 42-minute episodes) – and it never really flags as can sometimes happen. It all builds to the Christmas party, and again a genuine moment between Michael and Jim. But basically, it’s one comic highlight after another.
 
19. The Merger (Season 3, Episode 8) – The Merger is a classic Office episode – it makes you see Michael through the eyes of the people who don’t know him – and how strange that must have been. Michael tries really, really hard to impress the new people Stamford, but he goes way too far, way too hard and ends up alienating them all. It’s also kind of a sad episode – Pam is so happy to have Jim back, but has her bubble burst almost immediately when he is stand-offish, and awkward. Poignant, funny – and when you find out Jim and Karen are actually dating, a little heartbreaking.
 
18. Scott’s Tots (Season 6, Episode 12) – I know there are die-hard Office fans who have only ever watched this episode once – and can just not handle watching it again. It’s easy to see why – it is probably the most painfully awkward episode in the entire series’ run and the worst thing Michael has ever done. 10 years ago, he told a group of underprivileged children that if they graduated high school, he’d pay for their university – and now that bill has come due, and he has absolutely no money to follow through. But he does laptop batteries for them all. This is exactly the type of thing Michael would do – but the awkwardness level is sky high, because the consequences here are real, and the victims completely innocent. It is also, however, darkly hilarious. You can argue that here they took things too far here – but you kind of have to give credit to the most cringeworthy episode in a series known for its cringeworthy episodes.
 
17. Threat Level Midnight (Season 7, Episode 16) - One of the undeniable highlights of Season 7 is finally seeing the finished product of Michael’s long-gestating movie – that we saw a table read of in Season 2. It is, of course, inspired insanity and comedy throughout – and also fun to see all the old faces that have moved on over the years returning for one last time. In many ways, this is the type of lightweight, nostalgia driven episode that The Office didn’t indulge in before now – but given it’s one of Michael’s last episodes, all is forgiven – especially when it’s this funny. It also, surprisingly, shows some real growth in Michael – realizing that it is okay if Holly doesn’t love it, or if it isn’t great. He would not have had this insight before Holly.
 
16. Finale (Season 9, Episode 23) – It is very hard for sitcoms to end things right – you have to get the balance between humor and sentiment just right, and with The Office, you have the complicating factor of Michael – who had left two years before, in what was in many ways a finale in and of itself. They split the difference well here – bringing back Carrel, but not letting him take over the episode (whether that was there choice or Carrel’s – it works). The episode gives everyone (well, except poor Toby) a happy or happy-ish ending, it sets Dwight up to be successful in the future giving him what he wants, and sends Jim and Pam off into the sunset in a fitting way. Everything works amazingly well – and then there is the final sequence with all the regulars (sans Michael) in the office for one last time. It is a fitting way to end things – and a great way. They nailed this ending about as good as I can imagine it being done – and created certainly a must-see finale.
 
14/15. Niagara: Part I & II (Season 6, Episodes 4 & 5) – I know some will probably complain that this dual episode is too sweet to be a classic Office episode – and my wife liked to complain about some of the logical flaws in the movie (mainly having to do with how wet Jim and Pam would be coming back from the boat, and why only the office people dance done the aisle, etc.). And yet, I don’t care. Loyal Office fans had been waiting six years to see Jim and Pam get married, and this episode didn’t disappoint. Yes, it is heartwarming and sweet to see our favorite couple get married. Yet, the episode still manages to have classic awkward moments – Michael and Mee-maw for example, and shows some different sides of everyone. Overall, you just have to love these episodes if you love The Office.
 
13. The Fire (Season 2, Episode 4) – Everyone gets out of the office, into the parking lot, when a minor fire starts in the office. Michael really tries to become friends with Ryan – making Dwight super jealous – meanwhile Jim holds court with desert island games. All of it is funny – even when Amy Adams shows up, and we realize just how not right she is for Jim based on her answers – all leading to the glorious reunification between Michael and Dwight, and Ryan’s comeuppance – satisfying for someone like me who thinks Ryan is an insufferable jerk who needs that comeuppance more than any other character on the show.
 
12. Stress Relief (Season 5, Episode 13) – Perhaps the highlight of Season 5, is this hour-long episode. It starts with one of the out-and-out funniest scenes in Office history – Dwight’s fake fire, which terrifies everyone in the office, and causes mass panic – broken windows, Oscar climbing through the ceiling (and the cat) – all leading to Stanley’s heart attack. The first half really does overdose on Dwight’s weirdness (the hardest thing to believe is that he doesn’t get fired – for either the fire, or the CPR dummy). The second half is absolutely hilarious, as Michael makes everyone throw a roast for him – and takes it far too personally, ending with his own roast of people. Really, this is a brilliant, sustain hour that is one of the very funniest hours in Office history.
 
11. The Coup (Season 3, Episode 3) – At the behest of his own personal Lady Macbeth, Angela, Dwight arranges a secret meeting with Jan, to try and convince her to give him Michael’s job. Jan calls Michael with the news – who masterfully plays Dwight for most of the episode, making him think he got to the job to humiliate him. Again, I like when the show gives you a glimpse of the Michael that ascended to this position in the first place – and this is one (although, of course, he ends up freaking out when Dwight insults his car). In Stamford, we start to see Jim and Karen growing closer as they play Call of Duty, which he sucks at. And Pam tries to build her confidence by getting a new wardrobe – only to remember why she dresses the way she does. Overall, a wond4erful episode – and one not quite like many others.
 
