Movie Review: Shutter Island

Shutter Island ****
Directed By: Martin Scorsese.
Written By: Laeta Kalogridis based on the novel by Dennis Lehane.
Starring: Leonardo DiCaprio (Teddy Daniels), Mark Ruffalo (Chuck Aule), Ben Kingsley (Dr. Cawley), Max von Sydow (Dr. Naehring), Michelle Williams (Dolores), Emily Mortimer (Rachel 1), Patricia Clarkson (Rachel 2), Jackie Earle Haley (George Noyce), Ted Levine (Warden), John Carroll Lynch (Deputy Warden McPherson), Elias Koteas (Laeddis).

Shutter Island maybe one of those rare movies that work better when you already know the surprises and twists of the story. Having read the book before seeing the movie, I knew what the twists of the plots were, so I was able to sit back and just let the movie wash over me. It is a grand, madhouse caper from Martin Scorsese, who love of Alfred Hitchcock and film noir are evident in every frame of this movie. As with the great movies by Hitchcock, you watch the movie once to get the story, and then watch it again to see what the master does, how he plays with the audience’s unease, and unsettles and disturbs us. The plot of the movie – the twists, the turns – is not really the point of the movie at all.

The movie stars Leonardo DiCaprio as Teddy Daniels, a US Marshall in 1954 who is sent to mental institution on Shutter Island, off the coast of Maine, with his new partner Chuck (Mark Ruffalo) to investigate the disappearance of an inmate named Rachel (Emily Mortimer). No one can figure out what happened to her, as there is no way she should have been able to escape her room, and even if she did, she still had to get by many orderlies on her way out. She has to still be on the island – there is nothing there except for the mental institution, and the only way off is a ferry. This mental institution is for the criminally insane – everyone there is a murderer of some kind or another. Rachel herself drowned her three kids, and refuses to accept reality. She still believes that she is at home, and everyone around her are delivery men and neighbors.

For the moment that they arrive on Shutter Island, there is something not quite right about what is going on. Everyone regards Daniels in a strange way – a mixture of kindness, contempt and pity is in pretty much everyone’s eyes. As he and Chuck start investigating, they keep getting stonewalled by the kindly Dr. Cawley (Ben Kingsley), who is different from his peers in that he rejects the old way of doing things – which was essentially torture, followed by a lobotomy if that didn’t work – and the new way of giving the patients drugs. He prefers to talk to his patients, and treat them that way. Give them a sense of calm. Daniels is less sympathetic – screw their sense of calm he tells Cawley.

As with many of the movies of the era that Scorsese is referencing here, the war hangs over the entire film. It haunts Daniels memory, as we get flashbacks to his time in the war when he was among the people who liberated Dachau. And it haunts his memories of his wife (Michelle Williams), who died in a house fire. When he gets to Shutter Island, he starts to suspect the same sort of experiments are going on here, as what he fought against in the war.

Shutter Island may seem like a departure for Scorsese. He has rarely worked in the horror/thriller genre before. His previous effort, Cape Fear, while somewhat underrated, is still one of Scorsese’s lesser efforts. In that film, Scorsese had trouble melding his favorite themes of guilt and redemption to the thriller narrative. But no such problems exist in this movie. While the film has all the genre trappings of the a thriller – and Scorsese revels in them – at its heart it really is a film that touches on his favorite themes. Daniels is a man who is collapsing under the weight of the guilt he feels about his past. When he is asked if he believes in God, all he can do is smirk. Seeing what he has seen, how can he still believe in God?

I want to go into more detail about how Daniels – and DiCaprio’s remarkable performance in the role – really does fall in line with other Scorsese heroes, but I think in doing so, I would be giving too much of the plot away, and I do not want to do that. What I will say is that Shutter Island is one of the best made films of the year – and will likely remain so for all of 2010. Scorsese’s restless camera probes the grounds of Shutter Island, and corridors of the hospital. He gives the entire movie an mounting sense of doom and dread. Violence is just around the corner at every step of the movie. Scorsese does an excellent job at showing, not telling, us what is going on. He gives us visual clues throughout the movie as to what is going on, often with only the slightest movement telling us more than we think possible. He does an excellent job of getting great performances out of his cast – not just DiCaprio, who slowly unravels brilliantly – but the entire cast around him. Shutter Island has already been compared to Stanley Kubrick’s The Shining. And while I do not think that this film is that good – or even among the very best films of Scorsese’s career – it is still a great film. To a certain extent, Shutter Island is Scorsese playing around in one of his favorite genres. But he has found a story that still addresses his obsessions. I would rather see Scorsese play around, than I would most directors play something completely seriously.