10. Christmas Party (Season 2, Episode 10) – This episode is pretty much perfect. Everyone is excited for Secret Santa – until Michael goes overboard and spends way too much on his gift, and then forces everyone to do Yankee Swap instead. Jim’s incredibly sweet gift to Pam therefore maybe for naught – and the moment he takes back his card is low-key heartbreaking. For the awkwardness, it steps up when Michael admits his bonus – and everyone gets plastered because Michael brings alcohol. This is The Office at its height.
 
9. The Dundies (Season 2, Episode 1) – If there was any doubt that The Office was going to become a great show in its second season, the Season Premiere put those doubts to rest – spending almost the entire episode at Chili’s as Michael gives out his annual awards. Jim and Pam bond – as Pam gets incredibly drunk – and the awkwardness is there, given that everyone has to pay for their own food and drink. It also shows what a good guy Michael can be – backing off on giving Pam an award that he knows will hurt her, and Jim, who comes to Michael’s rescue when it looks like the whole thing will go off the rails. Certainly a classic.
 
8. The Deposition (Season 4, Episode 8) – Jan’s lawsuit has moved to the deposition stage, and it’s Michael turn. He has been coached by Jan to say what she wants – and his corporate overlords have tried to get him to tow the company line. The whole thing becomes increasingly awkward for Michael – with personal questioning, the reveal of his diary, and the feelings of his bosses being laid bare. It is a great episode for Carrel – and for Michael, who makes a surprising, but probably the correct, choice. The B-plot, about Jim and Darryl playing ping pong, and the smack talk wars escalating between Pam and Kelly, is certainly amusing (although I wish there were a different payoff to it all). It’s the deposition part that makes this a great one.
 
7. Beach Games (Season 3, Episode 22) – Season three ended with two back to back hour-long classics – beginning with this one. Michael believes he is a shoo-in for a job at corporate, and decides to use the annual beach day as a way to pit Jim, Dwight, Andy, and Stanley against each other to compete for his job, with Pam assigned to take detailed notes. This is probably Jenna Fisher at her absolute best on this show – from her exasperation with Michael throughout the episode (my favorite is when Michael asks her to check the notebook for a conversion chart) – and the brilliance of her final few moments – her building up the courage to do the coals walk, and then revealing her feelings to the whole office. It’s also just a very funny episode – with Stanley turning into an animal, and Andy floating away.
 
6. Goodbye Michael (Season 7, Episode 21) – Sitcoms have changed a lot even in the relatively short time since The Office went off the air, so I really don’t know how many more long running network sitcoms will ever have to deal with losing their main character again – but if they do, Goodbye Michael is the textbook case on how to handle the departure perfectly. Yes, the episode is deliberately emotional – it wants to get you to tear up throughout the episode, whether it’s Dwight reading his recommendation letter from Michael, Jim and Michael’s final conversation where they talk of a lunch they know will never happen, or just Pam running to Michael in the airport – no words necessary. But it’s also the perfect way to say Goodbye to Michael, showing off his individual connections with everyone in the office, showing just how much he loves it, and how much this all means to him. I’m crying right now writing this – and that’s because this is the perfect ending for Michael.
 
5. The Injury (Season 2, Episode 12) – One of the iconic moments in the entire run is Michael burning his foot on a George Foreman grill – and coming into the office anyway. Everything with him is great. And then there is Dwight getting a concussion – and becoming so much nicer for at least some of the time. And Jim is also wonderful here – the spray bottle in the van, and showing just how much he does care. The episode is hilarious, and somewhat heartfelt as well. It is more a standalone then most great Office episodes – but it is perfect for what it is.
 
4. Booze Cruise (Season 2, Episode 11) – The whole office goes on a booze cruise in the middle of January, leading to a lot of awkwardness. Michael feuding with the captain – a wonderful Rob Riggle – is wonderful, leading to him being banished. Dwight being given the task of “driving” the boat is also great. It’s also perhaps the best episode of sad Jim, watching Roy and Pam together as they finally set a date for their wedding – and then being a complete ass to Amy Adams. It all leads to one of the most genuinely great emotional moments featuring Michael – giving great advice to Jim, showing that perhaps he could be the father figure he thinks himself as. A perfect episode.
 
3. Casino Night (Season 2, Episode 22) – The best Office episodes are able to walk the line – being able to be hilarious, and still dig deeper into the characters, and give you genuine emotional content. Casino Night is a perfect example of this – allowing Michael his chance to show off at the companies charity night, running casino games, juggling two women – Carol and Jan – who don’t really get that they are in competition. The poker scenes are all gold, the extended sequence debating the proper way to say Afghani, or Toby’s loss of why they didn’t invite children, or Darryl explaining her doesn’t want a fire eater in a paper warehouse, etc. – the episode is hilarious. And then there is the reason why everyone remembers the episode – Jim finally confessing his feelings for Pam, being rejected (that one tear is heartbreaking) – and then ending the season with the two of them kissing. It is a classic Jim and Pam episode – the one that will setup everyone in Season 3 between them. I suppose if you’re one of those psychos who hate Jim in general, you wouldn’t like this episode – but screw those guys. This is a classic.
 