The Oscar Nominated Animated Short Films

Every year, I try to take in the Oscar Nominated Short Films. I am disappointed that the Documentary Shorts never release themselves into theaters, but I have a lot of fun watching the Animated Shorts, and the Live Action shorts often give you a glimpse at good filmmaker in the future. This past weekend, I checked out the Animated shorts – which consisted of the five nominees and three that were “Highly Commended”. I won’t go in the order they were shown, but rather I’ll cover the Highly Commended, before moving onto the actual nominees. Below are my thoughts on all eight shorts.

Highly Commended
The Kinematograph **
Directed By: Tomek Baginski.

This was undoubtedly my least favorite of all the film shown. It is a computer generated animated short (like they all are, save one), about a man in Poland who is working on the first movie camera. He spends so much time working on his invention, that he doesn’t notice the fact that his wife has TB – although we do because she coughs a few times, and that is never a good sign for a movie character. The film does have an impressive visual look to be sure, but I was just not very drawn into the story. In short film, the characters are often little more than cookie cutter creations – as the short running time pretty much demands – but this film tries to get to care too much about its characters in too short a period of time. It doesn’t work. At 12 minutes, the film drags a little bit here and there as well.

Partly Cloudy ***
Directed By: Peter Sohn.

Most people have probably already seen this short from Pixar, as it played at the beginning of Up earlier this year. This second viewing confirmed what I thought the first time – which this is a highly enjoyable little short that tugs at the heartstrings but it is not in the same league as Pixar’s best shorts. The story is about a cloud that creates babies, and the stork that delivers them for him. While all the other storks get to deliver puppies, and kittens and babies, this cloud creates more monstrous things like crocodiles, which really do a number on the poor stork. The film is enjoyable, and was with everything Pixar makes, brilliantly animated, but it does repeat itself a little bit. Even if I would have placed it in the final five over some of the actual nominees, I do understand why for the first time in a while, Pixar went without a nomination.

Runaway ** ½
Directed By: Cordell Baker.

As the only non-computer animated film, and one from Canada, as I was doubly rooting for Cordell Baker’s film to be something special. But aside from a wonderful score, this was one of the lesser efforts on display. The film is a about a train with three cars – the engine, the car right behind full of rich people, and the car behind them with poor people in it. I certainly understand what Baker is going for here – the rich get richer, exploit the poor, and don’t realize that right around the bend there is massive trouble. They are happy as long as just that minute is perfect. But for such a simple message, Baker takes a while getting there, and he starts to repeat himself. As well, he didn’t need the voices of any of the people to be here – it would have been far more effective had it left it out. Runaway is a mildly enjoyable little short, but like the other films in the “highly commended” section; I understand why it didn’t get picked to be an actual nominee.

The Nominees
French Roast ***
Directed By: Fabrice Joubert.

This film from France (surprise, surprise), is a charming, wordless little film that only lasts about 7 seven minutes, but is still quite enjoyable. In it, a rich man is sitting in a café having a coffee, when a homeless person comes in and begs for change – and the rich man ignores him. Then, it turns out that the rich guy forgot his wallet. Rather than admit his mistake, he orders coffee after coffee, to stretch out the time he’s there – and even toys with the idea of stealing money out of an old ladies’ purse. The computer animation is quite good, and the film has a fun, jaunty score. No, the film doesn’t really mean anything, and the denouement is exactly what I expected about 30 seconds into the short, but it is a fun little film nonetheless.

Granny O'Grimm's Sleeping Beauty *** ½
Directed By: Nicky Phelan & Darragh O'Connell

The shortest film in competition is also one of the out and out funniest. It has an Irish grandmother telling her grandson the story of Sleeping Beauty, with her own demented take on it. The result is an hilarious little bedtime story that pretty much forgets about Sleeping Beauty, and instead focuses on the “young, pretty” fairies, all of whom ignored the old fairy, with the bad hip (who, of course, looks just like Granny O’Grimm), even though “she spent her life serving the community”. A great blend of computer animation, and hand drawn, this movie is hilarious from start to finish – yes even the song over the end credits is wonderful.

The Lady and the Reaper ** ½
Directed By: Javier Recio Gracia

This was my least favorite of the five nominees – and to be honest, I definitely would have nominated Partly Cloudy over this, and possibly Runaway as well. While this short gets off to a very promising start with its great use of the song “We’ll Meet Again”, as an old lady looks at a picture of her beloved dead husband. It looks promising as the Grim Reaper appears, and starts to lead her away. But right before they are going to pass through to the other side, she is brought back to life by a hunky doctor, thus setting off a madcap battle for the woman between the Reaper and the Doctor, complete with an unnecessarily long sequence where everyone pops in and out of draws. The film has a wonderful visual look, and some great comic moments. But when a short film starts to repeat itself at only 8 minutes, and cannot come up with something more original than a sequence straight out of Bugs Bunny, you know you’re in a little trouble.

Logorama ****
Directed By: Nicolas Schmerkin

For me, Logorama was far and away the highlight of the this short film package. This was a brilliant, 17 minute long comic, crime story where everyone and everything in the movie is a logo, or corporate symbol of some kind. The bad guy in Ronald McDonald, and the cops are all Michelin men. They chase McDonald through an environment of all where every building is a logo. A hostage crisis and shootout breaks out (poor Mr. Peanut). The film is smart, funny, original and daring. Brilliant usage of the logos in both ways we expect, and in ways we don’t (the cracks forming in the earth and looking like the X box logo was sheer brilliance), and the film does have a serious (albeit obvious) point about how corporate culture is destroying us. This is the only short here I would describe as a must see.

Wallace and Gromit in A Matter of Loaf and Death *** ½
Directed By: Nick Park.

Finally we come to the final, and (at 30 minutes) by far, longest of the films in contention. Nick Park’s beloved Wallace and Gromit return for their 6th adventure in the last 20 years. As usual, the film is full of great cinematic references to classic Hollywood films – both obvious and subtle. The main thrust of the story this time is Wallace and Gromit are now bakers, and Wallace falls in love with the Bake O Lite girl, a spokeswoman for bread, who Gromit believes could be the serial killer who is killing bakers in their town. The film is delightfully, drolly British and fun throughout. I do not think it reaches the heights of some of the other Wallace and Gromit adventures (and is nowhere near as good as the feature The Curse of the Wererabbit), but it’s hard to complain about a film this much fun.

Reactions to Canada's Third Hockey Game

Canada lost to America last night for two reasons: Ryan Miller and Martin Brodeur. To say that Miller out goal tended Brodeur last night would be an understatement. Miller was absolutely brilliant. Brodeur was average at best. Had Brodeur played half as well as Miller did in last night’s game, Canada probably would have won. But he didn’t. Not even close.

This isn’t to say that Brodeur is the only thing wrong with Team Canada right now. Chris Pronger and Scott Niedermayer both had off games last night, and once again the power play (despite Crosby’s late PP goal) was misfiring. Canada took too many penalties to start the third period – something they had to know was eventually going to cost them a goal, which it did. I remain unimpressed with Ryan Getzlaf and Corey Perry in this tournament as well. They have been Canada’s two weakest forwards to this point in the tournament. And Canada could have helped themselves out a little bit by shooting higher on Miller. Everything close to the ice, he pretty much had – those were where his truly brilliant saves came from.

But the fact of the matter is, when you are in a tournament like this, your goalie has to be your best player. Miller was last night for America, Brodeur wasn’t. It wasn’t just that he gave up some weak goals, it was when he gave them up that cost us.

The first goal of the game, coming 41 seconds in, hurt Canada. Yes, America was fore checking well on that opening shift, and the puck took a bounce off of Crosby’s stick to beat Brodeur, but still, it was not an overly hard shot, and had Brodeur’s positioning been better, he still could have had it. But Canada fought back, and dominated the game from that point on and eventually got the tying goal. And it’s then when I think Martin Brodeur made the stupidest play I have ever seen him make in net.