2. The Job (Season 3, Episode 23) – It is difficult to maintain a sitcom’s momentum for a whole hour, and yet The Job not only does that, but creates one of the very best episode in Office history. There are comic highlights throughout – in Michael and Karen’s interviews with David Wallace, with Jan’s absolute meltdown when we find out she is being replaced (I have to say, one issue I have with The Office in general is Jan’s arc – which seems rushed) – but that’s wonderful as well. Dwight, who Michael promotes even before he gets promoted, goes off the deep end at the office. The final minute – the sick joke of who gets the promotion – is also great. But we all know why this episode ranks quite this high – it’s Jim seeing Pam’s note to him in his interview with David Wallace, and realizing what he wants, and then my favorite moment of the whole show – when he pops his head in on Pam’s interview and asks her out – and her priceless reaction – one of the most pure moments of happiness I have ever seen. A stunner.
 
1.Dinner Party (Season 4, Episode 9) – This is The Office at its most brilliantly awkward – an episode that walks that razor thin line between hilarious, and so painfully you have to look away. Michael devises a scheme to finally get Jim and Pam (along with Andy and Angela) to come to his house for a Dinner Party. What they walk into is the escalating war between Michael and Jan, who seem to want to make everyone as uncomfortable as humanly possible. There isn’t a wasted moment in this episode, as the whole thing just gets more and more painful and strained. How this didn’t win every Emmy possible – for directing, for writing, for Carrel, for Hardin, is beyond me. Just an absolute perfect sitcom episode.

Friday, May 22, 2020

Classic Movie Review: The Last Picture Show (1971)

The Last Picture Show (1971)
Directed by: Peter Bogdanovich.
Written by: Larry McMurtry and Peter Bogdanovich based on the novel by McMurty.
Starring: Timothy Bottoms (Sonny Crawford), Jeff Bridges (Duane Jackson), Cybill Shepherd (Jacy Farrow), Ben Johnson (Sam the Lion), Cloris Leachman (Ruth Popper), Ellen Burstyn (Lois Farrow), Eileen Brennan (Genevieve), Clu Gulager (Abilene), Sam Bottoms (Billy), Sharon Ullrick (Charlene Duggs), Randy Quaid (Lester Marlow), Joe Heathcock (Sheriff), Bill Thurman (Coach Popper), Barc Doyle (Joe Bob Blanton), Jessie Lee Fulton (Miss Mosey), Gary Brockette (Bobby Sheen), Helena Humann (Jimmie Sue), Loyd Catlett (Leroy), Robert Glenn (Gene Farrow).
 
It’s been nearly 50 years since The Last Picture Show (1971) came out, and it was set 20 years earlier than that, in 1951. It’s odd than to see it evoke the 1950s – which still seems to hold some romanticism in America, as a simpler time, where factory jobs were plentiful, where you knew your neighbors and watched out for them, where everyone had a home, a white picket fence and 2.5 children. It’s an era that Republicans in particular want to return to – even though hardly anyone alive now was alive then, and if they were, they were too young to really remember it. The Last Picture Show is a film that lays to waste the myth of that era – it’s set in the small town of Anarene, Texas – a Ghost Town in West Texas – and even in 1951, the town was dead, or at least dying. The heart of the town is Sam the Lion (Ben Johnson, in a richly deserved Oscar winning performance) – and there is a scene about a third of the way through the movie that is undeniably the reason he won the Oscar. He is talking to a couple of teenage boys – Sonny (Timothy Bottoms, who is the closest thing to a main character this ensemble film has) and Billy (Sam Bottoms), who has something wrong with him – he doesn’t speak but smiles a lot. Sam remembers a time, some 20 years before, when he was out at this same tank he’s with the boys, with a younger woman he was very much in love with, but who was already married, and likely just looking for some fun as her marriage was already loveless and dull (we see it now, and it’s only gotten worse). It is a nostalgic scene for a time that once was, and never will be again. And then, Sam the Lion dies, and with him the town pretty much does to – although the people in it gamely just keep trudging through.
 
The Last Picture Show really is a feel bad movie in many ways. It was directed by Peter Bogdanovich (easily his best film) – and it evokes the style of his idols – Orson Welles and John Ford – although Bogdanovich knew damn well at the time that their time had passed, and so the shots and style of those masters evoke a poignancy in looking back. It is a film about how there is nothing to do in this small town – Sam owns the Pool Hall, the diner and the movie theater – and without them, there would be nothing else. Still, more and more people aren’t even going there anymore – they stay at home, watching TV, wasting their lives away.
 
The film is mainly about the town’s teenagers – for whom there is nothing to do in town, which is probably why they’re all out having sex more than anything else. But there is very little joy in any of that sex. This is a movie with a lot of sex in it, but deliberately, there is very little eroticism in it. Duane and Jacy (Jeff Bridges and Cybil Shepherd) are the “it” couple at high school – the football star and the town beauty – but even though Duane is in love with Jacy, she is already starting the eye the exit door. Part of that is probably her mother, Louis (Ellen Burstyn) – a realist if ever there was one, who advises her to just sleep with Duane now so she’ll realize how much isn’t there, and then she can get herself a rich man – like Lois did. Jacy will use sex throughout the movie – she has her eyes set on one of those rich boys, who doesn’t like virgins – and she’ll use Duane to get what she wants, and when that doesn’t help, she’ll keep on using one person after another – including her mother’s own lover, and eventually Sonny – all in an effort to anger her parents (Lois doesn’t much seem to care – she knows none of it will last). If there is a flaw in the movie, it’s that I think it’s way too hard on Jacy – and teenage girls, since there isn’t a character who acts as a counterpoint to Jacy and her cynicism.
 