Brodeur is usually the best puck handling goalie in the NHL. So what made him come out of his net and bat the puck out of the air like a baseball is beyond me. He gave it right to the Americans, who beat Brodeur on a weak shot. Really, that play is two mistakes by Brodeur – one the batting of the puck out of the air, the other was his flailing around trying to stop a very weak shot because he was out of position. He had time to recover from his stupid first move, but didn’t.

From there on, Brodeur played okay. The third and fourth goal that America scored weren’t spectacular Bv any means, but they are goals that many goalies would have let in. And Brodeur settled down handling the puck after that and made smart plays with it. He made two breakaway saves that helped keep Canada in the game. But by then, Canada was stuck playing catch-up like they had all game. And the Americans, playing with the lead, where able to shut Canada down enough, limiting their really good scoring chances, and letting Miller take care of the rest.

No, Brodeur is not the only reason why Canada now faces a Qualifying game against Germany on Tuesday, and if they win, a Quarter Final Match-Up against Russia. No matter how hot a goalie is, Canada has enough high powered offense, that they should be able to score more goals. Brodeur has been solid, but not spectacular, in his two games so far. But when the big moments come, that is when Brodeur is struggling. He should have had the first goal the Swiss scored on him, and he should have had at least two of the goals America scored. Those goals were all momentum shifters. I think it’s pretty clear that Roberto Luongo should get the start against Germany, and should be given the reins for the rest of the tournament for Canada – however long that is. He played a perfect game against the Norwegians – true, it wasn’t that tough, but still, he can’t be faulted for that. He will have the Vancouver fans behind him, and I think he will respond well.

This is not the time to panic if you’re Canada. You can’t – because if you do, you will most definitely lose. It is also not the time to look past Germany and at the Russians. The Germans gave the Swedes all they could handle in their first game (Sweden’s first goal, in a 2-0 victory should not have counted, as it was clearly goaltender interference). You have to look at the positives. The game against Germany gives Canada a chance to regroup. Another game to get used to each other, and try out different line combinations. A further chance to work on the power play, and the penalty kill. And a game to get Luongo, or should they stick with him, Brodeur, a chance to get his legs under him and prepare for the tougher games ahead.

I also think though that it is time that Canada make some adjustments. You know Canada’s best defensemen were last night? Duncan Keith and Drew Doughty. Brent Seabrook was almost as good as they were, with far less ice time. Chris Pronger and Scott Niedermayer made costly mistakes. Dan Boyle and Shea Weber were for much of the game invisible out there – which at least means they were not making big mistakes. And you know what forward line I was most impressed with last night? Toews, Ignilia and Morrow. They were a high energy group who banged bodied, and created chances. Once again, I think that Getzlaf and Perry were not as strong as they could be, and while the third player on that line, Eric Staal, was good, he still took a stupid penalty. The San Jose line of Thornton, Marleau and Heatley were once again strong (although they need to get the puck to the net on the power play), and I think Richards worked out very well with Crosby and Nash – making that another high energy line (they need to actually score a little more though). It is time for Team Canada to reward the players doing good, and sit the players who are not performing up to their level.

Do I still believe that Canada can win Gold in this tournament? Yes. They sure didn’t make it easy on themselves though. Bring on the Germans! Then the Russians! Then the Swedes!

Movie Review: Fish Tank

Fish Tank ****
Directed By: Andrea Arnold.

Written By: Andrea Arnold.
Starring: Katie Jarvis (Mia), Michael Fassbender (Connor), Harry Treadaway (Kyle), Kierston Wareing (Joanne), Jason Maza (Liam), Charlotte Collins (Sophie).

Mia is 15 years old, lives in the projects and dreams of being a dancer. But Andrea Arnold’s Fish Tank is anything but yet another inspiring story of a young girl who comes from nothing to make something of herself. By the end of the movie, she is just as lost as she was at the beginning – perhaps more so given everything that happens to her during the course of the film.