What little tenderness is in the movie, oddly, involves Sonny and Ruth Popper (Cloris Leachman – another Oscar winning role) – the wife of the football coach, who seems so desperately lonely and sad, and will eventually start sleeping with Sonny. There is tenderness there – love there, in its way, which helps counteract some of the cynicism there. Of course, Sonny being an idiot teenage boy, doesn’t quite see it that way – which leads to the concluding scene of the movie (which is undoubtedly why Leachman won the Oscar) – where she finally expresses anger and resentment towards him, before once again, cradling him.
 
The Last Picture Show sees this dead-end town clearly – and also sees the myths that it was raised with. Ford’s Wagon Master (featuring Johnson) is one of the films playing on the screen, and the last show of the title is Hawks’ Red River – movies with heroism, and romanticism of the Old West – one that was dead by then, but sustains people in their minds. You see where these people are going to end up if they stay here – lonely, desperate, miserable. Jacy may then be the smartest character – she gets the hell out and doesn’t seem to be looking back. For Sonny and Duane, they’ll end up like their parents – who we barely see in the film – playing out the string, lost in a time and place that is over, even if they don’t realize it. This is one of the best of all American films.

Ranking The Office Episodes: 100-51

100. Viewing Party (Season 7, Episode 8) – Erin and Gabe have everyone over to Gabe’s for a viewing party of Glee – inspiring quite a bit of insanity. Michael becomes petty (of course) when he realizes everyone in the office now thinks of Gabe, and not him, as the boss. Andy is still jealous of Gabe – and ends up taking a lot of ground seahorse that doesn’t go well. And some people are really, really into Glee. It’s also fun for Jim and Pam to realize that Dwight can calm their baby more than they can. It’s also nice to get out of the office with the whole group – although the episode right after Christening seems like an odd time to do one.
 
99. Boys and Girls (Season 2, Episode 15) – Jan convenes a meeting with the women in the office – admitting it’s in part to determine if there are any standouts there (there are not) – and Michael feeling left out, gathers all the men in the warehouse – and screwing up in two ways – the first being in his inability to do the warehouse work, the second in perhaps endorsing a union. It’s all very funny – and it really shows for the first time, what the difference between Jim and Roy are – given the different ways they react to a possible graphic design course being offer by the company to Pam. Perhaps not the most memorable one, but a fine one just the same.
 
98. Drug Testing (Season 2, Episode 20) – A joint is found in the parking lot, and Dwight goes on the offensive, launching an investigation, that everyone just shrugs off – except Michael, who recently attended an Alicia Keys concert, and is concerned the clove cigarettes being passed around may not been legal. Basically, a wonderful Michael and Dwight episode – with Michael pressuring his protégé to give him clean urine, no matter the personal consequences for Dwight – which really does work. Jim losing a jinx to Pam – and then the vending machine being out of Cokes, meaning he has to go all day without speaking, is also amusing.
 
97. Launch Party (Season 4, Episode 3) – The website is launching – and Michael believes he is invited to the big launch party in New York – when in reality, he’s going to be stuck in Scranton at the satellite party with everyone else. Meanwhile, Dwight decides to try and outsell the website on its launch day – in an attempt to win back Angela, as Jim and Pam make him think the website is talking to him. In the second half (because it’s another hour long, that would be split for syndication) Michael takes a teenage pizza boy hostage for refusing his coupon. Yes, it’s still probably better as two episodes, but this one has continuity and works quite well.
 
96. Did I Stutter? (Season 4, Episode 12) – Perhaps the most Stanley-centric episode of the entire run – and as someone who loves Stanley, this means there is little to complain about. Stanley has always been sarcastic, but he raises the stakes here into insubordination this episode, forcing Michael to respond – even though he doesn’t want to. The episode gives Leslie David Baker a chance to do more than the sarcasm this time – and he does disappoint, pushing Carrel to the type of place of awkward brilliance.
 
95. Frame Toby (Season 5, Episode 8) – Michael is still upset that Holly has been transferred – and may be even more upset that Toby has been brought back as her replacement. He decides to try and frame him as a drug dealer. Pam gets passive-aggressive about a messy microwave – the kind of thing that happens in every office. And Jim finally reveals his plans to buy his parents’ house to Pam (which, for the record, he should have done BEFORE he bought it). Just an enjoyable episode from beginning to end – without ever rising to a classic episode.
 
94. Valentine’s Day (Season 2, Episode 16) – Michael’s tour of New York City is hilarious, and his presentation to the new CFO is even better, and everything with him and the other branch managers is even better – all culminating in showing what a decent guy he can be, when he protects Jan. For the most part, the Valentine’s Day stuff back at the office is a little more forgettable – although Phyllis and the giant teddy bear is wonderfully funny.
 
93. Take Your Daughter to Work Day (Season 2, Episode 18) – Anyone who has a daughter – and Meredith, who has a son who has been suspended – bring their kids to work – showing how the main characters deal with children. Jim is, of course, absolutely charming and they love him. Dwight scares them. Pam cannot connect with any of them. Ryan is terrified when Stanley’s middle school daughter develops a crush on him – making the docile Stanley scream at him. And Michael ends up bonding with, of all people, Toby’s daughter. Overall the episode is solid throughout. What elevates it is the scene of Michael showing his video of him being a “child star” – and it really is one of the saddest moments in the entire series.
 
92. Nepotism (Season 7, Episode 1) – Everyone in the office hates the new assistant – except for Michael, since he is his nephew, although he has yet to tell anyone else about it. A fine way to start off season 7 with a funny episode – as the nephew screws everything up, getting everyone mad at him, as Michael scrambles to correct it – all of it leading to a spanking. It’s also the start of Dwight, the landlord, acting crazy – and Pam decides to pull a prank on him. This is the show easing back into its groove with an unambitious, but very funny, season premiere.
 