Katie Jarvis plays Mia in an honest, moving performance. Her seemingly one friend has abandoned her at the start to hang out with a more popular group of girl dancers. So Mia is left by herself to practice – which is does in an abandoned apartment. I am far from a dance expert, but I have watched a lot of So You Think You Can Dance, and my advice to Mia would be to get some actual training, as while she’s good, she is hardly ready for a dance career. But Mia would probably just tell me to fuck off if I suggested that to her. That’s the kind of girl she is.

Or is it? Mia puts on a tough exterior, because she pretty much has to. Her mother Joanne (Kierston Warring) is a drunk and doesn’t pay her any attention whatsoever unless there are other people around. Mia has pretty much dropped out of school and spends her days practicing her dancing, and walking around. It’s on one of these walks that she comes across a horse chained up. She tries to free the horse, but is confronted by the owners – three brothers not much older than she is. The confrontation quickly turns scary, and Mia runs away, but eventually she goes back. The one brother there, Kyle (Harry Treadaway) isn’t as macho without his brothers around. He and Mia actually hit it off.

It is around this time that Connor (Michael Fassbender) enters Mia’s life. He is another in her mother’s seemingly never ending parade of boyfriends (Mia and Sophie’s father, or fathers, are never mentioned), but unlike any other adult in Mia’s life, he takes an interest in her. He is kind and nice to her – encouraging her to make a demo to send in for an ad for female dancers that she sees. We suspect, and I bet Connor does as well, that the ad is for strippers but Mia believes this could be her break. But although Connor is nice to her, he is perhaps too nice. He looks at her a little too long and although he doesn’t cross the line (at least not at first) physically with Mia, there is certainly a flirtation between the two of them, and a physical closeness.

I couldn’t help but think of another recent movie, An Education, while watching Fish Tank. Both films detail the relationship between a young girl and an older man, and although they are set nearly 50 years apart, they hit many similar notes. Both girls are too naïve to see what is really going on, and allow themselves to let their guard down and be hurt. Both girls see a way out in the man, who represents what they think they want. Whereas An Education ends on a happy note, Fish Tank leaves things uncertain. Is Mia going to be okay, or not? We are not sure.

The performances in the movie are wonderful. Jarvis is perfect as a young woman who wants to be an adult, but cannot quite figure out how. She is both tough and vulnerable, and no matter what direction the screenplay takes her in, she is wonderful. She is equally good at dialogue, and those quiet scenes where he expressive eyes do the talking for her. Michael Fassbender has quickly become one of my favorite actors (this is the fourth time I’ve seen him this year after Hunger, Eden Lake and Inglorious Basterds), and this is probably his best performance to date. Outwardly friendly, there is something about his eyes we do not entirely trust. In the scene where he finally does cross a line, he plays masterfully. In a just world, both of these actors would get Oscar nominations this year.

Andrea Arnold has quietly become one of the most interesting filmmakers around. With her short film, Wasp, she won an Oscar. In her two features, Red Road and now Fish Tank, she shows an easy command of the medium and delivers movies that have a mystery to them, and still remain heartfelt. There are few movies this year that feel more touchingly real than Fish Tank.

Reactions to Canada's Second Hockey Game

Canada can make all the excuses they want, but the bottom line is they should have been able to beat the Swiss, without going all the way to a shootout. This is not fatal for Canada - as long as they beat the Americans on Sunday, they will still win their pool, and get a buy into the quarter finals. But losing that one point will most likely mean they are ranked lower. What that means is a tougher quarter final matchup, and if they win that a tougher semi-final matchup. I think it is unlikely that the at least one of the Russia or Sweden will not win all three of their games - in regulation - meaning that at best, Canada will be ranked second or third. Of course, this assumes that they beat the Americans, which is by no means a given. If they lose to the Americans, they can still move on - but it most likely means that they will have to play another game to get to the quarter finals.

The first period of last night's game was a repeat of the first period against Norway - except this time, Canada scored a goal. They were trying to be too pretty with the puck, and the Swiss are a hard working team, and intercepted a lot of passes, and blocked a lot of shots. The goal Canada did score was a beauty though, and shows what Canada needs to do. Great forechecking by Jonathan Toews freed up the puck, a smart pass by Patrick Marleau gave Heatley an easy goal, after a nice move. In short, Canada outworked the Swiss, and were rewarded for it. This didn't happen as often as it should have in period 1.