91. Basketball (Season 1, Episode 5) – Michael challenges the warehouse guys to a basketball game – bringing in what he thinks is his best players, ignoring the talents of people like Kevin and Phyllis, in favor or Stanley – and then Jim getting too competitive against Roy to impress Pam. All of this leads to Michael, of course, taking things too far – and he cannot even stick the landing, not making anyone work the weekend, which they like, by acknowledging that doing so likely won’t save any of their jobs anyway. A fine episode.
 
90. Health Care (Season 1, Episode 3) – Another solid episode from Season 1 – with Michael having to pick a new, cheaper, health care plan knowing it won’t go over well with the staff, so making Dwight do it to try and remain popular. Highlights include Dwight reading out everyone’s ailments, trying to figure out which were fake and not. This is probably the season 1 episode that best utilized the wider ensemble cast – and its stronger for it.
 
89. The Secret (Season 2, Episode 13) – Michael reveals Jim’s secret “past” crush on Pam, and it gets all around the office, making things super awkward for Jim, as everyone reacts to it. The highlight maybe Michael and Jim going to Hooters – at least in terms of the hilarious moments – and also the legitimately sweet one where Jim lies to Pam about how the crush was in the past. One of those episodes that maybe be necessary to advance some plot, and is solid all the way around, without ever quite reaching classic status.
 
88. Two Weeks (Season 5, Episode 19) – Having quit at the end of the last episode, Michael is now working out the string of his two weeks’ notice – and shockingly, he gets even less done than normal, while he tries to get the Michael Scott Paper Company off the ground. The end of the episode is great – Michael sneaking back into the office, crawling on the ground, desperate and pathetic – and Pam just going for it. The climax is vintage Office, the rest is just really good.
 
87. Christening (Season 7, Episode 7) – The writers basically try to repeat some of the awkward magic of other Jim and Pam centric milestone episodes – like the two partners from season 6 about the wedding and the delivery – and while it doesn’t hit the heights of either of those, it’s still lots of fun. Michael, of course, doesn’t always handle these types of things well – and ends up joining a mission trip to Mexico. A charming episode throughout.
 
86. Manager and Salesman (Season 6, Episode 16) – New boss Jo (Kathy Bates) doesn’t like the whole co-manager thing, and decides that either Jim and Michael have to go back to sales – they both want the manager’s job, until they realize the new commission policy means they could make more money there. This leads to Michael as a salesman for a short period of time – but he cannot be a man of the people anymore. It’s an amusing episode all the way through – although I’ve always wondered if it’s basically just them undoing what they did earlier in the season in promoting Jim in the first place.
 
85. Classy Christmas (Season 7, Episode 11) – Michael finds out Holly is coming back to the branch to replace Toby as he becomes a juror on the Scranton Strangler case. He junks the office Christmas party, so he can throw a classy one the day Holly arrives. One of the better later season hour long episodes – with Michael trying so hard to impress Holly, that it backfires on him. It also has some emotion, with Darryl and his daughter. And as 6much as I enjoy Jim pranking Dwight over the years, I have to admit there is a sick thriller watching him finally get his comeuppance here. The Office always had great Michael-centric Christmas episodes – and even if this is probably a notch below the best of those, it’s still an excellent episode.
 
84. Customer Loyalty (Season 9, Episode 12) – This is probably the most controversial Season 9 episode – because it’s the one where Jim undeniably acts like an asshole to poor Pam. Cece has a dance recital that night, and he’s supposed to be back for it, but has to stay in Philly longer – and tells Pam to film it, who accidentally messes up. This leads to the final phone between the two of them that episode, which leaves Pam in tears (and brings Brian, the sound guy, to the rescue). Personally, I’ve always liked that the office went there in season 9 – showing that even the seemingly perfect couple goes through tough times (although, I would have liked the issues to perhaps be more equally weighted – it’s pretty much all Jim’s fault). Still, it’s a shocking office moment – and a great one.
 
83. The Promotion (Season 6, Episode 3) – It is the first episode of Michael and Jim trying to co-manage the branch, and they are immediately given a challenge by David Wallace – who informs them that the company won’t be able to give full raises this year – and so it’s up to the two of them to determine what to do – a raise for everyone so small they’d barely notice or find a way to reward some, and not others. Jim tries to be mature and reasonable about the whole thing (but, I will say, I don’t agree with his reasoning of giving raises to just the salespeople, for many reasons) – and Michael does, well, what he does – and Jim finally understanding why perhaps Michael has trouble making difficult decisions. Overall, a fine episode – but it’s also kind of a repeat of when Jim tried to combine all the birthdays.
 
82. Counseling (Season 7, Episode 2) – Following Michael’s spanking of his nephew, he is forced to attend counselling sessions with Toby – which of course he hates, but if he doesn’t do it, it means bigger trouble. The Michael and Toby scenes are great. The B and C plots are both good as well – as Pam decides to try and lie her way into a different job, since she isn’t particularly great at sales, and Dwight is refused business at the local mall – so Andy and Jim try and make him into a proper gentlemen. That one is, admittedly, the kind of thing The Office didn’t used to indulge in – but when it’s pulled off this well, it’s hard to complain.
 
81. Koi Pond (Season 6, Episode 8) – Michael and Jim head out on a sales call together, - and when they return, it comes to light that Michael fell into a koi pond at the other office – much to everyone’s delight. In the B-plot, Pam and Andy go on cold calls together, and everyone thinks they’re a couple – and no matter their response, they take it too far. This is a fine Michael episode – although it doesn’t really reveal anything new about him – we already knew he likes to make fun of everyone else, but has the thinnest skin of the office. Still, Carrel plays it well – as does Krasinski, and the ending of this story is excellent. I also like the chemistry between Helms and Fischer – something that didn’t get explored much in the show.
 
80. Whistleblower (Season 6, Episode 26) – The season 6 finale finds the story of the smoking printers getting out into the press, and Jo wanting to know who leaked it – and there are no shortage of suspects, and people who could have done it. It’s good to see Michael interacting with Kathy Bates (who is probably at her best here) – and it’s fun to see the other investigation going. I also like the final scene with Nick – which kind of exposes how self-involved every is. It’s always fun seeing Michael interact with the media as well. In terms of the legendary season finales this show normally has, then no, it’s not quite up to the best. But as a late season 6 episode, it’s about as good as it gets.
 
79. Secret Santa (Season 6, Episode 13) – The Office does Christmas episodes right – and this is another one that is just plain fun. Jim tells Phyllis that she can be Santa this year – which angers Michael to no end, who decides to one-up them. But everyone is the office is thinking of other things however, as David Wallace has told Michael that Dunder Mifflin is being bought – and they have no idea what is going to happen. It’s also great to see the different people’s Secret Santa gifts to everyone – Dwight assembling his, and Andy’s gifts to Erin going awry. This may be the least of all the office Christmas episodes of the Michael Scott era – but it’s still an utter delight.
 
78. The Meeting (Season 6, Episode 2) – Jim has a meeting with David Wallace – to discuss getting a promotion to Branch Manager, while Michael would also be promoted, but makes the mistake of keeping Michael in the dark about it (he thinks he’ll mess it up – not thinking that he could mess it up anyway, which he kind of does). There are some classic goofy Michael moments (the cheese plate) and awkward – the conversations on the phone with David. The B plot has Dwight and Toby trying to prove Darryl faked an insurance claim, which is quite funny.
 
77. Customer Survey (Season 5, Episode 6) – Dwight and Jim are very disappointed that the annual customer survey results – which affects their bonus – come back and are far lower than normal, leading to them to team up to figure out why. The scene with Jim and Dwight on a fake phone call - when Michael decides to train them – is one of those great, stand-out hilarious moments in the entire run. The episode never hits those heights again – although Michael and Kelly in his office is also great. Jim and Pam with very small blue tooth headsets are also wonderful. And yet, the episode overall is strangely unmemorable – great moments elevate a good to episode to a near great one.
 
76. Moroccan Christmas (Season 5, Episode 10) – Phyllis is reveling in her new-found power as head of the Party Planning Committee – seemingly doing everything she can to anger Angela, who is powerless to react, lest Phyllis reveals her secret affair with Dwight. Michael also decides that it is time to stage an intervention for Meredith – who has been an alcoholic for years. The whole episode is funny – but it’s another one that has a classic ending, better than anything else in the episode.
 
75. Heavy Competition (Season 5, Episode 22) – Dwight has always been loyal to Michael – but that loyalty is tested here, when Michael wants some leads, and Dwight eventually fights back – leading to an out-and-out battle between the two for Dwight’s clients. It is another reminder of how good Michael can be at this – he comes across as sane, as opposed to Dwight, who is more than slightly crazed. It’s also funny to see Dwight in a full sleeve shirt – complaining about his lack of mobility. With Dwight busy, Jim decides to mess with Andy instead – which kind of does prove Charles’ point about him. It’s a fine episode from beginning to end – and is probably bumped up a few spots because of the cheese balls.
 
74. Job Fair (Season 4, Episode 13) – Michael takes Oscar, Pam, and Darryl to Pam’s old high school for a Job Fair, and is shocked to discover the cool kids don’t seem that interested in joining a paper company. Meanwhile Jim, reeling from being chewed out by Ryan, takes his job more seriously (for one episode) – going for a golf game to land a major client. The Job Fair part is better than the golf part – although both work quite well, and I was quite moved by Jenna Fisher in this episode – visiting her old high school, and it really sinking in that she didn’t follow through on her art ambitions – leading to that conversation with a graphic design firm.
 
73. Dwight’s Speech (Season 2, Episode 17) – Dwight is the company’s top salesman – and has deliver a speech, but has no idea how to do it. Michael tries to help, but of course isn’t great even though he won the same award twice, and gave two what he assures everyone were great speeches. But Dwight’s takes Jim advice – and basically delivers a speech like Mussolini. It’s that extended speech which is the comic highlight of the entire episode – following Michael being brought low by falling on his face during his remarks. More of a standalone than anything – but a good one.
 
72. Cocktails (Season 3, Episode 17) – Two sets of cocktail parties go horribly awry in this episode – as Michael and Jan and Jim and Karen have them at David Wallace’s house (as Dwight literally inspects the entire house) – while the people at the office go to the famous Poor Richard’s – and this is when Pam decides it’s the best time to tell Roy, who she has just gotten back together with, about her kiss with Jim. The head office party is kind of a perfect mixture – three very different comedic plots, Michael and Jan and the awkwardness that comes with them, Karen playing a perfect joke on Jim, and Dwight’s craziness – at Poor Richards it all just builds to that moment when Roy explodes (although Roy’s brother, and the jet ski money has a nice payoff). This is a filler episode – one that has to deliver a lot of information to set-up later episode – but one that does that perfectly.
 