Canada started period two with a bang, with Patrick Marleau's power play goal less than a minute in. Again, smart playing here - a shot from the point through traffic (provided by Heatley), a rebound that Marleau roofed. This line is on fire for Canada. Unfortunately, this was the only power play goal Canada got - the Swiss killed penalaties very effectively all night long.

But a strange thing happened after Canada got the second goal. It seemed to energize the Swiss, who went on the attack, and dictated the play for the rest of the period. Canada sat back and let the Swiss do it as well. True, Drew Doughty screwed up on Switzerland's first goal - neither being able to hold the line, nor get back into the play (he was manhandled though), but Brodeur should have had that one. It was a nice shot, but Brodeur saw it all the way. The second Swiss goal, with just a few seconds left in the period was a fluke - bad luck for Canada, but those will happen.

Strangely enough, the best period Canada played was the third - and it was the only one where they didn't get a goal. They took the play to the Swiss for almost the entire period, and it was only the play of goalie Jonas Hiller that sent the game to overtime. Canada was finally moving the puck better, and getting more quality chances. Much the same could be said about the overtime, where Canada dictated the play, but could not get the puck by Hiller.

The shootout was where Canada was finally able to put the Swiss away, but even that took effort. Crosby tried to get too fancy on his first attempt, and it failed miserably. Toews had the right idea with his attempt, and was just beat by a superior save. I don't know what the hell Getzlaf was trying to do. On his second chance, Crosby made no mistake. Canada was lucky that Brodeur played well in the shootout, or else it wouldn't have even got there.

I have no idea why the Canadians were not able to beat the Swiss in regulation. Yes, the Swiss have improved greatly over the years. They are currently ranked 7th in the world, which puts them just behind the big six powerhouses. Yes, Hiller is a world class goalie, who was the only reason why the Swiss got to overtime in the first place. Yes, they play a boring trap style of hockey that frustrated Canada all night long, and they worked harder than any team I have seen in this tournament.

But the bottom line is that most of the Swiss team is made up of players in the AHL, the Swiss league or the Swedish elite league. Meaning, that most of their plays are not good enough to make the NHL. And considering that Canada's team is made up of NHL all stars, they should have won. You can put it all on a hot goaltender if you want to, but does Canada really expect that Nabokov, Voukon, Lundqvist, Kipprusoff or Miller are not going to be as good as Hiller? Canada needs to find a way to generate more offense, something they didn't have to worry about against Norway.

Things to Watch For

After Switzerland's first goal, Drew Doughty was benched for the rest of the second period. He's a young kid, at 20, and he's going to make mistakes out there. They put him back out quite a bit in the third, but it will be interesting to see how much ice time he gets in the bigger games.

Both Jarome Iginla and Brent Seabrook didn't play very much, if at all, in the third period. Are they hurt? I haven't heard much about it today, so I doubt it, but watch for them in the game against the Americans.

In Iginla's absence, Jonathan Toews moved up to the line with Crosby and Nash in the third period - and he fit right in. The didn't score, but they definitely generated more chances than they had up until that point. It will interesting to see if Iginla moves back to play with Crosby, or if they will keep him with Mike Richards and Brendan Morrow, to get a more physical line out there.

What this does the Canada's goaltending situation is unclear. I doubt much. Yes, Brodeur should have had that first goal, but he cannot be blamed for the second one - that was nothing more than a fluke. And for the rest of the game, Brodeur played strong - and made better saves than Luongo had to in his shut out. If I were the coaching staff of Canada, I would go with whatever goalie I was planning on anyway against America.

I hope that this is just a bump in the road for Canada. It should serve as a wake-up call that they are not going to just roll through this tournament. Bring on the Americans!

UPDATE:

I did not know when I wrote this that the Slovaks had upset Russia in a shootout last night. This is great news for Canada, and sets up a scenario where they can still finish 1 after the Round Robin. Let's just assume that the Czechs are able to beat Lativa today, and that the Swedes and Finns were also beat their teams as they should. This would set up the following scenario for this weekend's marquee matchups.