71. E-Mail Surveillance (Season 2, Episode 9) – The E-Mail surveillance aspect of this episode actually doesn’t matter much – a rare instance where they seem to be setting something up that could be great, and then abandoning it. What makes the episode is the party that Jim throws – inviting everyone but Michael. It shows a different side of Jim – different relationships between everyone, and sees Michael at improv (and how bad he is) – and ending on a genuinely sweet moment between Michael and Jim.
 
70. Gossip (Season 6, Episode 1) – This is an odd choice for a season premiere – not because it’s a bad episode, but because it feels like a perfectly fine mid-season episode. Nothing much has changed over the summer – except that they have a few interns for this episodes. The concept is that Michael finds out that Stanley is having an affair, and he spreads that all over the office, before he realizes it could really hurt Stanley if it got out – so he spread rumors about everyone, including one that happens to be true. The episode shows that Michael and Carrel can still be wonderfully funny and awkward, and socially unaware – and it gives everyone in the ensemble gets their moments. The episode is quite good – but like I said, a weird choice for a season premiere.
 
69. The Search (Season 7, Episode 14) – Jim has to leave Michael in a gas station bathroom because of an emergency – leaving Michael to wander the streets of Scranton without his wallet or cellphone. Erin, Dwight, and Holly hit the streets in search of him. We have seen numerous episode of sitcoms where one character realizes that the other is perfect for them – but I’m not sure I’ve seen one done quite this way, that leads to Holly’s finally relenting, when it’s clear that the two of them are completely in sync. Also, it’s just funny to see Michael interact with all the different people on the street, and to follow his logic as he wanders around. The B-plot about the caption contest is fun as well.
 
68. Business Trip (Season 5, Episode 7) – David Wallace wants to make it up to Michael for transferring Holly – so he sends him (along with Andy and Oscar) on a business trip – to Winnipeg, in November (which he acknowledges no one else wants to go to). This is one of the sad Michael episodes – he’s really trying to act as if he’s over Holly, when he really, really isn’t. The comic highlight maybe Oscar and Andy bonding in Winnipeg – and drunk dialing Angela. Back at the Office, Jim is excited that Pam will be back in a week – until she tells him she failed a class, and will have to stay for another 3 months – leading to their climax, which according to some is incredibly sweet, and others, incredibly problematic. Why not both?
 
67. Happy Hour (Season 6, Episode 21) – The funniest episode of the second half of season 6 – this has the entire office, and warehouse staff, heading out for happy hour so Oscar can get to know the cure warehouse guy. It also features Pam – back for the first time since the baby – inviting her friend along for Michael – which goes really well, until they tell him it’s a setup, and he breaks out “Date Mike” – and things go wrong. Overall, this is an episode with multiple plots – the date, Oscar and the warehouse guy, Dwight, and Angela – and Isabelle – Andy and Erin, and all of it works. Sometimes, the show needs to get out of the office to hit some new notes – and this one nails it.
 
66. New Boss (Season 5, Episode 18) – Idris Elba’s first episode – he comes into the role vacated by Ryan, and Jan before that – and has zero patience for Michael’s nonsense, and also doesn’t seem to be impressed by Jim – seeing him as a slacker. This is a classic Michael episode – as he gets angrier and angrier – to be fair, he has reason to be angry – but handles it like a child. Meanwhile, Elba is a deadpan delight as he handles everything. A very good episode – with a classic ending.
 
65. Prince Family Paper (Season 5, Episode 12) – David Wallace wants information on a family run paper company, who Dunder Mifflin cannot seem to crack, and sends Michael to get the information – who takes along Dwight. Michael wants to be a shark – a titan of industry – but that family is so nice, so polite to him and Dwight, that he doesn’t want to destroy them. Back at the office, this is the infamous Hilary Swank debate. Somehow, everyone remembers the B-plot here, even though the A-plot is also wonderfully awkward and funny. Just a really good episode all the way around.
 
64. Product Recall (Season 3, Episode 20) – A disgruntled employee at the mill put an obscene watermark on their paper, and it went to all their clients, putting everyone into crisis mode. It is a great Michael episode – who believes that he needs to get ahead of the crisis by holding a press conference to explain the problem, even though the press doesn’t care, and the client he chooses doesn’t want a simple apology. It also throws Jim and Andy together to go to a high school – where Andy makes a discovery that you think is going to end up being bigger than it is. It’s a funny episode – not a really deep one.
 
63. Night Out (Season 4, Episode 11) – Michael and Dwight head to New York to party with Ryan – who we are surprised to see welcome them with open arms, as he is clear doing a lot of cocaine, and is spinning out of control. Meanwhile, the rest of the office stays late to get their work done so they don’t have to work on Saturday – and then find themselves locked in the office park. You can argue that this is a placeholder episode – one that sets up Ryan’s downfall that is coming soon, in both the A and B plots – not to mention poor Toby’s goodbye – but those episodes are still necessary, and rarely are they this funny, and the episode subtly shifts the awkwardness to Ryan, and even Jim, and not Michael.
 
62. A.A.R.M. (Season 9, Episode 22) – The penultimate episode of the entire show – it really does set everything up for the great finale – Dwight and Angela getting engaged, Andy humiliating himself at an audition, Pam starting to regret Jim giving up his dream to continue to live in Scranton. The plot of the episode is also just fun from beginning to end – as Dwight makes Jim Assistant to the Regional Manager, and then tries to find Jim an assistant, which of course will be Dwight. The whole thing culminates with two doozies – the DVD that Jim makes for Pam, and then the whole office crew going to Poor Richards to watch the first part of the documentary. The whole thing just works wonderfully well.
 
61. Murder (Season 6, Episode 10) – There is an all-day meeting going on at corporate – and by the end they could all be out of a job – so Michael decides to distract the entire staff by forcing them to play a murder mystery game. It’s fun to see the range of bad accents, and how involved everyone gets with it – the goofiness of it all, and also undercut by the seriousness of the potential firing. It’s also sometimes fun to have Jim be the stick in the mud. The closing moments is also wonderful.
 
59/60. The Delivery Part I & II (Season 6, Episodes 17 & 18) - Easily the emotional high point to the uneven second half of season 6, the Delivery is, of course, about the birth of Baby Cece. The first half has Pam trying to delay going to the hospital as long as possible so she can get an extra day in the hospital, the second half is about the difficulties while there. One of my favorite one-off characters is in the second half – Sarah Baker’s nurse, who clearly doesn’t really like Jim and Pam (which is always fun to see). The first half is just an out-and-out funnier though. Overall, a classic.
 
58. Branch Wars (Season 4, Episode 6) – Karen, who became regional manager of Utica after the breakup, tries to poach Stanley away from Scranton. Michael decides to get revenge by pranking the branch, bringing Dwight, and an at first unwitting Jim, along with him (Jim agrees to go, because he’s worried how far Michael and Dwight will go). Back at the office, Pam, Toby, and Oscar host their Finer Things club. It’s great to get some closure on Karen – and see her successful (she also has the episodes best line) – and it’s great to see Jim so awkward, and be reminded he didn’t exactly handle things well. Overall, a solid episode from beginning to end.
 
57. Double Date (Season 6, Episode 9) – One of the great awkward episodes of Season 6 – Michael invites Jim and Pam out to lunch to celebrate Pam’s mom’s birthday, who he is dating, but also decides he has to dump her when he finds out that she is 58. This of course angers Pam – to the point where she decides that for vengeance, she gets to slap Michael – to which he agrees. By Season 6, they didn’t have as many episodes that make you both cringe and laugh – but this one gets that mixture just right.
 
56. Golden Ticket (Season 5, Episode 17) – Michael decides to put Golden Tickets – giving 10% off your orders for a year – in random boxes – and five of them end up with their biggest customer – the tickets offering no restrictions or conditions. David Wallace is mad, and out for blood, and Michael tries to get Dwight to fall on his sword – with a twist, of course. A wonderful Michael episode, as we watch him squirm in numerous ways, a good Dwight episode, who is torn between loyalty and self-preservation. Also, it’s an interesting Jim episode – normally, he tries to be above it all, and is amused/bemused by Michael – this is about as close as he gets to being pissed.
 
55. Shareholder Meeting (Season 6, Episode 11) – Michael is invited by the board to be up on stage during the shareholder meeting – where their shareholders are very angry, as they are pretty much on the verge of bankruptcy. He’s just supposed to sit there as the one branch manager turning a profit – but, of course, he cannot do that. It’s a situation full of awkwardness – that just ramps up when Oscar, who has been ranting about all the things they have done wrong, cannot find his voice when given the chance, or Dwight who concentrates on the line management skills. I will say, I love Michael telling off the CEO – even if it’s basically Michael at his most petulant childlike – he’s still not wrong.
 
54. The Lover (Season 6, Episode 7) – Jim and Pam are back from Puerto Rico – and Michael tells Jim that he is currently dating Pam’s mom. When this comes out to Pam, she becomes a petulant child (delightfully so) and the two of them continue as escalating game of awkwardness, putting the everyone in the office in between. The B-plot – Dwight installing a listening device in a mallard, that he gives to Jim is fun and funny – but this one is all about Michael and Pam – and it’s a wonderful.
 
53. Michael Scott Paper Company (Season 5, Episode 21) – Michael, Pam and Ryan are now officially on their own – working out of a storage closet in the office park, and driving each other absolutely crazy. Really, everyone should have seen this coming – but it’s an absolute delight to see. Things get even more awkward, when Pam tries to get her job back – and cannot, as this is also the debut of Erin (Ellie Kemper) – as the new receptionist. But it also ends on an absolute high point – as Pam makes the first sale of the new company. Andy and Dwight both bonding, and competing, is amusing.
 
52. The Client (Season 2, Episode 7) – There is always a question of how someone like Michael got to be regional manager in the first place – and this episode shows perhaps how. He and Jan are meeting with a potential huge client – played by Tim Meadows – and it is Michael, not Jan, who reads the situation correctly, and is able to make the sale – showing that Michael can be competent as well (and starting his relationship with Jan). Back at the office, the staff acts out Michael’s screenplay – a gag they’ll repeat in season 7.
 
51. The Duel (Season 5, Episode 11) – Michael decides, right before he leaves for corporate for a meeting, that the moment is right to finally tell Andy about Dwight’s affair with Angela. This all leads to a wonderful duel between the two of them – which is hilarious, especially for Andy’s surprisingly brilliant strategy. Still, it all ends probably as it should – the two of them not so subtly, but not directly, dumping her. Michael is also surprised to learn that David Wallace didn’t call him in because he’s in trouble – but because he’s done something right – and yet has no idea what it is. The Duel is what you remember – and its wonderful – but it’s only a few minutes.