Pool A - Canada (5 points) vs. USA (6 points)
Pool B - (Russian 4 points) vs. Czech Repulic (6 points)
Pool C- Sweden (6 points) vs. Finaldn (6 points)

In the following scenario, Canada could still finish first. If they beat the USA in regulation, they'll have 8 points and win their pool. If Russian beats the Czechs in regulation, they'll win their pool with 7 points. If Sweden or Finland wins in Overtime or a Shoot-Out, they'll win their pool with 8 points, putting them into a tie with Canada, at which point it comes down to goal differential, which Canada has done well at because of the 8-0 win against Norway. Of course, if the Czechs win in overtime as well, they'll win their pool with 8 points, so it could be a three way tie on top.

Of course, this all presumes that Canada beats the USA in regulation. Even if they beat USA in overtime or a shootout, they'll still win the pool - but will likely finish 3rd. And if the Czechs win in regulation, and so does Sweden or Finland, then they'll still finish 3rd, but have a buy into the quarters.

The nightmare scenario would be Canada losing to the USA, either in regulation - in which they would definitely not get a buy into the quarters - or in overtime - in which case they probably will not get a buy into the quarters. Remember, only 4 teams get that buy into the quarter finals - meaning that at least two of the top 6 teams outlined above, will have to play an additional game to get to the quarters. Canada doesn't want to do that.

So there you have it. Canada could still come in 1st overall coming out of the round robin. But they could also finish as low as 6th. It all depends on what happenes this weekend.

Inglorious Basterds Artwork

I'm posting these for no real reason other than the fact that I love them. These are all original artwork that they are apparently auctioning off this week to support the Haiti relief effort. I love these posters, all from great artists. If only studios would have the balls to actually use posters like this. They are all great in their way (my favorite is the one with the eagle, my least favorite is probably the one with the drawing of the actual actors in the movie - but even that is great). Inglorious Basterds already had the best poster art of the year - this just makes it even better.

50 Most Anticipated Films of 2010: Part V

10. The Killer Inside Me
Directed By: Michael Winterbottom.
Starring: Casey Affleck, Kate Hudson, Jessica Alba.
Why? Jim Thompson’s novel of the same name is one of the darkest, most violent, most twisted looks at the mind of a psychopath that I have ever read. Casey Affleck is perfect for the role of a mild mannered Southern Sheriff in the 1950s who hides behind his outwardly dopey appearance a truly remorseless killer. Kate Hudson and Jessica Alba have not impressed me much so far in their careers – or at least not in a while – but I never miss a Winterbottom film – as he always makes such interesting diverse films.

9. Green Zone
Directed By: Paul Greengrass.
Starring: Matt Damon, Greg Kinnears, Jason Issacs, Brendan Gleeson, Amy Ryan.
Why? Greengrass, the director of the second and third Bourne movies, along with United 93 and Bloody Sunday, is among the best action filmmakers in the world right now. His latest film, set in Iraq where a weapons inspector (Matt Damon) becomes increasingly curious as to why he isn’t finding any weapons, looks to be another intense, edge of your seat thriller. I cannot wait.

8. Rabbit Hole
Directed By: John Cameron Mitchell.
Starring: Nicole Kidman, Aaron Eckhart, Sandra Oh, Dianne Wiest.
Why? John Cameron Mitchell is a complete original behind the camera. His first film, Hedwig and the Angry Inch was one of the great rock musicals of all time. His follow-up film, Shortbus, took the conventions of porn and turned them on its ear, making something playful and erotic, but not dirty – almost impossible to do when your actor are actually having sex. The film is based on the recent Pulitzer Prize winning play, and although it sounds more conventional, and certainly more star driven, than Mitchell’s previous work, I have faith that this one of kind director will make something great.

7. Wall Street: Money Never Sleeps
Directed By: Oliver Stone.
Starring: Michael Douglas, Shia Labeouf, Josh Brolin, Carey Mulligan, Frank Langella.
Why? Oliver Stone is one of my favorite directors of all time, and the original Wall Street was part of his great 10 year run from 1986 to 1995. Michael Douglas’ Gordon Gekko is one of the most iconic characters of the 1980s, and he is still more than relevant today, given the current state of the economy, and Wall Street’s hand on bringing us there. With Brolin, Mulligan and Langella also on board, this is a great cast, and I cannot wait to see what Stone does this time out.

6. The Social Network
Directed By: David Fincher.
Starring: Jessie Eisenberg, Andrew Garfield, Justin Timberlake, Rashida Jones, Max Minghella.
Why? Normally a movie about the founding of Facebook starring Justin Timberlake would be nowhere near a list like this. But it ranks this high for one reason: director David Fincher. His Zodiac was one of the very best films of the decade, and his last film The Curious Case of Benjamin Button was a dark stunner, that I felt was misunderstood by too many. I have complete faith that Fincher will make one of the more interesting films of the year with this one (the fact the Aaron Sorkin wrote it, also fills me with joy).

5. True Grit
Directed By: Joel & Ethan Coen.
Starring: Jeff Bridges, Matt Damon, Josh Brolin.
Why? I will admit to not being a huge fan of the Henry Hathaway original, which won John Wayne his only Oscar. It’s a solid Western, but nothing special. But this is the Coen’s after all, and it has been said that they will stick closer to Charles Portis’ well regarded novel – which is said to have a quirky, offbeat sense of humor – rather than remaking the original film. I have been accused of being a Coen Brothers fan boy, a charge that is hard to refute since I do generally love the brothers. This time, reteaming with Jeff Bridges (who will take over for John Wayne) and Josh Brolin (who will be the bad guy), and throwing in Matt Damon I cannot wait to see what happens. Still no word on who is playing Mattie, the little girl at the heart of the movie though.

4. Shutter Island
Directed By: Martin Scorsese.
Starring: Leonardo DiCaprio, Mark Ruffallo, Ben Kingsley, Michelle Williams, Max von Sydow, Jackie Earle Hayley.
Why? It’s frickin’ Martin Scorsese! It has now been four years since The Departed, and I have been anxiously awaiting the new feature by my favorite director of all time. I am not worried about the fact that the film was pushed back from the fall – as from what I understand it was a business decision and not an artistic one (the film apparently had great test screenings). Based on a atmospheric Dennis Lehane novel (Mystic River, Gone Baby Gone), this looks like it could be Scorsese returning to Cape Fear territory. I do hope it’s better than that film, but I do think that Cape Fear is an underrated thriller. A solid cast helps makes this one of my must sees from the first part of the year.

3. The Tree of Life
Directed By: Terence Malick.
Starring: Brad Pitt, Sean Penn, Jessica Chastin, Fiona Shaw.
Why? Since ending his self imposed 20 year exile for moviemaking, director Malick has made two masterpieces – The Thin Red Line and The New World. His films are slow and methodical, and usually shrouded in secrecy (the only plot description I can find for this movie is rather cryptic. Penn has worked with Malick before, and Pitt delivered his best performance in Andrew Dominik’s The Assassination of Jesse James by the Coward Robert Ford, which felt like a Malick movie, so I have no doubt both will be great. Every time Malick steps behind the camera, it is a major cinematic event.

2. Black Swan
Directed By: Darren Aronofsky.
Starring: Natalie Portman, Mila Kunis, Vincent Cassel, Winona Ryder
Why? Normally a psychological thriller about a ballerina, who’s rival may or may not be in her head, would not rank this high on my list – even with the presence of Natalie Portman, one of my favorite actresses, along with the solid supporting cast of Kunis, Cassell and Ryder. But considering this is by Darren Aronofsky, who I thought hit new heights with his last film, The Wrestler, this moved up the list quickly. He is always an ambitious, and brilliant filmmaker, so I cannot wait for this one.

1.Inception
Directed By: Christopher Nolan.
Starring: Leonardo DiCaprio, Ellen Page, Ken Watanabe, Joseph Gordon Levitt, Marion Cottilard.
Why? I have no idea what this movie is about, but I hardly care. Christopher Nolan has made nothing but wonderful films – Following, Memento, Insomnia, Batman Begins, The Prestige and The Dark Knight. That cast is amazing, and Nolan has proved himself to be an interesting filmmaker every time out. Shrouded in secrecy, this is about a CEO who gets involved in some sort of blackmail scandal – but that’s only the beginning of the film. I have no idea if this is going to be the best film of the year, but right now, it is the one I am most anxiously awaiting.